Sentences with phrase «as square images»

Not exact matches

The color images of houses for sale catch my eye as I thumb through for the sports page, and before I know it I'm checking prices and comparing square footage.

As a demonstration of the potential of the Sentinel program, sarmap and the International Rice Research Institute (IRRI) have generated mosaics, composed from several Sentinel - 1A images that cover 7 million square kilometers of South and Southeast Asia.

Williams replied, and from then on the room resembled Times Square on New Year's Eve, providing a telling image for ESPN's viewers even as the network's announcers continued trying to divine the Bucs» intentions.

The most popular images on Pinterest are portrait format rather than square or landscape - shaped, so consider this when pinning, as well as when creating your own product shots.

This surround - view theater, a 627 - square - foot room tiled floor - to - ceiling with 416 high - resolution flat - screen monitors, can display a 45 - gigapixel photograph of the city of Dubai as a single image.

To investigate when this happens, Jim Stone at the University of Sheffield, UK, showed embossed shapes such as squares and shaded images such as footprints to 171 children aged from 4 to 10.

Image analysis, completed less than a month later, covered a total of 36,000 square kilometers and revealed roadblocks, an influx of military vehicles at airbases, naval blockades, and other pivotal events as the conflict escalated.

Data is collected by Landsat 8 as images of 30 - square meter pixels.

In this image released by NASA, the hole appears as a giant blue blob which spreads over about 11 million square miles (28.3 milion square kilometers).

The story detailed Madison's final days — down to the last Instagram picture she posted, in which «holiday lights are twinkling in the trees of Rittenhouse Square, and Madison put a filter on the image that produced an ethereal quality, almost as if the night is underwater.»

Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Good Guy Greg (GGG) is an advice animal image macro series featuring a photo of a square - jawed man smiling at the camera with a marijuana cigarette in his

Its moral argument is as clear and crystalline as its images, shot by cinematographer Alexander Dynan in the nearly square academy - aspect ratio.

Beginning readers learn to recognize shapes such as circles, squares, and rectangles in this nonfiction reader that features simple text and bright, vivid images.

Unlike the Nook Tablet's app, the Kindle Fire's Gallery app supports folders, shows rectangular thumbnails as well as square ones, and displays image information.

The tail is usually docked at birth to length meant to complete the image of a «square dog» approximately as high as he is long.

Incorporate Images into advertising materials, posters and tradeshow signage for use in promoting the sale of other products or services (as opposed to promoting the sale of the prints, posters, etc. containing the Images), provided that the Image is an integrated, supportive part of your project or product and not the definitive part of such prints and / or posters and / or other reproductions and further provided that the surface area of any single poster does not exceed 7.5 square feet.

This isn't officially confirmed by Square - Enix yet, as the Cowboy image came from a Spanish retailer.

The Kingdom Hearts news continues to come out of Paris Games Week as Square Enix have released two new images from the upcoming Kingdom Hearts 3.

Also, Square Enix had a Twitch Livestream at PAX EAST 2017 which you can be viewed below as well as images taken at the event.

I'm a huge fan of the Thief franchise, and this just adds another black mark to this games image right now but as a loyal fan I can't wait for reviews so it looks like I'll have to pre-order... don't disappoint me Square Enix.

If the artist is using geometry to construct a painting, like so many since the early 1960s, it feels more like doing math than if the artist shows a square as an image floating in a field, like a character in a graphic novel.

The somber dark palette of his Chapel paintings recalls Malevich's The Black Suprematic Rectangle, 1915 (better known as «The Black Square») where the canvas serves as a screen upon which the viewer projects his own thoughts and images.

After the Chinese government crashed pro-democracy movement, which has been called Tiananmen Square incident, Zhang has intensively created a series of the image of Chairman Mao Zedong as a symbol of pervasive power.

The images that resulted were geometrical compositions that featured a variety of forms including squares, circles, diamonds, zigzags, arches, curves and waves as well as all - over patterning, with dark and light tones created through Hammersley's choice of spacing of characters, in either single or dual array.

Pieces such as Movement in Squares (1961) by Bridget Riley demonstrates the intricate and beguiling surfaces of Op Art, alongside Richard Smith's Trio (1963), an evocative image that sits between abstraction and representation.

With 24 solo presentations and 300 artworks spread throughout 15,000 square feet of raw space, as well as an immersive series of off - site special projects with artists such as Jeremy Deller and Michael Rakowitz, these images are only a snapshot of what The Moving Museum produced in Dubai.

Derived from a series of collages based on Sixteen Mirrors, Camera Obscura # 2 combines brightly colored, beveled frames and squares of gold paint.The squares at the lower left and upper right are inverted images of each other, as are the squares at the upper left and lower right.

