Sentences with phrase «as relief sculptures»

The exhibition features a selection of large - scale works on canvas as well as relief sculptures comprised of oil painted televisions and small assemblages of found objects.

The Bo - Men, beautiful in their place as relief sculptures in the walls of a gallery, but the entire exhibition of Boman's work is mean to teach us about ourselves and the struggles we are always attempting to overcome.

In the arts, this dynasty was noted for architectural structures like the al - Azhar Mosque and the al - Hakim Mosque of Cairo; ceramic art in the form of pottery decorated with figurative painting and ivory carving as well as relief sculpture and the emergence of the «infinite pattern» of abstract ornamentation.

Not exact matches

This building has sculptured reliefs in the top corners depicting naked Native Americans along with wood carvings of Native Americans inlaid throughout the interior, reminiscent of an age when appropriating this culture was seen as sentimental and artistic.

Having a guide definitely helped, but other factors were the amount of intricate reliefs and sculptures on the temples, being able to climb on some of the structures, as well as a smaller number of tourists and virtually no handicraft vendors!

Sylvester countered remarks by various critics that the artist's work was closer to sculpture than to painting: «in spite of the heaped - up paint, these are painterly images, not sculptural ones, have to be read as paintings, not as polychrome reliefs, and make their point just because their physical structure is virtually that of sculpture but their psychological impact is that of painting» (Sylvester, «Young English Painting», The Listener, 12 January 1956).

The exhibition also includes Miller's iconic monochromatic gold and brown reliefs, composed of dense, animistic arrangements of readymade materials, as well as a wide array of his anthropomorphic sculptures, which include pointed, humorous re-imaginations of globes, mannequins and office furniture.

In Hog on Ice, Pinks, and Creamed Onions (1989), John Chamberlain uses black and white lucite relief to form varying lines in abstract forms, evoking the linear patterns that appear as a result of manipulation and exposure in the artist's crushed automobile sculptures.

Phillip Maberry and Scott Walker For over twenty - five years we have created one - of - a kind ceramic sculpture, reliefs and objects for gallery and museum installations as well having fulfilled numerous residential and commercial commissions.

Her work champions traditional formats such as the vessel or relief sculpture, but also challenges the boundaries between craft and fine art.

Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own «spiritual - metaphysical experiences.»

The artist's second solo exhibition with the gallery entitled «Sourceless Fields» will feature recent Eternit reliefs, sculptures as well as works on paper.

Spanning 40 years her creative output ranges from early wax reliefs and polyurethane sculptures, cantilevered installations, to videos, Polaroids as well as work in ceramics, glass, paper and neon.

Before long, he began to incorporate them as relief elements on his IKB paintings, and in 1959 he displayed a multitude of Sculptures éponges at the Galerie Iris Clert in Paris.

His revolutionary performances, sculptures, and installations — most notably, the series Parangolé, Bilateral, Relevo Espacial (Spatial Relief), Bólide, and Penetrável (Penetrable)-- outline a cohesive, sustained investigation of color and abstraction as a framework for spatial experience.

However, it does shine in sculpture, as in fragments of the Renaissance in Germany and a stone relief from twelfth - century France.

Sculpture has always offered relief, in more ways than one, and Clement Greenberg made a point of painting as object.

Trained as a painter, Lucy Kim has developed a robust body of work situated between meticulous image - making and low - relief sculpture, to explore the sometimes uncomfortable spaces between the natural and artificial.

The lines, planes, textures and colours he composes from the models recall Modern painting and sculpture, including Picasso's reliefs, as well as mid-20th century abstract painting.

November 20, 2009 — February 21, 2010 The sculptures and images making up Francis Cape's exhibition stem in part from his experiences as a disaster - relief worker in New Orleans.

As an image / object, it hovers between painting, photography, and relief sculpture, and between realism and abstraction.

Accepting the term neo-primitivism as «loose and inaccurate, but inescapable», his diverse media practice consists of sequences of cyclical bead paintings, collections of vintage «West German» pottery dressed with beadwork skirts, low - relief drawings / sculptures carved from book - binders» card, collage - topped - tables, stark wall paintings.

According to Miró, they are a farewell to painting, albeit a temporary one, as he wishes to work in other media such as bas relief and sculpture.

The fundamental concern for all, as illustrated by the drawings, painting, reliefs and sculpture on show, was the materiality of the work of art itself.

Along with the artist's large - format wood sculptures and reliefs, paintings from the later Remix series are also featured, as well as a new group of works, which is publicly displayed here for the first time.

The work of Matthew Palladino has been undergoing a cyclical evolution over the last few years, as his painting and relief sculpture have engaged in a binary orbit around each other.

In 1985 Stella began work on the The Wave series which in 1988 became known as the Moby Dick series, a set of 266 painted metal reliefs, collages, sculpture, prints and a block long mural (at least one unique work for each of the 138 chapters of Herman Melville's novel).

As he continued to develop his style, Stella also showed a marked willingness to expand his approach, branching out into his signature shaped canvases as well as his later three - dimensional relief sculptures and architectural designs among other unique projectAs he continued to develop his style, Stella also showed a marked willingness to expand his approach, branching out into his signature shaped canvases as well as his later three - dimensional relief sculptures and architectural designs among other unique projectas well as his later three - dimensional relief sculptures and architectural designs among other unique projectas his later three - dimensional relief sculptures and architectural designs among other unique projects.

