Sentences with phrase «as studios become»

Artists are selected by a jury process as studios become available.

Not exact matches

2016's movie industry highlights include a monster year for Walt Disney, as the Mouse House set a new yearly global box office record, becoming the first studio to ever top $ 7 billion in worldwide ticket sales.

Before becoming a Pinot's Palette franchise owner, I worked as an artist at the Pinot's Palette Montclair studio.

After the acquisition, DreamWorks Animation will become part of NBCUniversal's Filmed Entertainment Group, which includes its Illumination Entertainment animation business — which produced the popular Despicable Me and Minions movies — as well as the Universal Pictures movie studio.

Even setting up a booth can become a creativity competition, as artists try to make their 10 - foot - by -10-foot spaces into ministorefronts, art studios, classrooms, and in one crafter's case, a replica of her»50s - inspired kitchen.

When she became a top TV personality, instead of renegotiating her salary, she renegotiated ownership of the program, as well as the studio where it was produced and a stake in its distributor.

The days of cheap contracts are gone; studios are demanding more money for their content as streaming video has become more popular, and they have a bargaining chip in the form of Netflix's rivals.

As a loyal Pure Barre Wilmington client, Carper became a Pure Barre instructor where she deepened her knowledge and passion for the technique before deciding to open her own studio.

From becoming a front desk barre - ista, to teacher, to studio manager, to corporate teacher trainer, I kept falling more and more in love with Pure Barre both as a business and lifestyle.

Before becoming a Pure Barre studio owner, I have been a dance teacher and choreographer for as long as I can remember!

Despite only getting elected last year Sheppard has become one of the most recognisable SNP faces in SW1, his role as shadow cabinet minister giving him license to roam across the broadcast studios.

Will he confirm that after I spent a Saturday afternoon chasing him round the TV studios, it became clear that there is no Government - funded national internship scheme and that the companies that he has identified as providing internships made it clear that no extra internships were intended on top of the ones already announced?

As both a pragmatist and a democrat, Cook declared his support for a Scottish parliament in a television studio on election night, and became a convinced advocate of the reform.

Little did I know, as I sat there baking in that hot yoga studio, how valuable these meditations would become later on.

June 2012, Well & Good announced previously named «neighborhood fave» Refine Method as «on its way to becoming a household fitness name» with the news of the new Upper West Side studio opening.

Soon after, she located one of the only yoga studios in San Diego (before yoga became as popular as we know it) and became immersed in Asana practice.

We will also offer it at our online boutique and in our Dover, NH studio, as soon as it becomes available, most likely by Dec. 18th.

Hi Guys, I had an appointment as always at the tatoo removal studio ENDLICH OHNEMeanwhile, this has become something like a ritual and I have the feeling it never ends;) Because I have decided to remove...

Giving the couple free reign (as long as they don't criticize the regime, that is), Kim became a film studio boss and his charges had what every filmmaker on the planet craves, a greenlight for every project and the best possible resources at their disposal.

That honor goes to Paramount — yes, the very same Paramount that also out - performed all other studios at the box office — which became the first major studio to receive a quality grade as high as B + in our annual evaluations.

In 1929, Dunne was cast as Magnolia in the Chicago company production of Show Boat; her superlative performance led to a movie contract with RKO, where after a few inconsequential programmers like Leathernecking (1930), she became one of the top dramatic stars at that studio.

This led to a 15 - year association with Republic Pictures, where Judy became one of that studio's biggest moneymakers in such raucous vehicles as Sis Hopkins (1941), Sleepy Lagoon (1942), Oklahoma Annie (1946) and Carolina Cannonball (1955).

While the studio lots themselves can become wonderful places given the right attention, and stars can be fun to screw with, too many limitations and confusion as to why some things work the way they do can create a tiresome management simulation.

With such big - budget major studio efforts as Con Air (1997) and Lara Croft: Tomb Raider (2001), the fledgling director has indeed proven his keen ability to shoot entertainingly jarring action scenes that place filmgoers in the eye of a frenzied storm of chaos with such gleeful abandon that he has become a solid staple in the Michael Bay / Jerry Bruckheimer cannon.

Karloff, on the Universal lot shooting 1931's Graft, was soon tapped by director James Whale to replace Lugosi as Dr. Frankenstein's monstrous creation, and with the aid of the studio's makeup and effects unit, he entered into his definitive role, becoming an overnight superstar.

As films become the sole property of the studios who produce them, they control who sees them more strongly than ever.

After filling in for Orson Welles on reshoots for The Magnificent Ambersons (1942), Wise became a director, and soon gained a reputation as a reliable studio hand with films such as The Curse of the Cat People (1944), The Body Snatcher (1945) and the seminal real - time boxing drama The Set - Up (1949).

Seventeen years after The Shaggy Dog became one of Disney's biggest live action hits, the studio ushered into theaters a sequel, titled The Shaggy D.A., as its major Christmas 1976 release.

Furthermore it will boost 3 - D to become much more important to the studios which I also regard as negative.

But as highly anticipated and praised as this remake has become, the studio had warmed up audiences to the idea with remakes of earlier Disney classics.

From the time vaudeville star Mae Murray arrived in Hollywood in 1916, Leonard gradually became her principal director, he abandoned his own career as a movie actor by 1918, but did make unbilled cameo appearances in later films.Murray's headstrong behavior and open contempt of the studio bosses at Famous Players - Lasky (i.e., Paramount) kept both of them on a slippery slope in this period, but her great popularity with audiences likewise kept the Murray / Leonard team employed.

