Sentences with phrase «as public exhibition space»

The Milton Resnick and Pat Passlof Foundation is pleased to announce plans to renovate Milton Resnick's former studio and home at 87 Eldridge Street, Manhattan, as a public exhibition space, and to house the Foundation's offices.

Not exact matches

And the company has made some well - publicized gifts, such as $ 5 million for the Boeing Galleries at Millennium Park, which provide space for public exhibitions at the park's midlevel terraces.

As a public space similar to, for example, the Wheeler Centre in Melbourne, the Asian Century Institute could consist of a café, library and gallery, where rotating exhibitions could be held, as well as meeting rooms and a lecture theatre for symposiums, classes and / or conferenceAs a public space similar to, for example, the Wheeler Centre in Melbourne, the Asian Century Institute could consist of a café, library and gallery, where rotating exhibitions could be held, as well as meeting rooms and a lecture theatre for symposiums, classes and / or conferenceas well as meeting rooms and a lecture theatre for symposiums, classes and / or conferenceas meeting rooms and a lecture theatre for symposiums, classes and / or conferences.

The Newport Visual Arts Center, located at the historic Nye Beach Turnaround, is a facility built by the City of Newport as a public art exhibition space and for art education programs and maintained by the Oregon Coast Council for the Arts.

As a preview event, we're talking with Los Angeles Contemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imagination.&raquAs a preview event, we're talking with Los Angeles Contemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imagination.&raquas «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imagination.»

A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».

From the highest number of visitors to our online space to the 12,500 people visiting our public exhibitions, from the volume of bidders in the sales themselves to the significant number of new artist records set, we are seeing unprecedented momentum in the market as the desire to connect with great art continues to grow.»

Through exhibitions, educational programs, and subsidized studio spaces, AAC serves as a bridge between artists and the public.

Showcasing works that have transformed the public space of the city and also altered public expectations and the role of art outside the museums and galleries, the exhibition will include renderings, models, photographs and video footage of work by artists such as Red Grooms, Christo and Jeanne - Claude, and Kara Walker, among others.

With its eventual sculpture garden, the new building will connect to CHRISpark, the one - acre public green space Pace built in memory of her son in 2005, as well as SPACE, which presents special exhibitions and programming throughout the space Pace built in memory of her son in 2005, as well as SPACE, which presents special exhibitions and programming throughout the SPACE, which presents special exhibitions and programming throughout the year.

«It's been a long time coming, and I am delighted to be able to point to this for the public to actually see the exhibition space today, what we refer to as Ruby City,» said Rick Moore, president of the Linda Pace Foundation.

The exhibition, showcasing Secondary Stories as well as three video installation works, opens at SPACE, the public gallery of the Linda Pace Foundation, located at 111 Camp Street, on April 30, 2016 and will remain on view through July 29, 2017.

Dividing and subdividing the gallery, this installation both tackles and expands upon two central themes: an architectural play with transparency and concealment as well as an encounter between an intimate and private exhibition space and a strikingly public stage, which places «on view» the visitor's every movement.

For 4 - 6 weeks each artist spent time using the gallery as both a studio and exhibition space, whilst giving the public a behind - the - scenes look at the process of creation along with taking an active role in artistic and creative research.

This second exhibition delves into the artist's notion of being an «immigrant,» how he or she responds to the present immigration debate as it is carried out in personal, public, and political spaces, and what approaches the artist takes, from the subtle and conceptual, to the blatantly political.

Early in the year 2000, as Pace continued to expand her contemporary art collection, she began to seriously contemplate establishing an exhibition space to present the collection to the public.

We focus on new commissions, giving the opportunity to artists to engage with the public space through our city and community projects, such as opening up closed gardens within the center of Athens to house public art exhibitions and bridge our formidable cultural heritage with contemporary art initiatives.

Previously, at the Newhouse Center for Contemporary Art at Snug Harbor, she managed a contemporary exhibition program in a 15,000 - square - foot historic space as well as international residencies, public programming, and a studio program for visual artists.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

About The Gordon Parks Foundation exhibition space The Gordon Parks Foundation's mission is to permanently preserve the work of Gordon Parks, make it available to the public through exhibitions, books, and electronic media, and support artistic and educational activities that advance what Parks described as «the common search for a better life and a better world.»

``... the annual event that stretches from East Williamsburg to Ridgewood in a grandiose three - day celebration of art on levels both individually intimate — as artists open their creative spaces to the public — and collectively extravagant — via group exhibitions, performances of various sorts, screenings, parties and so forth.»

As already mentioned, the public solo exhibition takes place from July 15 — 23 at The Untitled Space, 45 Lispenard St. Unit 1W NYC 10013.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Published for this exhibition, Antony Gormley: For the Time Being examines recent works exploring this tension, such as the Construct series, which range from a standing male figure with his hands at his sides and his head turned, to a cluster of vertical blocks that could be described as post-Constructivist, and recent public commissions such as «Exposure» (2010, executed for a site in the Netherlands) and «Habitat» (2010, erected in Anchorage, Alaska), which also demonstrate this tension of mass in space versus constellated nodes in space.

