Sentences with phrase «as radical performance»

Huan is known as a radical performance artist whose work is often based on his own body, such as the 1994 work 12 Square Meters, in which he squatted naked in a public latrine for an hour while flies swarmed around him.

This survey of works on paper, curated as radical performance, corrects that, freeing the artist in ways not anticipated.

When Andrew decides to contribute a film to the Humpday fest (a real - life amateur porno festival sponsored by Seattle alternative weekly The Stranger), a piece of art that will «push boundaries,» Ben proposes (in front of a crowd of artist - types) that the two of them — two straight men — have sex on camera as a radical performance piece.

Not exact matches

in Medicine and Science In Sports and Exercise found a similar boost in aerobic performance while the subjects kept up levels of glutathione, a molecule that promotes cellular health (and usually diminishes as it fights free radicals released by intense exercise).

Another trial in Medicine and Science In Sports and Exercise found a similar boost in aerobic performance while the subjects kept up levels of glutathione, a molecule that promotes cellular health (and usually diminishes as it fights free radicals released by intense exercise).

There are plenty of talented components to this cast, and most every one of them has his or her time to shine, even such much too briefly present forces as episodes 1's Martin Sheen - who nails both Irish - American accent and depth of the good - hearted slaver who comes to find flaws in the traditions he has had to follow - and episode 3's Richard Jenkin, who effectively despicable in his audacious portrayal of a despicable radical racist who is as willing to die as he is to kill to preserve his questionable sense of order - and plenty of other people in between, from the compelling Dennis Haysbert to the charming Danny Glover, so you know that it's saying something to proclaim that leading lady Halle Berry is this series» strongest performance, delivering on powerful layers and emotional range in her engrossing portrayal of a mulatto who is trapped in society by her mixed race, and will face many unbearable hardships that will test her innocence and humanity.

When a friend is killed by the police, though, they commit to becoming real revolutionaries, and as their first act, they bust a noted radical, Dhari (Nathaniel Martello - White, in a terrific performance), out of prison.

Daniel Day Lewis» portrayal of the man as a softly spoken, thoughtful man of the people is extremely watchable, although Tommy Lee Jones puts in a scene stealing performance as a radical political firebrand and James Spader adds more character and some mild comic relief as one of Lincoln's back room «fixers».

It was pretty radical, by New York standards, ordering school districts to evaluate teachers using student performance data as one of the key measures of teacher competence.

Many of the high performance engines have such radical valve overlap that they are really not making compression for as long as a mildly tuned engine.

To me the straight line performance doesn't feel as crazy as, say, a Radical SR8, but the downforce level feels higher and because it's so tiny you can cut cleaner, more efficient lines around the circuit.

No exaggeration in stating the Bentley Arnage T sets the standard as a radical interpretation of an ultra-high performance saloon.

The radical technical changes include, an intelligent valve control, a back pressure - optimized double - flow exhaust system fitted beneath the floor of the vehicle, as well as resonator tuning specific to M Performance.

In the catalogue for «Radical Presence: Black Performance in Contemporary Art,» currently at NYU's Grey Art Gallery, curator Naomi Beckwith describes Mythic Being as «a seminal work of self - fashioning that both posited and critiqued models of gender and racial subjectivity.»

Recalling Kusama's earlier polka - dotted environments and her participatory performances of the late - 1960s, this installation demonstrates her continued desire for radical connectivity, which she has described as «a way to free each individual and simultaneously reconnect them in mutual obligation.»

This 456 - page volume, published in conjunction with the Walker Art Center and MCA Chicago's exhibition, reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance, including the development of site - specific dance, the use of technology as a choreographic tool and the radical separation of sound and movement in dance.

Culled from the artist's archive of hundreds of color slides originally shot using Ektachrome film (which Kodak discontinued in 2013), Harris initially presented selections from his archive publicly as digital projections at Yale University, as well as in conjunction with the exhibition Radical Presence: Black Performance in Contemporary Art at New York University's Grey Art Gallery and the Studio Museum in Harlem in 2013 - 14.

Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem continues reframing the historical narrative to include African Americans, as begun in Part 1 at NYU's Grey Art Gallery.

He recently curated a long weekend of newly commissioned performances by Desirée Holman, Naomi Rincón Gallardo, and Jacolby Satterwhite exploring eccentric science fictions, utopian possibilities, and radical futures as part of Performance in Progress.

MoMA acquired one of her radical performance and video works this year, confirming Bruguera's status as one of the preeminent performance artists of our time.

The world's authority on performance art, RoseLee Goldberg, tells Artsy, «Tania Bruguera's work remains as radical today as it was when I first encountered it in the mid -»90s, with a work entitled What Belongs to Me, a two - hour silent piece on censorship.»

His work is currently being shown at the CAM in Houston as part of the exhibition, Radical Presence: Black Performance in Contemporary Art.

While the works created by these artists have previously been contextualized in terms of associations and movements ranging from Fluxus to Conceptual Art to the blanketed arena of contemporary art practice, in Radical Presence they will be presented along a trajectory providing general audiences and scholars alike, a critical understanding of the significance and persistence of black performance as a stand - alone practice.

