Sentences with phrase «as several other artists»

Not exact matches

I have had this experience three times now, on three different occasions, in admittedly similar circumstances, but not similar enough to explain the coincidence: I am speaking from a podium to a fairly large audience on the topics of — to put it broadly — evil, suffering, and God; I have been talking for several minutes about Ivan Karamazov, and about things I have written on Dostoevsky, to what seems general approbation; then, for some reason or other, I happen to remark that, considered purely as an artist, Dostoevsky is immeasurably inferior to Tolstoy; at this, a single pained gasp of incredulity breaks out somewhat to the right of the podium, and I turn my head to see a woman with long brown hair, somewhere in her middle thirties, seated in the third or fourth row, shaking her head in wide - eyed astonishment at my loutish stupidity.

The movie is well shot, and contains a rousing score by Jurgen Engler as well as contributions by several artists, including Onyx, Judy Collins, Black Plastic, Yellowman, Christian Death, and others.

Tweet Shawn Hansen is a published author, as well as a graphic artist (she has designed several of my book covers) and someone who now teaches others how to be successful writing and marketing books online.

Artist Alley Comics, the digital imprint that includes Richard Case, Craig Rousseau, Rich Woodall, Kelly Yates and others, officially launched their site this week, as several of them attend HeroesCon...

Previously intended as Metal Gear Solid: Rising, the game has seen a reimagining following a partnership between Kojima Productions with Hideo Kojima as executive producer and Yuji Korekabo as producer; and Platinum Games, with Atsushi Inaba as producer, lead artist Takahito Wahika and several others.

In several paintings, scissors or other pointed objects suggest danger or menace as well as the activities of an artist's studio.

As NYPL's senior art librarian she curates exhibitions and events at New York Public Library where she has initiated several exhibition and program series featuring the work of emerging and renowned artists, authors, critics, designers and others.

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the artist, who first came to the city in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and other souvenirs that Genzken began composing during a stay of several months.

More recently, Katz expanded his relationship with Colby, as well as several other Maine museums, with regular gifts of paintings and other works of art by contemporary artists through his own foundation.

While his imagery has changed several times over the years, the artist characterized himself as being «from the beginning, a minimalist abstract artist, a geometric abstractionist, with no recognizable shapes in my work» — other than circles, which have always captivated his imagination as «the perfect shape.»

Some of those prominent «uptown» galleries included: the Charles Egan Gallery, [30] the Sidney Janis Gallery, [31] the Betty Parsons Gallery, [32] the Kootz Gallery, [33] the Tibor de Nagy Gallery, the Stable Gallery, the Leo Castelli Gallery as well as others; and several downtown galleries known at the time as the Tenth Street galleries exhibited many emerging younger artists working in the abstract expressionist vein.

, García will stage a new iteration of several ongoing performance works stemming from texts written by the artist, by others following the protocols given by the artist, or utilising and responding to iconic literary texts such as James Joyce's Finnegans Wake.

In abstract painting during the 1950s and 1960s several new directions like hard - edge painting and other forms of geometric abstraction began to appear in artist studios and in radical avant - garde circles as a reaction against the subjectivism of abstract expressionism.

Several of the featured artists make work that is considered photographic but is camera-less, while, for others, photography has laid the groundwork for the moving image or functions as a jumping - off point for sculptural investigations.

«Vertical Elevated Oblique» included C - stands used as workhorses for lighting, fabric, showcards and other apparatus in the film industry (Syms grew up in Los Angeles around this business and remains based in the city) strung with found photographs in which several hands were pictured forming the kind of gestures seen in her video, while items of the artist's clothing printed with phrases were also slung over these tubular frames, suggesting an absent body.

«The Infinity Mirror Rooms are key to understanding her practice, and as such we are delighted to welcome it to Dallas, joining several other major works by the artist in our community.»

In 1946, Margo was a visiting artist at American University in Washington, DC; he spent two years as a visiting professor at the School of the Art Institute of Chicago (1957 - 1959); and he was invited to be a visiting artist and / or professor at several other prestigious institutions.

She was as much a muse to herself as she was to others, including New York - based artist Mickalene Thomas, who includes Kitt alongside several other black women in her show

The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Celebrity.