In the aptly titled exhibition, the artist introduces low relief sculptures and drawings to comment on cultural and psychological undertones of furnitures, not only as mundane utilitarian objects, but also as witnesses and vessels of human experience.

And when that all gets too much, there's some comedic relief in the cheeky irony of film - maker John Waters, whose sculptures and photographs share the same provocative bite as his films.

These low reliefs project outward from the surface of the work, serving as a methodical reexamination of the relationship between painting and sculpture.

His revolutionary performances, sculptures, and installations --- most notably, the series Parangolé, Bilateral, Relevo Espacial (Spatial Relief), Bólide, and Penetrável (Penetrable)--- outline a cohesive, sustained investigation of color and abstraction as a framework for spatial experience.

A third monumental relief sculpture is Oziksien; its cavities begin as shy burrows and end with a palpable ferocity as it encroaches the floor.

The exhibition pairs stand - alone sculptures and wall reliefs with installation elements, such as functional seating made out of hand - cut wood and black wooden wall sconces holding mint green candles.

When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures such as Dan Flavin's fluorescent light installations or Donald Judd's metal and Perspex wall reliefs.

In her newest body of work, Lou creates sculptures and reliefs that reference common objects such as ropes, book pages and fencing that when layered or made into multiples and then cloaked in brilliant glass beads evoke themes of containment, labor and repetition.

European Art, 1949 ‐ 1979 will include many other donations: a Letter to Palladio by Giuseppe Santomaso, early and late paintings by Armando Pizzinato, decoupages by Mimmo Rotella, two paintings by Lucio Fontana including a 1955 example of «holes» bequeathed in 2011, a major painting by Pierre Alechinsky, an aluminum relief by Heinz Mack, prints by Eduardo Chillida, a Homage to the Square by Josef Albers, an «extroflexed» canvas by Agostino Bonalumi, an entire room of sculptures by Mirko as well as his iconic tempera study for the Gates of the Fosse Ardeatine, a late monotype by Emilio Vedova, works by Bice Lazzari, Gastone Novelli and Toti Scialoja, and two paintings by Carla Accardi, including the magnificent Concentric Blue of 1956.

His sculptures — geometric wall objects, façade - like reliefs, objects and sculptures created from abstract stereometric bodies which take the form of cubes, angles, columns, pedestals, podiums, movable walls and shelving — are made of cheap no - frills materials such as particle board, cardboard, linen, molton, Styrofoam, synthetic resin, emulsion paint, fluorescent tubes and other everyday building materials.

As part of British Art Show 8, Ögüt invited three artists - Liam Gillick, Susan Hiller and Goshka Macuga - to design sculptures that function as public donation boxes for a student loan debt relief campaigAs part of British Art Show 8, Ögüt invited three artists - Liam Gillick, Susan Hiller and Goshka Macuga - to design sculptures that function as public donation boxes for a student loan debt relief campaigas public donation boxes for a student loan debt relief campaign.

In the mid-80s he made bronze variations on an Indian carved relief of female warriors, and a visit to Greece in 1985 was reflected in a series of sculptures as variations on the pediments he admired there.

He has made paintings on traditional, rectangular canvases, paintings on differently shaped canvases, murals, prints, three - dimensional relief paintings and paintings that many people would describe as sculptures.

With material as departure point, Lang's recent works explore the tensions between abstraction and figuration, and investigate space beyond the limitations of the human body through sculpture, reliefs, assemblage, paintings and collages.

Early on in his career, he stood out as one of the first artists to make installations with found materials, while his relief and free - standing sculptures, for instance CHILD (1959) and LOOKING GLASS (1964), received critical acclaim at the time for their masterful compositions and markedly sombre nature.

As of Friday, 15th of November 2013, a group of new sculptures as well as wall reliefs and drawings will be on vieAs of Friday, 15th of November 2013, a group of new sculptures as well as wall reliefs and drawings will be on vieas well as wall reliefs and drawings will be on vieas wall reliefs and drawings will be on view.

Entitled Studio Imaginaire, the exhibition presents new painting, relief and sculpture by the artist that invite exploration of the studio as a space between workshop and utopia.

His high relief sculptures in terracotta, resin and bronze have been exhibited widely in Europe and are appreciated not least for their peculiarly personal approach to perspective, as seen in «Brussels, an urban comedy», a 25 metre long terracotta frieze in the Royal Galleries of Saint - Hubert in Brussels.

As he continued to construct his trademark large - scale automobile sculptures, Chamberlain experimented with some of the same materials for his mixed - media relief paintings.

Resembling antique stelae, decorative reliefs or even geological sediments, these works can also be seen as minimalist sculptures akin to John McCracken's monolithic slabs.

Amongst labyrinthine fabric partitions were intimately staged groups of solid oak and sycamore sculptures and reliefs — some freestanding, others, like Oak cabinet with organs (2017), existing as visceral hulking appendages to items of furniture.

Traditionally worked in natural materials like stone, clay, and metal, sculpture encompasses both free - standing works «in - the - round» and reliefs, often serving as architectural elements.