Sentences with phrase «as slow cinema»
His new introduction linking transcendental style to the time - images of Deleuze and Tarkovsky, as well as slow cinema, which followed, only adds to its importance.
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Temperatures may be dipping but the crop top trend shows no signs of slowing down, as proved by Katie Aselton on the red carpet at ArcLight Cinemas in Hollywood, California for the «Drinking Buddies» screening yesterday evening.
From one of the most distinct and celebrated directors of contemporary Taiwanese cinema, Tsai Ming - liang, comes Walker, a formally rigorous and meditative short film that observes a monk as he ambles through the bustling streets of Hong Kong at his own VERY slow pace.
Stylistically, First Reformed is shot and edited like an art movie, its look and tone aligned with the chilly minimalism of the «slow cinema» Schrader has theorized and canonized in his work as a critic.
Already widely cited and used in courses in film studies, film genre, and art and avant garde film, this updated edition situates «Transcendental Style», forty - five years later, as part of a larger movement in post-war cinema, the Slow Cinema movement.
But in his new introduction, his observations about slow cinema from Tarkovsky to Kiarostami to Tarr are every bit as compelling as his earlier insights into film noir.»
As an offering of «slow cinema,» Vandendriessche is no Nuri Bilge Ceylan, and though this film's strength ironically resides in its digital photography, Vandendriessche lacks the natural intuitiveness for his images to leave any lasting impact beyond their aesthetic assuredness.
The visual splendor of Zack Snyder is on full display, and what a magnificent looking piece of cinema it is, as the director does well playing somber and slow during the first hour - plus of build - up, only to finally get a chance to let it all rip in grand fashion for a lengthy showdown between godlike beings battling it out on Earth for the fate of two separate races.
Slow cinema lodestone Journey to the West comes across as Tsai's brilliant and clever attempt at auto - critique, as he places the contemplative fundamentals of his cinema (as symbolised by Lee Kang - sheng and Denis Lavant) into the frantic, chatty, unwieldy maelstrom of modern urban life.
Fluk's compositions are at once chilly and sensual, with a European art cinema buff's attention to bodies, and there are lovely moments throughout: James and Jonah in a swimming hole, scanning the water's surface in search of fish; James and Sam's regret - soaked slow dance at a community center social; a tracking shot that trails Jessica through a grassy field as she looks back teasingly at the camera.
Years from now, director Ava DuVernay will continually be referenced for a dizzying amount of incredible firsts (many of which unfortunately serve as a reflection of the tiresome and slow progression allowing for varied perspectives in popular English language cinema).
In the case of cinema, slow motion has been widely used as a poetic device to accentuate and invigorate moments that need to be highlighted, whether for storytelling or purely aesthetic... Read more»
Indeed, movies and the wonder they inspire, «like seeing dreams in the middle of the day,» are central to the story, and Selznick expresses an obvious passion for cinema in ways both visual (successive pictures, set against black frames as if projected on a darkened screen, mimic slow zooms and dramatic cuts) and thematic (the convoluted plot involves director Georges Méliès, particularly his fanciful 1902 masterpiece, A Trip to the Moon.)