Joel Edgerton's «The Gift» (in which he also stars) falls victim to the same trappings
as stalker thrillers past, but only for the first half of the movie.
Not exact matches
Last year's misleadingly titled «Fifty Shades Darker,» directed by James Foley and scripted by Niall Leonard (the author's husband), piled on the swoon - worthy luxury goods plus a few dubious
thriller flourishes, even
as it dragged out Anastasia's increasingly tedious ambivalence toward her adoring
stalker of a boyfriend.
It's in the mould of
thrillers like Misery and The Fan, where a symbiotic relationship begins between a media personality and an obsessive
stalker, though any veers towards violence
as a means of conflict resolution in A Patch of Fog come only after a considerably lengthy bout of mind games first.
The latest Nicholas Sparks - derived weepfest, «Safe Haven,» is being marketed
as a Valentine's Day special, but the plot line is closer to a
stalker thriller.
Briefly:
Stalker — From creator Kevin Williamson, the psychological
thriller drama stars Dylan McDermott and Maggie Q
as detectives investigating...
The premise reads
as a common psycho
stalker thriller, but the film is actually more of a dramatic study of Sy's character.
Now she'll appear
as «a
stalker student» in The Applicant, a
thriller to be directed by Eric Bross.
It's much better than that: The Gift is a
stalker suspense -
thriller with a wicked edge, a thematically rich tale of revenge and domination that engages the mind
as it gives you the willies.
Steven Soderbergh's psychological
thriller feels particularly timely
as a woman battles against her
stalker.
The Night
Stalker Director Megan Griffiths and star Lou Diamond Phillips scheduled to attend This penetrating psychological
thriller from Seattle's Megan Griffiths (Lucky Them) features a spine - chillingly magnetic performance from Lou Diamond Phillips
as death - row inmate Richard Ramirez, California's notorious serial killer.