Sentences with phrase «as synths»

When listening to VIRGO's music, it's hard not to dream up the world of Water Planet on your own, as the synths lend themselves to the...

The instrumentation, such as synths, other musical equipment,

Not exact matches

Depeche Mode was particularly pivotal in blurring the line between what we know as «synth» music and rock — processing guitars through giant, modular synths so it was hard to tell the difference between what was human - made and what was a computer, and perhaps more important, bringing the blues - based, brooding, masculine energy of»60s and»70s rock into the mix.

The GFP - tagged isoform a (plasmid pCK28 -LCB- PW01A8.1:: W01A8.1 (a) synth:: gfp:: unc - 54 3 ′ UTR -RCB--RRB- was constructed by synthesizing the W01A8.1 a sequence with modified codons to allow protection from CRISPR / Cas9 targeted sgRNA and prepared as a GeneArt ® Strings ™ DNA Fragment from Invitrogen (Invitrogen, Carlsbad, California, USA) and cloned using GeneArt ® Seamless Cloning System (Invitrogen) into pPD95.75 (NeoR).

I'm not sure how many of you out there remember the group Red Flag, but they began as a new wave synth - pop band back in the 80's, originally from Liverpool, who eventually settled in San Diego.

As you can hear the song is more the typical 80s synth - sound with our mandatory allures for cinematic, score-esque atmosphere.

Synth voices open, as guitar, galloping, battling drums hit a charging power metal feel.

I have tested many hardware synths as well as a huge amount of VST (virtual instruments) that reproduce the sounds of vintage synthesizers.

Puttnam, who worked with him on Midnight Express, intended to use electronic music as a counterpoint to the traditional songs of the period, setting Abrahams» performance in HMS Pinafore against the synth - driven montage of Liddell running over the Scottish hills.

Like the Streets or Dizzee Rascal, Arulpragasam's beats are minimal, but tracks such as «Pull Up the People» make use of every ounce of groove as tight, crisp synth lines backing her catchy raga delivery.

The score is also unexpected, as Cliff Martinez's compositions give the driving party atmosphere a welcoming but foreboding synth sound.

Like synth - rock pioneer New Order's early EP, «1981 - 1982,» it contains as many engaging moments as lesser artists» full - lengths.

Taking Kevin Parker's attention to detail to its logical extreme, Tame Impala's sophomore album was nearly dismissed as Same Impala, a near - identical composite of what made 2010's Innerspeaker such a delight: fuzzy guitar tones, analog synths and the classic dry drum sound.

Using a similar harmonic sound as The Flaming Lips, the synth sounds probably made The Chemical Brothers and Ratatat very jealous.

Built out of crowd - pleasing elements as durable as a lacquered, sky - high»80s hairdo, writer - director John Carney's coming - of - age musical is a synth - drenched joy: a tuneful, deeply personal ode to the impulse that forges a high school rock band.

This film is actually terrible — I mean, yeah — it is scary in the sense that its creepy, but I think, really, the film is just the byproduct of global DVD residuals from the directors father — allowing Panatos to string together a series of overproduced, overgrained interior sequences, cheap synth score and a slasher movie ending, and trying to pass it off as a «cult movie», when really we, the audience, need to know who, what or where the protagonist is coming from, what her dramatic need is, who she interacts with, and so on.

Fotocrime's Principle of Pain is a synth - heavy post-punk album with elements of goth - rock and darkwave that shows a whole new side to Ryan Patterson as an artist.

Clearly he has musical tastes that aren't driven by any sort of studio trying to push a pop song, so it came as no surprise when the opening credit sequence of The Sacrament featured «Heartbeats», a ten year old Swedish synth pop song.

Nina Simone Nominated for the Rock and Roll Hall of Fame — Finally — Spencer Kornhaber analyzes this year's list, which spans gospel and synth - pop, as well as overdue inclusions and new shoo - ins.

As gritty as Heaven Knows What often feels, it's leavened by empathy and poetic moments: desperate kisses, a passed - out couch nap lit by slanting sunbeams, the beautifully eerie synth music of TomitAs gritty as Heaven Knows What often feels, it's leavened by empathy and poetic moments: desperate kisses, a passed - out couch nap lit by slanting sunbeams, the beautifully eerie synth music of Tomitas Heaven Knows What often feels, it's leavened by empathy and poetic moments: desperate kisses, a passed - out couch nap lit by slanting sunbeams, the beautifully eerie synth music of Tomita.

Just as Goblin was key to the success of Argento's best work, Simon Boswell's synth / electronica score for StageFright is, apart from Soavi's visuals and film - smarts, the movie's MVP, and it's given full breadth in a dynamic lossless presentation.

Only the ambient hum of a highly unconventional, effective synth score by The The could count as a standout element of a thriller that otherwise borrows relentlessly from the recent past.

