His approach to art - making remarks upon socio - political concerns, as well
as psychogeography and searching for the American Dream.
The artist refers to the sculptures
as Psychogeographies because «they feel like maps of the psyche.»
Not exact matches
He exhibits selections of his signature «painting sculptures», culling from his ongoing dynamically figurative cosmos
Psychogeographies as well
as intimately - scaled acrylic and glass contrasts.
Evoking the myths and histories of the «Wild West» and taking the form of vignettes that last under a minute (
as per Rule Number One), the films draw on American Western folklore, Situationist
psychogeography, early film and primitive cinema, such
as flipbooks and kinetoscopes.
As an artist who has long been interested in strategies of mapping and the
psychogeography of the city he calls home, Bradford uses his characteristic painting style to excavate the terrain — emotional, political and actual — that he inhabits.