Six months after Franklin Sirmans took the helm of the Perez Art Museum Miami, the institution has announced a series of major acquisitions, including 100 works donated by Miami developer Craig Robins from his personal collection, as well as the Douglas and Bearden works, and several others by African American artists.

Also in the Block's collection are several hundred prints and drawings by Chicago artists such as Roger Brown, Leon Golub, Audrey Niffenegger, Ed Paschke, Hollis Sigler, Karl Wirsum, H. C. Westermann and others.

In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.

Beginning in the 1950s and 1960s, several Abstract Expressionist / color field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.

In the work of Burgoyne Diller (1906 — 65), as well as in that of several other artists in the Spanierman show, it is surely possible to find a comparable degree of geometric severity.

In abstract painting during the 1950s and 1960s several new directions like Hard - edge painting and other forms of Geometric abstraction like the work of Frank Stella popped up, as a reaction against the subjectivism of Abstract expressionism began to appear in artist studios and in radical avant - garde circles.

Laure Genillard has been seminal to the practices of several British artists, whose work first showcased at her gallery, including Catherine Yass, Fiona Banner, Martin Creed, Peter Doig, Gillian Wearing, Simon Starling as well as many artists from Europe such as Maurizio Cattelan and Sylvie Fleury amongst others.

From 1995 to 2005 he was Senior Curator at the New Museum, New York, where he developed numerous group exhibitions, such as East Village USA and Living inside the Grid, and several individual shows dedicated to the artists Martin Wong, William Kentridge, Carolee Schneemann, Carroll Dunham, Doris Salcedo, José Antonio Hernández Diez, among others.

Together with Blinky Palermo (with whom he shared a studio), Katharina Sieverding and several others, he grew as an artist and over the course of years has decisively established the notable career.

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

Represent culminates with a wide - ranging array of portraits created by several generations of artists, from those active over a century ago to those making work today, as well as audio excerpts of interviews with contemporary artists Moe Brooker, Barkley L. Hendricks, Odili Donald Odita, Joyce J. Scott, and others.

Her show, «Canceled»: Alternative Manifestations and Productive Failures examines cancelled or otherwise prohibited exhibitions that now exist as publications or in other formats.Her research into several different artist projects, which for different reasons didn't take place as planned, has resulted in a mix of projects and publications, all tied together by the use of printed material as a means of documenting that which didn't happen.

March: In the catalogue for the exhibition German Painting and Sculpture at the Museum of Modern Art, Alfred H. Barr, Jr., aligns Hopper (as well as several other American artists including Charles Sheeler) with the New Objectivity (Neue Sachlichkeit) movement.

Since the early 1960s, he was associated with an emerging movement of West Coast minimalism referred to as «finish fetish,» along with several other artists including Craig Kauffman, Larry Bell, and DeWain Valentine.

As co-curator of street art exhibition and Prospect P. 3 + site ExhibitBE, Lydia researched and documented the history of the blighted apartment complex in which the work was created to guide the curatorial process, managed community programming and daily operations, and, after the exhibition closed, coordinated the #PaintWhereItAint Tour through which several ExhibitBE artists traveled across the southwest United States to collaborate with artists in other cities on community - centered public art projects.

Steiner was a frequent collaborator in several projects in downtown Jersey City, such as We Are 6, a pop - up art exhibit with five other artists @ Alley Arts, a self - run studio, atelier, and gallery.

«6B Desenho Contemporâneo Brasileiro» is a group show with participation of 47 Brazilian artists working with drawing in its broadest expressions: paper, wood, canvas and other media, with materials such as graphite, charcoal, airbrush, photography, several threads and digital techniques, and installations.

Funded in part by an SFAC Cultural Equity Grant that replaced NAP, Re-Historicizing the Time around Abstract Expressionism launched online and at the Luggage Store in 2010.5 Still available on the web, it features extensive interviews with artists of color, including Oliver Jackson and Mary Lovelace O'Neil, who were featured in Other Sources, as well as several female artists like Deborah Remington and Cornelia Schultz, who were not.

The latest expansion «establishes MASS Moca as a real artist - centered museum,» agreed Spencer Finch, one of several other artists whose work is displayed in the new space.

