Sentences with phrase «as production versions»

Quite often, concept vehicles generate a great deal of excitement at auto shows, but never see the light of day as production versions.

The GR Supra Racing concept is best thought of as the production version with added motorsport bits, so what does it look like when you take them off?

The Citroen DS 6WR — initially thought to be the DX X7)-- has been revealed as the production version of the Wild Rubis Concept as a DS SUV for China.

The new crossover will be built as a production version of the EXP 9 SUV Concept, and it will arrive on the market in 2016.

The next i - model will be coming to dealers at the beginning of the next decade as a production version of the BMW i Vision Dynamics.

The Fiesta, one of Ford's best - known global names, is returning to North America in 2010 as the production version of the Verve concept currently making the rounds of auto shows.

Mechanically, the concept is the same as the production version of the car.

Google said the updates will be of «the same quality as production version updates».

Our intention is that Preview Program updates will be of the same quality as production version updates.

Not exact matches

A production version of the coupe is slated to arrive in the next few years as part of BMW's big push to over 12 all - electric cars by 2025.

In software, version 6 of EFI's Enterprise Commercial, Midmarket Print, Publication, Quick Print, Packaging and Corrugated Packaging Productivity Suites was unveiled, along with EFI MarketDirect, a cross media customer platform, and Escada software for corrugated process control, which offers more consistent board quality and reduced waste as well as with faster print speeds and production.

Unfortunately for us low carb - ers, it isn't as easy as making a «sugar - free» version, as these carbs play a pretty important role in the production of milk: they're in charge of pulling water into the milk as it's being made.

Except as otherwise permitted in writing by AAAS, Science's License to Publish applies to the Accepted Version (the version of the paper accepted for publication by AAAS including changes resulting from peer review but prior to AAAS's copy editing and produVersion (the version of the paper accepted for publication by AAAS including changes resulting from peer review but prior to AAAS's copy editing and produversion of the paper accepted for publication by AAAS including changes resulting from peer review but prior to AAAS's copy editing and production).

Orrock and colleagues activated tomato plants» defenses by spraying them with increasing concentrations of methyl jasmonate — a version of a chemical that plants release when they are being attacked that triggers downstream responses such as increased production of toxic metabolites.

American Association for the Advancement of Science (AAAS): Development of online citizen science products such as Google Mercury, Mercury Mappers, Geo Hunters; production and publication of printed and e-book versions of plain language book «Exploring the Inner Solar System»; production of podcasts featuring MESSENGER; evaluation and dissemination of MESSENGER educational products via AAAS's SciLinks site for educators; public programs at AAAS featuring MESSENGER.

For National Public Radio and LA Theater Works Alma performed in the radio versions of Zoot Suit and Nilo Cruz's Pultizer Prize winning play Anna in the Tropics opposite Jimmy Smits.As a 25 year member of El Teatro Campesino (ETC) founded by Luis Valdez, she has appeared in landmark ETC productions of; Zoot Suit, both the film and play (1979 Los Angeles Drama Critics Circle Award - Best Play); Corridos, both the TV version (1987 Peabody Award) and play; I Don't Have to Show You Any Stinking Badges; and Mummified Deer (Back Stage West «Honorable Mention» for her role as Mama Chu), all written and directed by Valdez.Ms.

The newest version of The Fugitive from CBS is as much fun as ever, a first - class, fast - paced, smoothly executed production packed with suspense, thrills and style.

The success of the film led to a job directing the 1989 big - budget version of Batman; a darkly lavish, gothic production, the film proved to be a huge hit, securing Burton a place on the roster of A-list directors.His next film, 1990's Edward Scissorhands was the tongue - in - cheek gothic tale of an artificial boy put together by a benign scientist, who dies before he can complete the boy; as a result, the fabricated youth has hedge clipper - like scissors for hands.

