Sentences with phrase «as standard movie»

According to Davis, items like sliders, pizza, fresh - baked cookies and hand - dipped ice cream are gaining popularity as standard movie fare.

Not exact matches

As a CEO of a sales technology company, I can't help but think of some of the most notorious sales movies that showcase not only the effectiveness of phone - based selling, but also remind us that managing to a proven standard of selling activity hasn't changed.

In addition to more leg room, which is a standard feature of most premium economy products, we offer additional features within Main Cabin Select, such as complimentary on - demand current - run movies, premium television programs, premium beverages and Main Cabin meals and snacks.

Oil and gas investments benefit from drilling budgets being standard in the industry as opposed to start - ups and movies which can see budgets fluctuate based on unforeseen events.

But anyway, as a 90s child I have pretty high standards when it comes to Disney movies.

Mr. Speaker, I could not be making this statement in a more opportune era — as I speak; A Pan African Movie — Black Panther, which passed the $ 1billion mark just 26days after its release — by all standards a fantastic movie which breaks away from the stereotype and portrays Africa in deserving lMovie — Black Panther, which passed the $ 1billion mark just 26days after its release — by all standards a fantastic movie which breaks away from the stereotype and portrays Africa in deserving lmovie which breaks away from the stereotype and portrays Africa in deserving light.

As Jacobs wrote in The Death and Life of Great American Cities, originally published in 1961: «Towns and suburbs... are natural homes for huge supermarkets and for little else in the way of groceries, for standard movie houses or drive - ins and for little else in the way of theater.

Ethical standards continue to decrease as previously considered inappropriate material is being allowed through music, advertisements, TV shows, movies, etc..

There are so many dating options out there to choose from, depending upon your interests, budget, While couples often resort to the standard date night options, such as dinner and a movie, sometimes creative dating ideas are necessary to keep things

I quite liked the ending, faithful to Wells» book as it is (never mind the question of why the aliens didn't take the Earth's microorganisms into account, given their superior intellect); a more standard Hollywood ending would have ruined much of this movie.

Though it may take months of meticulous research, I am certain that you will someday triumph over this pernicious double standard and discover a site where enlightened gentlemen such as yourself post such movies, boldly fighting against the status quo that so obviously favors the depiction of flacid male genitalia.

It examines the movie in a fairly standard way, as it goes through the project's genesis and tells us about casting, adaptation issues, Forman's involvement, dealing with the subject matter, costume and production design factors, and reactions to the film.

With excellent acting, amazing sets and production standards as high as any I've seen, the movie has only one real problem: Once you're lost in the jungle, it's a very long way out.

Once again, I'm not trying to let a highlight cloud my judgment of the movie as a whole, but the villain is honestly something remarkable here, especially for the standards that have been set by previous movies in this universe.

It's a Pixar movie treatment of a subject the engaging «Book of Life» used as a setting a few years back, with the standard «Follow your dreams» Pixar messaging.

(The movie's signature corrida, «Remember Me,» an Ernesto standard, is by the «Frozen» team of Kristen Anderson - Lopez and Robert Lopez, and its use as both an anthem for popularity and tear - jerking familial plea is well - deployed.)

He seems not to recognize this as a standard agitprop of the totalitarian mind - set, always repulsive, but more so here in a movie that glosses over the boy - king's frequent massacres.

Credit goes to Padilha for preventing this standard happy - ending - friendly hero arc from getting too overly sappy in execution, but try as he might to mask it, the movie is clearly striving for a sentimental ideal.

Just about any film that explores the question that all of us ponder about what happens to us after we die already starts with built - in intrigue, and while Flatliners eventually becomes a relatively standard «Twilight Zone» - esque story about dealing with the guilt and remorse of one's past to resolve one's future, it's certainly a movie that stands out as quite different in style and, to some extent, subject matter than most anything that Hollywood had churned out before.

At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.

Presented in rough - looking standard definition, it asks whether the Captain is a ghost or real (a question that is never in doubt in the movie), while celebrating this as a major event film anticipated from the moment the novel was published.

The movie's original trailer (2:37), which twice identifies Walken as an Academy Award winner and repeatedly features white and black rotoscope animation of his character's grenade launcher action, is nicely included, albeit in low quality standard definition.

Robert Totten / Don Siegel — «Death Of A Gunfighter «(1969) A flawed, but nevertheless interesting, minor Western that fits neatly into the revisionist movement in the genre at the end of the 1960s / beginning of the 1970s, «Death Of A Gunfighter» is best remembered as the film that birthed the name «Alan Smithee» (or here in its original spelling, «Allen Smithee»), which became the standard DGA pseudonym when a director took their name off a movie for the next thirty years.