The increased number of Asian galleries was matched by their quality: Shanghai's Leo Xu Projects offered an excellent — although very cramped — group show of the work of emerging artists in which huge mirrored screens bearing printed images of landscapes vied for position with quieter works, such as a composition made up of hundreds of rows of tiny brown - paper squares with their bottom left corners delicately curled upwards and aaajiao's vertical sequence of smartphones collectively displaying a video of a long stream of water.

2009 Beall, Dickson, SLAM for the holidays, West End World, 23 December Dawson, Jessica, Yinka Shonibare, skewing history with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Art?

Viewed from afar, these squares appear as a single, unified image which attempt photo - reality, albeit in pixelated form.

Works such as his 2009 oil and alkyd painting Soon use a repeating square motif to provide some sense of concrete firmament, while the X-shaped motif below, in yellow, red, blue, green, and white, shifts maniacally, destabilizing the image with kaleidoscopic movement.

From a distance, it's almost possible to make out what's being described, but as the viewer is drawn closer, the images fall apart into pixelated near - abstract grids of colored squares.

What is most surprising about Sean Scully's abstract images composed of stripes and squares of colour is not their considerable emotional power, but the fact that the most delicate watercolours or tiniest etchings can evoke a mood just as well as the large - scale oil paintings.

Josef Albers performed something similar with his paintings of squares that used blue as nothing more than a formal property, and Andy Warhol continued this in his Marilyn paintings and other serially reproduced works, which use blue as just another color with which to mutate the actress's image, interchangeable with yellow, red, or any other hue of the spectrum.

The squares painted above the band contact their neighbors side by side without a barrier, and so it goes as the viewer's eye surveys the image plane from top to bottom or vice versa.

Morley depicts details: each calibrated digital image as a whole is fragmented into a grid of small squares or «cells» as the artist calls them, from which Morley paints one discrete component at a time, turning the canvas upside down and sideways so that the abstract shape and color tonality of each part is addressed.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's large scale photograph depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the image speaks to the larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.

In 15,000 square feet of exhibition space, imaginatively designed by renowned architect David Adjaye, the exhibition will feature historic work from the Edison Manufacturing Company and the Fleischer Studios, as well as seminal works by masters of the moving image genre — Paul Chan, William Kentridge, Raymond Pettibon, Martha Colburn, Kara Walker and Federico Solmi.

In previous projects Bajo has invited performing artists to engage with a simple square of black fabric as a gesture of anarchist resistance to social control; commissioned weavers from India to reinterpret an abstract image derived from a highly pixilated portrait of anarchist godmother Emma Goldman; and translated anarchist manifestos into musical notation which was then performed by a string quartet and accompanied by an improvised choreography.

The show's most beautiful image is a form of continuity unto itself: a wall of Mondrian's New York studio, where paintings, shelves and tacked - up squares of color form an irregular grid of grays so subtly modulated they might as well be colored.

As I pass them, images congeal on the white square.

The placards form iconic images from Mexican culture, as well as Red Square, Kasimir Malevich's modern painting of 1915.

Stella describes the compulsion he felt to continue the series in the pursuit of a perfect geometric composition: «The concentric square format is about as neutral and as simple as you can get... It's just a powerful pictorial image.

In 1970 he returned to color, continuing to use photographic portraits as a model but incorporating a new technique in which he constructed the image from a gridded arrangement of individual color squares, each of which is like an abstract painting; viewed from afar, they form a unified, highly realistic image.

What we do not see in this image, but what clearly happened, was that an ice mass hundreds of meters tall and covering an area of about 12.5 square kilometers was shattered into flinders as warming ocean waters invaded the Greenland Ice Sheet.

Massive Arctic ice island drifting toward shipping lanes The biggest Arctic «ice island» to form in nearly 50 years — a 250 - square - kilometer behemoth described as four times the size of Manhattan — has been discovered after a Canadian scientist scanning satellite images of northwest Greenland spotted a giant break in the famed Petermann Glacier.Canada.com — Aug 07 10:16 am In another research, using Autosub, an autonomous underwater vehicle, researchers led by the British Antarctic Survey have captured ocean and sea - floor measurements, which revealed a 300 meter high ridge on the sea floor.

Satellite images appear to confirm the claim by Californian Russ George that the iron has spawned an artificial plankton bloom as large as 10,000 square kilometres.

While the image in ASUS» tweet reveals nothing, it could be argued that the circular shape of the planet is meant to represent the new circular design of the ZenWatch 3 display which has been rumored to have switched from a square shape to a round design this year, as suggested first by an FCC filing, followed by leaked images of what are believed to be the ZenWatch 3.

The big black squares you see in these images below are a new wireless charging system that has been developed by the Korea Advanced Institute of Science and Technology known as KAIST.