While not quite as polished and satisfying overall as Chicago, the strength of the music, production and commentary on the ups and downs of the music industry do make for an interesting, thoughtful, and enriching experience to justify making a film version of, despite some of the more dated aspects of the original material.

There have been other stabs at Fitzgerald's book: a lost silent production, with Warner Baxter as Gatsby, a few years after the novel was published; Alan Ladd as Gatsby, in a 1949 version; and Robert Redford as Gatsby in the Francis Ford Coppola - scripted 1974 production, a handsome but bland affair.

There have been many other versions of the Zorro tale: the serialized Zorro Rides Again (1937), the Italian - French production Zorro (1975), Disney's Zorro (1957 - 9)- a TV series starring Guy Williams, the tongue - in - cheek parody Zorro, The Gay Blade (1981) with George Hamilton as the foppish dandy, and Anthony Hopkins as an aging Zorro and Antonio Banderas as his younger protege in The Mask of Zorro (1998).

No, it's not half as good as John Carpenter's 1982 version, nor of Ridley Scott's 1979 masterpiece, «Alien,» another film that obviously influenced this film's production.

Gene Saks» version of Neil Simon's smash hit but dramatically minor Broadway production is till a play, but Jane Fonda dn Redford are appealing and there's good chemistry between them as the newlyweds.

But before you suggest that it might be blasphemous to take such a liberty with the supposedly - sacrosanct source material, consider the fact that the septet had previously been popularized as Blick, Flick, Glick, Snick, Plick and Whick by a 1912 Broadway production before subsequently being dubbed Bashful, Happy, Sleepy, Sneezy, Grumpy, Dopey and Doc in Disney's 1937 animated version.

Lucasfilm president Kathleen Kennedy said that Phil Lord and Christopher Miller had left the production due to «different creative visions» for the film, which stars Alden Ehrenreich as a young version of beloved Star Wars character Han Solo.

Subsequent stage productions included Robert Donat's turn as Becket in an Old Vic production directed by Robert Helpmann in 1953; a 1971 New York stage version with Dark Shadows alumnus Jonathan Frid in the title role; a Royal Shakespeare Company version in 1972 starring Hammer Films regular Richard Pasco as Becket; and most recently in 2014 at St. Bartholomew - the - Great Church in London, testifying to the continual appeal of Eliot's work.

Yesterday, he put up some production concept art for the film and today brought the latest piece of the casting puzzle, as Kodi Smit - McPhee has joined the film to play the younger version of Kurt Wagner, AKA Nightcrawler.

Smith reprises the role that she has previously assumed in the original stage production in 1999, as well as a radio version performed in 2009.

There are interesting side - by - side storyboard / finished scene comparisons for the film's more visually complex sequences; a selection of rather understandably deleted scenes that can be viewed with commentary by director and producer as well as within the context of the film (albeit in rather cumbersome fashion); a largely useless montage of still photos from the production cut to a cue of John Murphy's score; the usual cast and crew filmographies and production notes; plus a full - frame version of the film to go with the nicely transferred anamorphic widescreen one.

After an unsuccessful attempt with a «Cat People» remake at Warner Bros, Bill Condon and producer Michael Laughlin decided to collaborate on Condon's early version of «Dead Kids,» and with assistance from Hemdale and tax incentives from the New Zealand government, began production in northern New Zealand, with an eclectic mix of American actors: Dan Shor had recently appeared in John Huston's «Wise Blood»; Dey Young had just debuted in «Rock and Roll High School»; Michael Murphy was a Woody Allen alumnus; and Mark McClure had achieved a kind of immortality as Jimmy Olson in the «Superman» films.

The Blu - ray looks superb, as a digital production of this magnitude should, and presents the R - rated «Ultimate Edition» features 30 minutes of additional footage not included in the original theatrical version and the extra scenes fill in subplots and supporting characters cut from the two - and - a-half hour theatrical version.