Radically revising the line between public and private, the exhibition space was domestic space, and conventional assumptions about suitable artistic subject matter were discarded; the bathroom and the dollhouse were appropriated as «appropriate» exhibition spaces for feminist art.

Furthermore, the exhibition gallery will double as an interactive events space dedicated to public discussions that will be recorded and broadcast online throughout the course of the exhibition, pushing beyond the boundaries of the physical gallery space.

For her exhibition at Chisenhale, Pica also focuses on the gallery space as a public site with works situated in areas usually excluded from the arena of exhibition display.

Over the course of the fall, the museum's courtyard and lobby galleries, as well as other public spaces, will remain open and active with new programming and exhibitions.

We see the responsibility of the gallery as threefold: to work for the long - term development of each artist's career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public space in which the exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.

Future Lab Africa hopes to create lasting networks and public engagements which extend beyond the exhibition incorporating research and multidisciplinary methodologies as a basis of understanding new developments in the African digital art space.

-- a solo exhibition by Bang Geul Han that claims space to represent both highly personal experiences and overtly public manifestations of sexism, misogyny, and violence, as well as setting these accounts face - to - face with anti-feminist statements made by powerful and marginal figures.

He is globally renowned for his site - specific installations in public spaces, as well as exhibitions in museums and gardens.

The San Francisco Museum of Modern Art (SFMOMA) announced Wednesday that a thoroughly transformed SFMOMA will open to the public on Saturday, May 14, 2016, offering nearly three times the previous exhibition space, featuring 260 works from the Fisher Collection, a first showing of more than 600 artworks promised to the museum, the debut of the new Pritzker Center for Photography and an outward - looking architectural design that weaves the museum into the city as never before.

ET: Collectivity, political and social movement, public space - you've used these themes to frame a concept of «ecstatic resistance,» which most recently took form as an exhibition of other artists» work.

NURTUREart is grateful to present Ugly Feeling — a solo exhibition by Bang Geul Han that claims space to represent both highly personal experiences and overtly public manifestations of sexism, misogyny, and violence, as well as setting these accounts face - to - face with anti-feminist statements made by powerful and marginal figures.

Located in the Allen Institute building at the corner of Westlake and Mercer in the South Lake Union area of Seattle, the 3,000 - square - foot exhibition space will be devoted to contemporary art and culture in the widest possible sense, featuring work from private and public collections in Seattle and other parts of the world, as well as pieces from the Allen Family Collection.

The new exhibition will showcase extensive press cuttings about Space's first site at St Katharine Docks, as well as public screenings of a rare interview with Bridget Riley talking about the impact more room had on artists» work.

The revelation can be architectural - as in his 1973 work at the Galleria Toselli in Milan, where he had layers of paint stripped from the walls to expose the original plaster surface - or functional, as in his piece for the Claire Copley Gallery in Los Angeles, in which he made public the business operation of the gallery by removing the wall dividing the exhibition area from the office and storage space.

Furthermore, an installation on the outer facade of the exhibition cener is displayed as art in the public space.

The concept of this improvised exhibition walkthrough was first staged in 2010 at the Hammer Museum in Los Angeles as part of a public engagement residency by Machine Project, a collective and nonprofit space founded by Allen.

He constructs these sculptures not only for museum exhibitions around the world, but also in public spaces, such as in alleys or doorways.

Capture Photo Festival Photography is presented at over 70 esteemed galleries and community spaces throughout Vancouver as part of the Festival's Selected and Open Exhibition Programs, and further includes public installations, tours, films, artist talks, and the inaugural Vancouver Photo Book Fair.

For this solo exhibition in PC - G's Hunt - Cavanagh Gallery, San Diego artist Robert Andrade presents a site - specific installation of new work that builds upon his evolving language of sculpture, public space, Modernist architecture and construction materials as fine art supplies.

65 years after Audrey Hepburn performed at renowned West End night club Ciro's, the space on Orange Street now used by the National Portrait Gallery as a public archive, the gallery hosts a major exhibition celebrating the life of this much celebrated film star and fashion icon.

Reopened to the public last year after conservation and renovation (the managing 500 Capp Street Foundation preserved the existing space and added square footage to display and archive work), the house and garage feature rotating exhibitions of Ireland's works, as well as a visiting artist series.

He has extensive experience in exhibitions and events in public art organisations as well as alternative spaces.

The project avoids the use of exhibition and curation, as the spaces are not traditional exhibition spaces open to the public.

Her Dance Constructions and other performance pieces such as Huddle, Hangers, Accompaniment for LMY, Rollers, Slant Board, Censor, and Platforms are being enacted in the museum and in public spaces in Salzburg by students at the SEAD (Salzburg Experimental Academy of Dance) during the duration of the exhibition, which runs until September 11, 2014.

For her first solo exhibition in a UK public art institution, Hicks has filled Dan Graham's Waterloo Sunset Pavilion in the Hayward Gallery Project Space with huge pigmented bales — in an attempt, she says, to create something as exciting as London zoo.

He has also shown widely, including at the Venice Biennale and other notable international exhibitions and at the Metropolitan Museum of Art and the Museum of Modern Art in New York and the British Museum in London, as well as at other museums, galleries, public and non-profit spaces and academic institutions.