Still, it seems as though being unable to use Hedrix's songs may have in some ways benefitted Ridley's movie, creatively - by forcing it to work outside the template for the standard musician biopic.

While that still preferred physical medium typically faces no hurdles in giving new movies and TV a permanent home, I can't help but notice as a predominantly Blu - ray viewer that the added detail and smooth playback of 1080p is missed in this standard definition presentation.

A pretty standard thriller movie made special by the presence of Simon Pegg as assassin Charlie Wolf.

The film starts off much in the same vein as your standard [i] Bond [/ i] movie, with a big stunt, the now expected big Cruise stunt which he does all by himself.

The movie begins as a standard mob movie... Continue reading →

This looks steeped in the epic, action movie cliches that he helped establish over 20 years ago but it comes off as tired and almost satirical by today's standards.

As the teens begin to exhibit standard horror movie behavior, a group of technicians in a control room are scrutinizing, and sometimes even controlling, every move the terrified kids make.

He's also used to whisk away the standard movie sentimentality as when Agent Sympathy has conversations with her inner child.

Kojima believes that with evolving technology, we will eventually reach a stage when gameplay rendering quality will have the same standard as movies.

Universal Pictures Home Entertainment will release Happy Death Day on Digital in 4K Ultra HD and standard definition as well as via the digital movie app MOVIES ANYWHERE on January 2, 2018 and on Blu - ray, DVD and On Demand January 16, 2018.

What follows is a fairly standard chase movie as the girls party - hop and the parents hopelessly scramble through set pieces including, yes, a scene in which John Cena butt - chugs beer out of love for his daughter.

There is no way that the movie wouldn't be improved by simply cutting out all of that secondary content; it would likely trim the movie to an unusual hour length and would require a different ending and probably at least one standard issue best friend as sounding board, but the movie would be a lot closer to tolerable then.

To boot, the DVD is as lackluster as the movie, with its underwhelming presentation and complete lack of extras and standard features.

As a 1954 movie, On the Waterfront was made right when the industry was transitioning from the long - standard Academy Ratio to widescreen formats, devised and touted in response to television's widespread popularity.

«Today, few midnight movies meet the standard as defined by [former theater owner Ben] Barenholtz.

The theater's screen, billed as the largest in South Florida at 60 - by - 80 feet, will also play a role in the movie: the Ryan Coogler - directed «Black Panther» reportedly will feature an hour of footage formatted specifically for IMAX screens, offering a taller picture compared to those at standard movie theaters.

After i saw first RAID, i think to myself Hollywood see this movie as new standard and they will try to make equivalent of it but no, I didn't see such things yet.

The menu plays a standard montage of clips filling as much of the screen as the movie itself.

The first film directed by Douglas Trumbull (Brainstorm), the special effects maestro that created memorable visions in such movies as 2001: A Space Odyssey, Close Encounters of the Third Kind, and Blade Runner, features quite a bit of interesting effects of its own, perhaps a bit dated by today's standards (the spaceships look like obvious miniatures) but given the limited budget and schedule Trumbull had to work with, still impressive.

Wizardry of the technological kind broke the film out of the mold of the standard Marvel movie and turned the tale of Doctor Strange's supernatural awakening into a breathtaking spectacle, ranging from ever - shifting urban geographies to a high - speed multidimensional flight that can leave audiences almost as short of breath as the film's protagonist.

Another seeming model for this would be any of the movies with Jurassic in their title, though as the gold standard Spielberg's original Park is the biggest influence (even if one of four credited writers was also among those billed on World).

Just as Tim Burton's Batman set a new standard for superhero movies in 1989, Danny Elfman's musical score remains one of the genre's most iconic compositions.

Indeed, as the last third of the movie shifts towards a cat and mouse affair with the arrival of Moses and Henry, it becomes a rather standard, and even frustrating thriller, dressed up in period trappings.

The scene embodies two principles that would become standard in horror movies: it's vaguely postmodern, calling attention to the movie itself as part of a cinematic tradition, and it shows how quickly laughter can be overtaken by terror.

And Black Mass criminally wastes Corey Stoll as the US Attorney who went after Bulger, so I don't understand why the entire movie isn't just about that three - way conflict between those men, forget the rest — except that it's a box - checking standard procedural and so it must present every facet of the case, not just the most interesting part.

It's like a standard sports movie, but with every point made twice or three times — as if we'd never seen one before.

The entire movie was filmed in five days during a huge U.K. music festival, most of the cast had to be convincing as rock musicians — and even perform live — and the basic plot is a pretty standard romantic comedy with a completely contrived central conflict.