Sentences with phrase «as studio shots»

The book includes 11 drawings created for the occasion, as well as studio shots of the process, installation shots, a critical essay by Hila Cohen - Scheiderman, an in depth interview by Noam Segal, and all the plates from the show.

Not exact matches

With a studio base in Belfast, the show is known for shooting in exotic locations, including Croatia, Malta, and Iceland — the latter of which wasn't as wintry at the time the Thrones crew would have liked.

However, the rest of the Getty scenes in the movie are clearly of Plummer, which Scott could pull off as they are mostly scenes shot in one exterior location or interiors, which could all have been filmed on studio sets.

The quilts that are so near and dear to my heart sadly missed out on a good and proper photo shoot as well, though I did manage to snap this one only in my studio before they went to the gallery.

If you want a more modern backdrop, Kristy will also be shooting styled still life images at the Lord Whitney Studios, using the full studio space as the creative backdrop.

A shoot that will produce great pictures later suitable for wall prints via a company such as PhotoBox could take place in your garden, front room, studio, or nearby park.

He shoots as many as 200 events per year, including Marshall's studio portrait and numerous public events.

Preschool Enrichment Programs: • Peter Cottontail Preschool & Daycare, Dover, NH • Joy of Learning Preschool, Berwick, ME • Bright Horizons at Timberland, Stratham, NH • Growing Places at Woodside, Dover, NH • Nurture & Nature Children's Center, Newfields, NH • The Shooting Stars Program, Scarborough, ME • Country Lane Nursery School, Arundel, ME • Stay & Play Early Learning Center, Dover, NH Private Group Classes at the Studio Private group classes can be scheduled as a one time event or as a series at our home studio in Dover, NH.

After the studio shoot, we had extra time so I wanted to style another look and use the streets of London as the backdrop.

As everybody is doing studio shots this season, it's good to finally see that done right!»

Ads were shot immediately before transmission, in front of a live studio audience, and then transmitted as live ads.

With such big - budget major studio efforts as Con Air (1997) and Lara Croft: Tomb Raider (2001), the fledgling director has indeed proven his keen ability to shoot entertainingly jarring action scenes that place filmgoers in the eye of a frenzied storm of chaos with such gleeful abandon that he has become a solid staple in the Michael Bay / Jerry Bruckheimer cannon.

Karloff, on the Universal lot shooting 1931's Graft, was soon tapped by director James Whale to replace Lugosi as Dr. Frankenstein's monstrous creation, and with the aid of the studio's makeup and effects unit, he entered into his definitive role, becoming an overnight superstar.

If major US studios think they can churn out substandard films, using product - placement to cover the cost of scatter - shot television advertising as a route to box office success, then they, like the Spartans themselves, are doomed.

The film was shot entirely within LA sound studios, although supplemented with background - projection shots of a number of authentic locales, such as London, Paris, and Naples.

A third - person shooter developed by Old School Games — the same studio behind the eerily similar God Mode — R.I.P.D. is a must - own if you've ever wanted to shoot monsters as Jeff Bridges in a cowboy hat.

The image is splendid, on a par with the studio's glowing remaster of 1985's Pee - Wee's Big Adventure; the age of Innerspace is mostly in evidence in composite shots (that optical particulate that accompanied Spielberg - era movie magic), as even the soundtrack is rich and full, though wanting in the lower octaves.

Here they set the record straight regarding their troubles with Crispin Glover, studio head Sid Sheinberg's mandated changes to the screenplay as they barrelled towards the shoot, Eric Stoltz's (mis) casting, the picture's Americana influences, and the reconceived third act.

In an ironic twist, and perhaps some may think of this as poetic justice, the studio decided to cut out a Rebecca Romijn - Stamos (X-Men) nude scene and some shots of excessive violence and gore.

At a special industry screening director Paul W.S. Anderson said that the film was always planned as an R - rated movie and shot that way, but only three weeks prior to release the studio changed that by severely cutting the film for a lower PG - 13 rating.

The show takes cues from the big screen as well: Its absurdist deadpan and quasi-documentary feel (the episodes are shot on handheld camera without a studio audience or laugh track) recall Christopher Guest's improvisational gems.

Although Hitchcock generally preferred studio shooting to filming on location, he also appreciated San Fran's beauty and the city features prominently in «Vertigo» as he lets us linger near landmarks and enjoy the scenery.

Shot entirely on a studio set, the film takes place in a quasi-glamorous Las Vegas where pudgy, uncouth Hank (Frederic Forrest) and awkward, dreamy Frannie (Teri Garr) celebrate their fifth anniversary as boyfriend and girlfriend.

Shots that rely on available light appear softer than others; compression is invisible throughout — as it should be, since the studio abandoned a DTS track in order to increase image quality.

I've always been a fan, but «Horizon» is the shot of adrenaline I really think they needed to solidify themselves as one of Sony's best first party studios.

That would put the film on par with the massive opening of the first film, and certainly give Fox an extra shot of confidence as it preps Deadpool's entry into the studio's X-Force movie.

This may be a somewhat wild guess as I am not a part of this industry myself, but I'd say we have to look into systemic unwillingness of studio heads, producers and «big shot» film executives not giving women any opportunities to direct.