The history of performance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Performance: Live Art Since 1960 (1998) by Roselee Goldberg, and her seminal book from 1979, Performance: Live Art 1909 to tperformance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Performance: Live Art Since 1960 (1998) by Roselee Goldberg, and her seminal book from 1979, Performance: Live Art 1909 to tPerformance: Live Art Since 1960 (1998) by Roselee Goldberg, and her seminal book from 1979, Performance: Live Art 1909 to tPerformance: Live Art 1909 to the Present.

As part of their Flux series, the Hammer Museum hosts video greats Michel Gondry, Keith Schofield, Radical Friend and Stefan Nadelman with MMG's Allison Schulnik — who will screen «Forest,» in addition to a performance by Mia Doi Todd, Michel Gondry and friends.

Their performance has taken place as a gesture calling to mind notorious artists of earlier radical art movements but the historical, linguistic and political context of their practice is often related specifically to their origins: China.

Their performances have taken place as radical gesture calling to mind notorious artists of earlier radical art movements but the historical, linguistic and political context of their practice is often related specifically to their origins: China.

Instead of an understanding of performance as a live activity or connected to an exploration of the artist's body, the exhibition explores performance in a radical sense as a method of making the past present.

Although Nam June Paik trained as a classical pianist, his radical aesthetic tendencies soon led him to start experimenting with performance and installation art, which often incorporated new technologies such as lasers, robots, and satellite transmissions.

Nengudi's work was included in the 2017 Venice Biennale and has been featured in major recent group exhibitions, such as We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, New York (2017); Blues for Smoke, Whitney Museum, New York (2013), and Radical Presence: Black Performance in Contemporary Art, Contemporary Art Museum Houston (2012).

Numerous scholars have explored the history of performance art as a manifestation of radical shifts in social thought and artistic practice, but only a small handful of publications have specifically focused on black performance art.

Gilbert & George are famous and infamous for their provocative and controversial visual lexicon and have built a strong tradition of eccentric, radical, and pugnacious cross-disciplinary art practice — embodying performance, sculpture, and painting since they first met as students at St Martin's School of Art in 1967.

The history of performance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Out of Actions: Between Performance and the Object 1949 - 1979 by Paul Schimmel, Greenwich Village 1963: Avant - Garde Performance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tperformance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Out of Actions: Between Performance and the Object 1949 - 1979 by Paul Schimmel, Greenwich Village 1963: Avant - Garde Performance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tPerformance and the Object 1949 - 1979 by Paul Schimmel, Greenwich Village 1963: Avant - Garde Performance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tPerformance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tPerformance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tPerformance: Live Art 1909 to the Present.

In keeping with the theme of the radical art practice of the 1970s and 80s, Two steps to the Left... takes US artist Adrian Piper's groundbreaking interactive performance Funk Lessons (1982 - 85) as a point of departure, to explore dance and movement as a political act; asking what role does dance and music play in the creation of momentary communities, of dissent and assent.

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art at the Walker Art Center, Minneapolis, MN.

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art at the Los Angeles County Museum of Art, CA.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art, part two of the exhibition's New York presentation, at the Studio Museum in Harlem.

Focussing on performance and media - based works, as well as the activism that was intergral to first wave Feminism, this exhibition made visible the radical operative of Feminist art and politics within art today.

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art, part two of the exhibition's New York presentation, at the Studio Museum in Harlem.

Coco Fusco's performance Observation of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of the exhibition Radical Presence: Black Performance in Contemporary Art the Yerba Buena Center for the Arts reviewed by Jonathan Curiel inperformance Observation of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of the exhibition Radical Presence: Black Performance in Contemporary Art the Yerba Buena Center for the Arts reviewed by Jonathan Curiel inPerformance in Contemporary Art the Yerba Buena Center for the Arts reviewed by Jonathan Curiel in SF Weekly.

Nyong» o has published in venues such as Radical History Review, Criticism, GLQ, TDR, Women & Performance, WSQ, The Nation, Triple Canopy, The New Inquiry, and n +1.

«Danger to The System» focuses on events highlighting artists of color, queer, and other marginalized intersections of artists whose work deals with time, space, histories, new media, cultural diaspora, erasure, patriarchy, white supremacy, the internet, recorded and performed sound works, live performance, and the intersectionality of histories, cultural trauma, healing strategies and the ever changing radical climate in America, 2016, as well as specifically Oakland, CA.

Robert Adanto's film explores radical «4th wave» feminist performance through interviews with a new generation of artists who use their bodies as subject matter.

The curators purposefully selected this dystopic theme as a reflection of the present - day world, inviting a select, radical milieu of contemporary artists to comment upon, through installation, video, performance and new technologies, two forces.

Now, if that doesn't get you excited, you should know that we are hoping to collaborate with the CAMH to have Kalup Linzy give a performance at HMAAC as part of CAMH's Radical Presence exhibition.

Trained as a classical pianist, his early interests in composition and performance combined with his radical aesthetic tendencies brought him into contact with protagonists of the counter-culture and avant - garde movements of the 1960s, including Fluxus.

Featuring live performances as well as objects, Radical Presence includes more than one hundred works by thirty - seven artists.

Presenting a diverse group of artists and activists who lived and worked at the intersections of avant - garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking.

She also experimented with happenings and performances, sometimes appearing as an element in her own installations, other times involving members of the public and entering public spaces in a more radical way.

Together Atlas and Cunningham developed a radical new way of incorporating the camera into live performance, which they referred to as «media dances.»