Not exact matches
If the new chair had a wooden base we would simply screw the wheels into the new chair and call it a day...
as it was we needed to add a few pieces
of scrap wood to make a secure base.
Materials • Rubbing alcohol (70 percent isopropyl alcohol) • Measuring spoons • Small bowl • Three long strands
of human hair (about 20 centimeters long) • Cotton swabs • Measuring tape or ruler • Thin, flat piece
of plastic that can easily be cut (about 8.0 cm long and 8.0 cm wide), such
as from the lid
of a disposable deli container • Scissors (strong enough to cut the plastic piece) • Dime • Tape • Two small nails • Glue •
Scrap piece
of wood or flat Styrofoam (about 25 cm long and 10 cm wide) • Hammer • Pencil or pen • Hair dryer • Plastic box that can be sealed and is large enough to fit the
wood or Styrofoam piece inside
of it • Wet sponge or small towel (either paper or cloth) Preparation • Make a solution
of 25 percent rubbing alcohol and 75 percent water by mixing one tablespoon
of water with one teaspoon
of rubbing alcohol in a small bowl.
We just took 3 pieces
of scrap wood (1 × 6 or 1 × 8 probably) and cut them all to the same length (maybe 15 ″ wide or so), then used smaller
scraps (1 × 2)
as braces along the back and put screws in them to hold it all together.
Sorry this is so long but I hate to see something turn out badly so
as Alicia suggested, always experiment on a
scrap piece
of wood first.
Check this out: So,
as I was getting ready to leave, I saw a pile
of scrap wood and asked if I could use some
of it.
That's because the Mayflower most likely ended up
as scrap wood and may have ended up being used in the construction
of an old Quaker Barn in Great Britain!
To watch
as they made every little item count — baking ingredients, fabric,
scraps of paper,
wood etc. — certainly illustrates the excess we have in present day and our dissatisfaction (through Reba's eyes).
The Gili Eco Trust are taking action on the sheer volume
of food waste mixed in with every other
scrap material such
as plastic,
wood and metal taken to the dump every day.
This survival horror game is short and sweet, and sees you stalked through the
woods by a featureless figure
as you search for
scraps of paper.
Collection (1954/1955) is the artist's first «Combine painting,» an early type
of Combine that hangs on the wall like a traditional painting but reaches into three dimensions with various elements attached to the work's surface — such
as the silk veil over the mirror attached just off - center and the found
wood scraps along the top edge.
Some early work, which consists
of scraps of wood, was made on the roof
of her building, which the artist used
as a studio.
As part
of Nevelson's massive, commanding works
of art, the
scrap wood takes on majestic proportions, reflecting the artist's personal story
of dislocation and self - invention.
The small mirror is there, embedded just off - center and veiled with sheer fabric, and the
scraps of wood and metal affixed to the top edge appear just
as they do today.
Though he often works on canvas, he frequently incorporates nontraditional materials such
as strips
of wood, bricks, wire, electric cords, socks, buttons, paper
scraps, and even caviar to create his trademark puns and paradoxes.
In the late 1940s, she collected
scraps of wood from the street, hacking them away almost carelessly, stacking them
as she may.
With sheet metal, tin plate, iron wire, nails, and
scraps of wood, he created a life - size guitar, violins, a mandolin, a clarinet, and drinking glasses that elevated the stature
of still life to a subject
as worthy
as portrait heads and standing figures.
Known by the tag name «Twist» for his graffiti and street art, McGee has also developed a career within museums and galleries, exhibiting drawings, paintings, prints, and large - scale, mixed - media installations that take inspiration from urban culture, incorporating elements such
as empty liquor bottles, cans
of spray paint, signs,
scrap wood or metal, surfboards, and other found materials.
As a child, Alexander Calder had his own workshop where he created gadgets and toys from
scraps of metal and
wood.
Peter Buggenhout, a Belgian artist showing at Gladstone Gallery, covered a junkyard's worth
of scrap metal,
wood and other found objects with vacuum cleaner dust to create what I described in the review
as «massive stacks
of debris [that] hang off the wall or sprawl across the floor in a state
of dereliction and collapse, monumental castoffs from a world spinning out
of control.»
Cutting curves out
of scrap wood in the Yale woodshop began
as a way
of confronting a fear I had about learning.
Typical «found objects» include natural materials like sand (see Sand Art), earth, stones, shells, curiously shaped pieces
of wood, a human skull; or man - made items such
as newspaper cuttings, photographs, pieces
of glass, fragments
of scrap metal, pieces
of textile fabric, an unmade bed, a bicycle handlebars, and so on.
These small sculptures are installed outdoors on public streets and in nature,
as well
as in museums, where stones,
wood, feathers, shells, and
scraps of cloth are suspended in a delicate web, juxtaposed
as visual metaphor.
As part of his studio practice, the artist transforms materials such as particleboard, scrap metal, wood, discarded signs, and billboard remnants, breathing new life into these often overlooked and devalued material
As part
of his studio practice, the artist transforms materials such
as particleboard, scrap metal, wood, discarded signs, and billboard remnants, breathing new life into these often overlooked and devalued material
as particleboard,
scrap metal,
wood, discarded signs, and billboard remnants, breathing new life into these often overlooked and devalued materials.
Rick Bartow, at the Missoula Art Museum exhibition
of Under Pressure: Contemporary Prints from the Collections
of Jordan D. Schnitzer and his Family Foundation and
as part
of the Jordan Schnitzer Family Foundation Outreach Program, explains the importance
of art and making «something different» out
of scraps of wood and materials.
The same can be said
of American artist Louise Nevelson, whose large, wooden sculptures, such
as her 1979 Untitled, incorporate discarded
scraps of wood, which were given to her by friends and others, or which she collected on the street herself.
On display were four «dogleg» - shaped canvases (versions
of which were exhibited at James Fuentes Gallery in New York in 2014) and a new series
of five sculptural reliefs,
as well
as several hybrid paintings, composed
of multiple canvases joined together and overlaid with various collage elements, such
as rope and
scraps of wood (all works, 2015).
Sure, designers reuse
wood and turn parts
of old furniture into new items, but still, leftovers get sawed off and end up
as scrap.
As this clip from Geoff Lawton's Urban Permaculture DVD shows, rocket stoves work best on thin bits
of wood, which makes them ideal for utilizing
scrap wood waste and / or tree prunings and coppiced
wood.
As I was working in my workshop the other day, I came across some small
scraps of reclaimed barn
wood and I immediately had the perfect idea for another decor item: a mini DIY «Boo» Halloween sign.