As previously mentioned, you'd find a lot of takes place in Illinois, shot in Vermont or in a studio type stuff.

Fukasaku and his team broke with the longstanding studio tradition of casting marquee idols as honorable, kimono - clad heroes, defending their gang bosses against unscrupulous villains, and instead adapted true accounts torn from the headlines, shot in a documentary - like style, and with few clear - cut heroes or villains.

He's following up, and expanding upon, Dave Kehr's New York Times article on Steven Soderbergh's decision to shoot his film «The Good German» as if it were a Michael Curtiz studio production in the late 1940s.

Though Altman's films compare with Coppola's as chamber music does with grand opera, their work in the 1970s exemplifies what ultimately became the prevailing style of American film direction in that era: maverick resistance to studio - imposed time and budget constraints, insistence on directorial authorship, reliance on location shooting, use of improvisational acting, an emphasis on ensemble playing rather than star performances, Fordian gatherings — weddings, church services, parties, dinners — as exponents of group character (both Altman and Coppola had Catholic upbringings), and a revisionist approach to the mythic archetypes of the Hollywood genre film.

Bogart's face actually isn't seen until the movie is half over (a fact that reportedly distressed studio head Jack Warner as he envisioned box office losses), but the picture never loses its edge, with Vincent's plight (his run - ins with various suspicious characters never hurt for suspense), Bacall's anchoring performance, and the San Francisco location shooting overcoming a rather slender mystery.

With the exception of Lovitz, all of those actors bring a lot of themselves to their parts and one imagines the recording studio was a site of much merriment, just as one of Sandler's Hawaii or New England film shoots so clearly are.

That dedication pays off tremendously, as Everest seamlessly combines the on - location footage with scenes shot in studio, and embellished with CGI, for an experience that is frighteningly in your face, never showing any cracks in where the real environments end and the generated ones begin.

I'm sure the studio would have liked to cast that wide net and have a shot in three acting categories, but as it is, Farmiga and Kendrick will be going head - to - head in supporting.

Built as either a shot to attain a loftier reputation or as penance for afflicting four goddamned «Shrek» movies upon the populace (perhaps both), Dreamworks Animation's How to Train Your Dragon 2 finds the red - headed stepchild studio attempting to go full Pixar and widen the emotional scope of what has been, to date, probably their...

Built as either a shot to attain a loftier reputation or as penance for afflicting four goddamned «Shrek» movies upon the populace (perhaps both), Dreamworks Animation's How to Train Your Dragon 2 finds the red - headed stepchild studio attempting to go full Pixar and widen the emotional scope of what has been, to date, probably their strongest effort, but also biting off more than it can chew, turning out a finished product that implies a creative team that knows the music, but nonetheless struggles to nail the rhythm.

Walter Hill's relatively recent status as an auteur may have been stymied by his unwillingness to take on sprawling, pretentious, or overstuffed shots or edits; for him, the somewhat anonymous vocabulary of the studio picture was one well enough worth perfecting.

Motion picture executive Jonathan Tobias hires Bosley and the Angels to track down someone dressed as one of Robin Hood's Merry Men who has been shooting arrows into studio personnel.

Director Lawrence Sher, making his feature debut after a career as a cinematographer, brings the skills he established shooting movies for Todd Phillips (including the Hangover trilogy, with Helms), which is to say he uses better lighting and more textured visuals than a typically overlit studio comedy while still neglecting to frame, cut, or pace scenes for actual laughs.

Cowritten by literary entrepreneur Stephen Elliott, founder of therumpus.net, and porn star Lorelei Lee, About Cherry was shot partly at San Francisco's Kink.com studios, a former armory building that serves as a veritable 250,000 - square - foot skin - flick Cinecitta.

They first proposed Rutger Hauer chasing the kids in a sequence reimagining the original Ridley Scott «Blade Runner»; Warners shot that down, as the studio was about to release «Blade Runner 2049.»

But Blunt admits she struggled to stick to her strict diet and perfect her dance steps as she prepared for the shoot: «I had about eight weeks before the movie started... so I was in the dance studio and in the gym.

As evidenced here, where it seems the studio intentionally selected the MOST unrecognizable shots of these women and slapped them together.

This was a great shoot, filmed in locations across Florida, as well as in a studio in Orlando.

As we've seen with high profile Kickstarter campaigns over the last few months, studios and publisher's are often conservative in their appraisal of a work's appeal, and it's probably just a matter of time before an author sees similar success (David Mamet is giving it an early shot according to The New York Times).

Home to production studios and advertising agencies — as well as to Manhattan - inspired mint apartments that share the streets with historic Victorian architecture — Woodstock is a coveted location for movie and magazine shoots.

Continue to Ouarzazate, a former colonial trading post now known for its movie studios where films such as Gladiator and Lawrence of Arabia were shot.

«As usual, all shots show purely in - game footage that has not been made in any special photo mode, using no post-processing or filters that aren't available during the actual gameplay,» the studio said.

The game is the first offering that Shiver Games — a relatively new studio, as far as I've researched — has put out, and it's therefore a little hard to define what kind of genre they were shooting for.