Sentences with phrase «as several public collections»

Takaezu's work may be found in private and corporate permanent collections, as well as several public collections across the United States: [5]

Not exact matches

Designated as part of the «Decreto Crescita» («Growth Decree») which aims to «digitize public administration,» crowdfunding is listed as one of the several means by which budding entrepreneurs and firms can amass capital under the section Raccolta diffusa di capitali di rischio tramite portali online (translated as «Widespread collection of venture capital through online portals»).

It has been very interesting to see the evolution in the fashion industry lately, as several collections have now implemented the «see now buy now» scheme, where collections are immediately available to the public.

Now, an expanded collection of newspapers (including, as of October 2007, several British newspapers) adds an unparalleled wealth of information, and two new graphical interfaces designed for school and public libraries make it appealing to a broader audience.

In «Integrating and Balancing E & P: Big Picture Issues Made Real,» moderator Michael Santangelo, Electronic Resources Analyst in the Collection Development Department at the Brooklyn Public Library led panelists through a discussion covering several challenges that libraries face as demand for ebooks continues growing, even as collection budgets get cut or remain flat.

The new model is the first in the industry designed to align with consumer - focused changes in the way Equifax, Experian and TransUnion handle several types of negative credit - file records, such as medical bills in collections, tax liens and public records.

The Whitechapel Gallery, The Royal Academy of Arts, as well as several other galleries across the UK hosted the show which was a success and many works became part of the leading public collections in the country.

Their work has appeared in several group shows, including Integration and Resistance in the Global Age at the Havana Biennale, ABSA L'Atelier in Johannesburg and Power Play at Goodman Gallery Cape, as well as various private and public collections, including the Durban Art Gallery and the South African National Gallery.

Over the years, La Salle de Bains has produced up to seven exhibitions a year, working with a wide range of international artists, from established names like Thomas Hirschhorn, Jonathan Monk and Nathaniel Mellors, to younger artists such as Magali Reus and Anthea Hamilton, resulting on several occasions in acquisitions by major public collections.

It is as also a part of several public collections, including the Hamburger Bahnhof, Berlin, the Museum of Modern Art and Solomon R. Guggenheim Museum in New York, Detroit Institute of Arts, The Tate Modern, London, The Tel Aviv Museum of Art, and the Albertina in Vienna [4], among the others.

The exhibition features more than two hundred works of art as well as a collection of the artist's notebooks, sketchbooks, and studies, many showing the preparation for several public commissions.

His work belongs to several public collections, such as the Dallas Museum of Art, Dallas; Moderna Museet, Stockholm; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Tate, London, and the UCLA Hammer Museum, Los Angeles.

His work has been shown extensively in Norway over the past five years and is included in several public and private collections in Norway and abroad, such as The Astrup Fearnley Museum of Fine Art in Oslo.

His work is held in several private and public collections such as MOMA, New York; Buenos Aires Museum of Modern Art; and Museo Nacional de Bellas Artes, Buenos Aires.

Her work has been exhibited nationally and internationally in over 200 solo / juried shows and included in several public collections, such as the Ogden Museum of Southern Art in New Orleans, Louisiana, the University of VeraCruz at Xalapa, VeraCruz, Mexico, and the Photographic Collection at the Harry Ransom Center, University of Texas at Austin.

His work has been shown in several group and solo exhibitions in Belgium and abroad, and can be found in private and public collections such as the Dexia Collection.

Her work is in several permanent public collections such as the New Jersey State Museum, the Newark Museum, the Sagamore Collection, the Girls Club Collection, the Margulies Collection, and Davidson College, to name a few.

Cardenas» work has been exhibited mainly in Latin America and is part of several important private and public collections such as the Cisneros Fontanals Foundation (CIFO), the Museum of Contemporary Art of Lima, and the Museum of Modern Art in Bogota.

His work has been exhibited mainly in Latin America and it is part of several important private and public collections such as the Cisneros Fontanals Foundation (CIFO), the Museum of Contemporary Art of Lima, and the Museum of Modern Art in Bogota.

Work by Maine is included in the permanent collections of several important institutions, including that of the Metropolitan Museum of Art, the New York Public Library, the Museum of Modern Art Library Special Collection, the Whitney Museum of Art Frances Mulhall Achilles Library, the Cleveland Museum of Art and the Yale University Art Galleries, as well as the United States Department of State Art in Embassies Collection.

Buren's works are part of several major public collections such as Museum voor Hedendaagse Kunst, Antwerp; Musée d'Art Moderne de la Ville de Paris; Tate Modern, London; the National Museum of Modern Art, Tokyo; Museo Guggenheim de Arte Moderno y Contemporaneo, Bilbao, and Moderna Museet, Stockholm.

One of Ireland's best still life painters, his work is admired by many other contemporary Irish artists as well as private and corporate collectors, and is represented in several important art collections such as: the Office of Public Works (including Leinster House), The National Library, AIB, Jefferson Smurfit Group, National Irish Bank, the Irish Management Institute, Smithwicks, Tara Mines, the collection of former President Mary Robinson, the Concept Gallery Pittsburg USA, and the Royal Hibernian Academy, to name but a few.

He has selected public collections in Asia, Europe and USA and taught at several universities (University of Iowa, University of Wisconsin - Stout, Donghai University, Sichuan University and Southwest University) as a visiting professor throughout his life.

Supported by a catalogue essay in which the curator Catherine Lampert discusses their habits and methods and introduces previously unseen writing by the artists, the exhibition will look at the way their conversations impacted on the development of their work, demonstrating that despite their wide - ranging styles they are each linked by a desire to catch what Bacon describes as «the mystery of appearance within the mystery of making», and in doing so broke new ground in contemporary painting The exhibition includes major works by each artist, several borrowed from public collections, among them Francis Bacon's Pope I 1951 from Aberdeen Art Gallery, David Hockney's Man in a Museum 1962 from the British Council and others like Frank Auerbach's Primrose Hill, Winter Sunshine 1962 - 64 and Euan Uglow's Nude, Lady C 1959 - 60 which have not been seen in public for many years.

It is interesting how the diversity and multiplicity that has existed in Kallat's own practice, from materials and media to ideas and meanings, is also evident in both the Museum's centuries - old exhibits as well as the artist's works on display — thereby making «Earth Families» a befitting stage to showcase the oeuvre of one of India's most significant contemporary artists, whose work is part of several public and private collections across the world.

His paintings are represented in several public collections of Irish art in the Republic, as well as in the National Portrait Gallery in London.

His works are held in several public collections including TATE, London, Arts Council England, Government Art Collection and British Council, UK, as well as in numerous private collections in the UK, Europe and the US.

He was also included in several group shows, and from 1963 onward, his work began to be actively acquired by private and public collections, such as the Whitney Museum of American Art, the Hirshhorn Museum and Sculpture Garden, the Detroit Institute of Arts, the Denver Art Museum, the Newark Museum, and the Art Institute of Chicago.

His work is in the collections of several museums and public collections including Walker Art Center, Minneapolis; Carnegie Museum of Art, Pittsburgh; The Metropolitan Museum of Art, NY; Museum of Fine Arts, Boston as well as the Saatchi Gallery, London.

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