Proceeds from the sale of this work as well as others by Ofili, Damien Hirst and Jenny Saville, who were part of the Young British Artists movement, will go to build a wing for several large - scale works by James Turrell.

During the 60s, Arbus associated with several other modern artists in her field - collectively known as the New York School of photographers - such as Robert Frank (b. 1924), Saul Leiter (1923 - 2013) and Marvin Israel (1924 - 84).

One of Ireland's best still life painters, his work is admired by many other contemporary Irish artists as well as private and corporate collectors, and is represented in several important art collections such as: the Office of Public Works (including Leinster House), The National Library, AIB, Jefferson Smurfit Group, National Irish Bank, the Irish Management Institute, Smithwicks, Tara Mines, the collection of former President Mary Robinson, the Concept Gallery Pittsburg USA, and the Royal Hibernian Academy, to name but a few.

Several of these friends, as well as relatives and other artists, would become Mr. Close's subjects.

In the early 1960s several other American conceptual artists such as Robert Morris (b. 1931) Bruce Nauman (b. 1941) and Dennis Oppenheim began to include «Performance» in their repertoires.

At the fair, Maekawa greeted visitors to Whitestone's booth and, as I examined several of his works up close, he told me, «Like some of the other Gutai artists, once I found the basic techniques and materials that really seized my attention, I stuck with them and experimented with them over time to see how much I could find in and coax out of them.»

As well as Hockney's, a veritable tsunami of work by other artists, all produced on the West Coast, will flood the Berlin gallery: Peter Alexander — his Cloud Box (Large), 1966 is included, John Altoon, John Baldessari, Larry Bell — several of his minimal pieces will be there, while others, including Cube # 22 and Cube # 16 (Gren), are being shown in the Sotheby's exhibitioAs well as Hockney's, a veritable tsunami of work by other artists, all produced on the West Coast, will flood the Berlin gallery: Peter Alexander — his Cloud Box (Large), 1966 is included, John Altoon, John Baldessari, Larry Bell — several of his minimal pieces will be there, while others, including Cube # 22 and Cube # 16 (Gren), are being shown in the Sotheby's exhibitioas Hockney's, a veritable tsunami of work by other artists, all produced on the West Coast, will flood the Berlin gallery: Peter Alexander — his Cloud Box (Large), 1966 is included, John Altoon, John Baldessari, Larry Bell — several of his minimal pieces will be there, while others, including Cube # 22 and Cube # 16 (Gren), are being shown in the Sotheby's exhibition.

Artists Viktor Briestensky and Adam Shiu - Yang Shaw invited several other artists to show with them in a dimly lit room full of shadows in the space formally known as Other PrArtists Viktor Briestensky and Adam Shiu - Yang Shaw invited several other artists to show with them in a dimly lit room full of shadows in the space formally known as Other Projother artists to show with them in a dimly lit room full of shadows in the space formally known as Other Prartists to show with them in a dimly lit room full of shadows in the space formally known as Other ProjOther Projects.

Helen Frankenthaler was one of the first artists to use the stain painting technique, pouring the paint mixture directly onto the unprimed canvas and painting shapes as they stained, Morris Louis started soaking his canvases and eliminating brushes completely from his practice, and several other artist started experimenting with spray painting and the use of stripes.

His work encompasses traditional painting, as well as murals, and collaborations with other Pittsburgh - based artists across several disciplines.

A special «Artists for MOCA» catalog was produced featuring works by Bradford and several other artists, such as Walead Beshty, Mark Grotjahn, Jeff Koons, Barbara Kruger, Takashi Murakami, Catherine Opie and Ed Ruscha and Jonas Wood, whose lots raised funds for the Los Angeles Artists for MOCA» catalog was produced featuring works by Bradford and several other artists, such as Walead Beshty, Mark Grotjahn, Jeff Koons, Barbara Kruger, Takashi Murakami, Catherine Opie and Ed Ruscha and Jonas Wood, whose lots raised funds for the Los Angeles artists, such as Walead Beshty, Mark Grotjahn, Jeff Koons, Barbara Kruger, Takashi Murakami, Catherine Opie and Ed Ruscha and Jonas Wood, whose lots raised funds for the Los Angeles museum.