Sentences with phrase «as solo artists like»

Not exact matches

This includes hundreds of thousands of exclusives, such as the entire 16 - album collection from Garth Brooks, the best - selling solo artist in U.S. history, available only on Amazon Music as well as Amazon Music Original playlists, which feature original songs and covers from a wide range of artists like Ryan Bingham, Hurray for the Riff Raff, Ingrid Michaelson, Joshua Radin, and more.

It garnered more than 8,500 Facebook Likes and nearly three times as many views as the second most popular post of 2015, a listing of 20 solo exhibitions featuring black female artists.

Despite most of them having active emerging careers as solo artists, they've produced collaborative solo exhibitions every year for the past seven years (with the exception of 2016) at places like Shoot the Lobster in New York, Queer Thoughts in Chicago (it's since moved to New York), Library Plus in London, and Courney Blades in Chicago.

If you like the solo work of any of the artists that make up Miami - Dutch, be sure to check out this show — as they say, more heads are better than one.

Exhibitions at De Appel Amsterdam total more than one hundred and include first solo shows with artists like Miroslaw Balka, Anri Sala, Mark Manders as well as first one person presentations in Europe of the works of Doris Salcedo and Ghada Amer.

As she often does in her solo shows, Lidén also presents new works that draw on the surrounding urban context of Bolzano, like a series of sculptures made from pieces of road surface: the artist literally brings the street into the venue.

«I'd like to see more museums acquiring their works — which is what will matter after we are all gone — and in the meantime see more solo shows of these artists, and to see them shown together with their artist peers of all ethnicities, as the important artists they are.»

Polites's current solo exhibition at the Greenwich Bank and Trust Company in Riverside, Connecticut (through January 29, 2016), reveals the kind of oceanic fury in which he likes to be immersed as an artist.

David Zwirner, who was showing intriguing Milton Avery paintings from the 1930s (they looked almost like they could have belonged to the folk artist Bill Traylor), said the purpose of these solo booths was as much for everybody's sanity as anything else.

Volta NY bills itself as an «invitational solo project fair,» something like a lineup of «intense studio visits» as most of the 100 exhibitors focus on individual artist / rising stars.

Over four days, the octogenarian artist will perform solo in the space as his recurrent persona R Y Sirb (Curator of the Museum of Ordure) for a total of 24 hours, a feat of endurance during which he enters a trance - like state.

Thanks to her wide and inclusive view, she is able to fulfill the role of artistic director in different realities such as an institutional pavilion like Expo Gate, for Milano Expo in 2015, and IL CREPACCIO project, a showcase in Milan for young artists and not just them, (recently on Instagram with IL CREPACCIO INSTAGRAM SHOW @ilcrepaccio), she is a curator of exhibitions — such as the latest solo exhibition of Thomas Braida at Palazzo Nani Bernardo for the Venice Biennale 2017 — and of public projects for companies and international institutions like Moderna Museet in Stockholm and Performa in New York.

As his forms challenge our assumptions about sculpture, his performances (solo or with artists like Laurie Anderson or John Zorn) expand our ideas of what «music» can sound like.

Olga has had numerous solo museum exhibitions throughout the world, including in Belgium, Germany, France, United Kingdom, Spain, Italy, Hungary, Netherlands, Norway, Sweden and Finland and has shown with American favorites like Tony Oursler and Cindy Sherman at the Tate Modern, as well as countless other well known international artists.

As a matter of fact there are 20 first - time galleries at Art Brussels that hail from the big bad Apple and many of their exhibited artists are New Yorkers that range from youngsters like Lauren Luloff to national treasures like Jim Hodges (both of whom have solo presentations at the fair.)

All of these Art fairs like Abu Dhabi bring in visitors of 20,000 to 100,000 visitors and it would take a lifetime of Solo exhibitions if you were an Artist to gain the same kind of visibility, as Istanbul is one of the few Art fairs in the Middle - east.

It is a sure sign that graffiti and street art has finally been accepted by many as a true art form, when artists such as Poesia, Augustine Kofie, Tomek, Smash 137, Sickboy, along with newer street artists like My Dog Sighs, can present successful solo exhibitions around the world of their graffiti influenced artworks.

Even though German artist Isa Genzken has received solo surveys at institutions like Krefeld's Museum Haus Lange (in 1979) and Rotterdam's Boijmans (in 1989) and was selected to participate in Documentas 7 and 9, only of late has a new generation of curators discovered her current relevance, as evidenced by her influence on a host of contemporary artists Among the is Braunschweig director Karola Grässlin, who is installing this show of twenty - five sculptures and twenty photographs dating from 1973 to the present.

For Polke, the camera was an essential tool, like a pencil or a brush, and a retrospective of Vanessa Beecroft's Photographic Work, that showcase an ensemble of Polaroids created by the artist between 1993 and the present day, which were shown as a solo exhibition at the Palazzo Reale in Milan (2016).

Carefully selected artists are featured like a constellation of small solo exhibitions, the participating artists include: Ai Weiwei, Olafur Eliasson and Maurizio Cattelan, as well as Wael Shawky, who is introduced to Japan in full - scale for the first time.

It helps, of course, that they happen to like some very cool artists; they've shown works by Michael E. Smith, Allison Katz, Jîrî Kovanda and more art world hotshots, both as curated solo presentations and in 2015's three - part «Luluennial,» their bold «biennial» project conducted in a space of only 100 square feet.

First co-founding Young Hoffman Gallery in 1976 and then splitting off as her eponymous Rhona Hoffman Gallery in 1983, Hoffman became known for her discerning and pioneering eye - introducing to Chicago conceptual and minimal artists like Sol Lewitt, Donald Judd, Vito Acconci, and Gordon Matta - Clark; giving women artists such as Cindy Sherman, Barbara Kruger, and Jenny Holzer solo shows early in their careers; and foregrounding work by African - American artists, including Kehinde Wiley, Mickalene Thomas, Carrie Mae Weems - and currently Derrick Adams, Deana Lawson, and Nathaniel Mary Quinn.

Over the past few years, as her work has gradually transitioned more and more into the three - dimensional, real space of the white cube with group and solo exhibitions of her video along with other works like a series of flags and «paintings» on aluminum, Cortright has also continued to become more and more infamous within Internet communities of artists and other visually - minded, new media thinkers who are utilizing the unique terrain of the Internet to modify how art can be made, disseminated and even bought and sold.

Other important solo presentations include the artist's major commission as part of the permanent sculpture program at the List Visual Arts Center at Massachusetts Institute of Technology in Cambridge, MA (2011), Martin Boyce and Ugo Rondinone: We Burn, We Shiver at SculptureCenter in New York (2008), This Place is Close and Unfolded at Westfalischer Kunstverein in Munster, Germany (2008), Out of This Sun, Into This Shadow at Ikon Gallery in Birmingham, UK (2008), A Lost Cat and Alleyways, Back Gardens, Pools and Parkways at Centre d'Art Contemporain Genève in Switzerland (2007), For 1959 Capital Avenue at Museum für Moderne Kunst in Frankfurt (2002), and Our Love is Like the Flowers, the Rain, the Sea and the Hours at Tramway in Glasgow (2002).

Daniel Berndt reviews Jumana Manna's first UK solo exhibition, at London's Chisenhale Gallery, a show that comprises of the artist's first feature - length film, A Magical Substance Flows into Me (2015), as well as presenting a variety of vessel - like sculptures that surround the theatrical space.