Emma's output has been equally abundant, and includes a new take on Goneril in a superb BBC2 production of King Lear, and a breathtaking performance as a High Court judge in the film version of Ian McEwan's The Children Act (both directed by Richard Eyre).

Not to be confused with the 1998 movie of the same name featuring Denzel Washington as homicide detective John Hobbes, the 2016 version of Fallen is a British, Australian and American hybrid production based on Lauren Kate's Fallen novels.

Even though the movie is only 90 minutes long, cramming two versions of it onto one side of a dual - layer disc seems to greatly compromise the integrity of the image, as it simply doesn't sport the lustre a $ 100M production should.

Extras include a series of featurettes on production and the film's various characters, as well as a digital version of the official graphic novel.

On stage, she played Stella to Rachel Weisz «s Blanche in the Donmar Warehouse production of «A Streetcar Named Desire,» and since starred as Karin in the stage version of Ingmar Bergman «s «Through A Glass In Darkly» in London, and took the title role back at the Donmar, opposite Jude Law, in Eugene O'Neill «s «Anna Christie» last summer.

Filmmaker Luca Guadagnino is currently in post production on his newest film Suspiria, a remake of Dario Argento's classic 1977 horror — although according to star Tilda Swinton, it's not so much a «remake» as «another version».

Fosse, who provided choreography for the original Broadway production as well as collaborated on the book, had been in talks to direct a film version up until his death in 1987.

There is also an avalanche of bonus extras, including: Extreme Cool View Version of Ice Age (which combines Scrat's Frozen Fun Facts with behind - the - scenes clips from the filmmakers and natural history experts), specific scene commentary by John Leguizamo as Sid, Behind the Scenes of Ice Age (an HBO special), Gone Nutty - Scrat's Missing Adventure (the animated short), Bunny (another animated short with introduction by director Chris Wedge), three multi-angle animation progressions, and six production featurettes.

But the production company that owned the rights to the novel was unsatisfied with the «really dark» draft it had originally commissioned, and eventually met with Coppola, who pitched her version as having «a lighter touch.»

Along with games (Fun With English and Briar Rose Enchanted Dance Game), song selections and a music video (Emily Osment croons an updated version of Once Upon a Dream), there are two additional Disney productions: The Peter Tchaikovsky Story (a dramatization of the composer's life which aired as an episode of the Walt Disney TV show to introduce the studio's upcoming release of Sleeping Beauty) and Grand Canyon (the award - winning short film featuring panoramic vistas that accompanied Sleeping Beauty's theatrical run).

Director Robert Fuest worked as a production designer and later director of the 1960s spy series The Avengers, and the film occasionally plays as an extended version of one of that show's episodes, with Price as a mastermind villain, but without any intrepid secret agents to foil him.

Among students who are assigned by lottery to see live theater, knowledge of the plots of those plays as well as the vocabulary used in those productions is significantly enhanced, above and beyond what they learn by reading those works or by seeing film versions (see Figure 1).

As predicted, the so - called MDX «prototype» shown earlier this year at the Detroit auto show was little more than a gussied - up version of the production vehicle.

After showing off the Beetle R concept at the Frankfurt motor show, the Germany company has brought the same car to the Los Angeles show, with the clear - if as yet unconfirmed - intent of producing a production version.

The Renault Twingo RS 133 ceases production as the next generation city car lies on the horizon, with a hot hatch version due

The vehicle in the drawings doesn't stray far from the Urus concept, which could mean the production version will look just as menacing.

Instead, we will see concept versions of the new BMW Z5 and the Toyota sport coupe in the next year, with production versions to follow during the 2018 model year — the Toyota as a hardtop coupe, the BMW as a roadster.

Volkswagen is clearly taking aim at Tesla as it prepares to launch its first in a completely new fleet of EVs that will also include production versions of the I.D. Crozz crossover and I.D. Buzz van concepts.

The weight is quoted as just 1050 kg too - usefully lighter than the production version.