December 10, 2009 • As technology has evolved and become more affordable, bands no longer need to book hours of expensive studio time in a facility with million - dollar consoles.

Sony didn't let any second of its showing go to waste, revealing new beginnings for both established franchises like God of War and studios looking to expand their portfolio like Sony Bend, as well as new looks at Horizon Zero Dawn, Detroit: Become Human.

As the awards season ramps up to full throttle, the cinema becomes a hotbed of rejected newcomers, eager to clog up the piping and serve as 90 + minute studio tax write - offAs the awards season ramps up to full throttle, the cinema becomes a hotbed of rejected newcomers, eager to clog up the piping and serve as 90 + minute studio tax write - offas 90 + minute studio tax write - offs.

Matthew McConaughey may have become a star as a leading man in major - studio films like «A Time to Kill» and «The Wedding Planner,» but in the last few years the laid - back Texan has reinvented and revived his career with a string of sparkling performances in low - budget indies: Richard Linklater «s «Bernie,» Steven Soderbergh's «Magic Mike,» William Friedkin «s «Killer Joe,» Jeff Nichols» «Mud» and now Jean - Marc Vallee's «Dallas Buyers Club,» which has made McConaughey a strong favorite to land a Best Actor nomination.

If Nintendo buys Atlus the same is likely to happen and Sony and Microsoft can kiss that studio's works goodbye as it will become a Nintendo exclusive.

The arrival of the film noir coincided with a new penchant, inspired by Italian neorealism, for moving out of the studio on occasion and onto the great rich set of the American city and its suburbs, a readily available set which became, sometimes with only minimal adjustment of light and shadow, fully as «Germanic» as anything constructed at Ufa in the Twenties.

Electric has an infographic comparing The Great Gatsby to the wealth of the stars of the movie Pajiba on Netflix's current strengths and weaknesses as it attempts to become both a distribution platform and a content creator Observations on Film Art Kristin wonders whether or not studios understand the power of fanbases and direct access to filmmakers they can get via Twitter and set visits and the like In Contention Ben Affleck's follow up to Argo doesn't betray any steroided auteurly confidence.

ROBBERS STUDIO: Sony Pictures TV and Timberman / Beverly TEAM: Christopher Cook (w, co-ep), Michael Dinner (w, d, ep), Sarah Timberman (ep), Carl Beverly (ep) LOGLINE: Described as being in the literary - noir tradition of Cormac McCarthy's No Country For Old Men, it tells the story of a cop, two «running buddies» on a crime spree across Texas and the girl who becomes the complication in a very unique love triangle.

WHITE FAMOUS Picked up to series STUDIO: Lionsgate TV / Showtime TEAM: Jamie Foxx (ep), Tom Kapinos (w, ep) LOGLINE: Centers on a talented young African - American comedian whose star is rising, forcing him to navigate the treacherous waters of maintaining his credibility as he begins to cross over toward becoming «white famous.»

Last year, Iron Man 3 and Thor: The Dark World continued Marvel Studios» dominance at the box office, as the beginning of «Phase 2 ″ for the studio's Shared Cinematic Universe, following The Avengers becoming a massive critical / financial hit.

The revisitation of older titles has become fairly standard now for studios, as previous bare bones discs are given multi-disc special edition releases.

Obviously this isn't the first time that Pixar has made a director change — they did the same on Toy Story 2, Ratatouille, Cars 2, and Brave — but this is becoming something of a habit as three out of the studio's last four pictures will have gone through director swaps.

Though Altman's films compare with Coppola's as chamber music does with grand opera, their work in the 1970s exemplifies what ultimately became the prevailing style of American film direction in that era: maverick resistance to studio - imposed time and budget constraints, insistence on directorial authorship, reliance on location shooting, use of improvisational acting, an emphasis on ensemble playing rather than star performances, Fordian gatherings — weddings, church services, parties, dinners — as exponents of group character (both Altman and Coppola had Catholic upbringings), and a revisionist approach to the mythic archetypes of the Hollywood genre film.

Sony's Jumanji: Welcome to the Jungle came in No. 4 with $ 10 million as it crossed the $ 900 million mark globally to become the studio's No. 2 title of all time behind Skyfall after passing Spider - Man 3, not accounting for inflation.

Director Gracey, cinematographer Seamus McGarvey, production designer Nathan Crowley and costumer Ellen Mirojnick douse everything in such a sparkly modern gloss that the historical locations might as well be studio sets and the story of an American showbiz pioneer becomes just another razzle - dazzle cliche.

Brooklyn, the non-Sundance film, appears poised to become the highest grossing festival selection of the 2010s, so long as it can gross roughly $ 4 million more to pass A Walk in the Woods — ironically, another film whose studio decided not to bill it as a Sundance film.

As Ian Olney explains in his recent book Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Hollywood stole distribution tactics from B - film production studios, such as saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthoughAs Ian Olney explains in his recent book Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Hollywood stole distribution tactics from B - film production studios, such as saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthoughas saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthoughas to become profitable, that whether or not audiences actually liked the film ended up being an afterthought.

There's always something jutting or crashing into the frame as the camera follows our beset heroine through the violent maze her house has become; it's all rigorously disorienting, leading to a Grand Guignol climax of liturgical bloodletting and beastliness that constitutes the most unapologetic turn away from the real in a studio film since the frogs fell in Magnolia.

The studio wants to promote the film as exploration of the profound bond between a brother and sister — a love so deep, so unequivocal, so complete that it becomes a force that will not be denied or defeated.