The synths never compete with Aurora's message but rather wonder alongside her as she weaves her narrative of a languid, sepia - tinted dream state.

Of course, there is far more to Powell's music than drum loops, and the way he combines modern electronics and synths with an orchestra is as impressive as any other film composer.

As my friend and fellow critic Andrew Barker points out, this is glaringly true in the scene where Dre «comes up with» the synth riff for «Nuthin» But a G Thang»; also, Dre's history of violence against women has been omitted entirely.

It wraps up so neatly with 80s synth pop and indie rock playing in the background, it's as if Lifetime tried making something for early - 2000s Sundance.

Though the «sex equals death» rule isn't as prominent in modern horror movies that defy those decades - old tropes, «It Follows» is very much a retro homage to «70s and «80s genre classics, from the «Halloween» - esque synth score, to the striking similarities to «Nightmare on Elm Street,» both in Jay's perpetual helplessness and the film's dreamlike atmosphere.

While referencing 80s synth scores is all the cool millennial rage now, it's also nice to see their soundtrack tastes can go way back as well to the 50's and 60's singing and dancing days of George and Ira Gershwin and Michel Legrand, as embodied by the composing - directing partnership of Justin Hurwitz and Damien Chazelle.

It should be enough that Le Matos» score is synth - heavy perfection but to make the rest of us insecure about our talents one of its members, Jean - Philippe Bernier, served double duty as the film's cinematographer.

But what separates «Mistress America» from Baumbach's other witty and sharp observational works about (what some people see as) White People Problems, is a madcap screwball comedy energy and a nostalgic, all - things - are - possible «80s sheen (bolstered by a fantastic dreamy synth score by Dean & Britta).

July 28, 2017 • Intensity in songs often expresses itself as volume — a loud guitar, a scream, a piercing synth line.

Say when you find yourself chuckling merrily as Rachel McAdams haplessly tries to extract a bullet from Jason Bateman's arm while a banging Cliff Martinez synth extravaganza blasts away in the background.

Hajian gets too close by adding strings on top of his synths, bringing sad, soul - searching impact to the soundtrack as the noose gets both tighter around compromised heroes and multi-dimensional villains.

The music he created as the soundtrack to the Back to the Future trilogy remains, quite possibly, my favorite score ever set to film, while later works included the synth - heavy Flight of the Navigator, the sentimentalism of Forrest Gump & Cast Away (both part of his continued collaboration with Future director Robert Zemeckis) and more recently, heroic themes composed for Marvel's Captain America: The First Avenger, The Avengers and the upcoming Avengers: Infinity War.

Extra Special: Much in the same way that Michael Giacchino announced himself as an heir apparent to John Williams (let alone Akira Ifukube), «10 Cloverfield Lane» is almost positively retro in its appreciation of unabashed melody, yet with the synth - sample chops to that a relevant composer can't do without.

While not necessarily retro as such, Haijian's sleek synths call to mind Jan Hammer's work for the exploits of Crockett and Tubbs in building a world where pastel - colored style masks murderous depravity.

Closing with the video evidence we've long been promised, Denis lands on not justice but its demonic parody, as blurry images of the family's grotesque home movies, in a manner of speaking, play out against the arpeggiated synths of Tindersticks» «Put Your Love in Me,» a kind of nightclub anthem for the undead.

She wears a number of amazing outfits, kills a whole bunch of bad guys, and just looks terrific as she struts through noisy nightclubs and desolate alleyways to a soundtrack of»80s synth pop.

Bronson was an unbridled beast, as evident from director Nicolas Winding Refn's blistering opening salvo, a character - defining blood - red depiction of Peterson pacing side to side, naked and covered in filth, inside a cage, his fury rising as he psyches himself up for forthcoming fisticuffs, which in Bronson typically arrive in slow - motion and staged to crashing classical music and opera or»80s synth - pop like the Pet Shop Boys» devilishly appropriate «It's a Sin.»

In his commentary for Cat People, director Paul Schrader described the Oscar - winning composer as an eccentric of sorts; appearing with a huge tape library of pre-recorded sounds, synth beats and emulations, which were multitracked and mixed down by Moroder for that film's final soundtrack.

Especially if you imagine Thanos busting out some killer moves to classic»80s synth - pop, as seen in the video below.

to them such as this here «Cop Out», which went as far as hiring composer Harold Faltermeyer («Beverly Hills Cop», «Fletch», «Tango & Cash») to do the cheesy synth - pop score.

The title track opens with the unmistakable harmonies of Brian Wilson and the time - warp synth magic of Jon Brion, two generations of pop scientists who situate things in the American Dream - scape of Southern California — an excellent sci - fi pop setting, as French ex-pats Daft Punk (another uncredited influence here) might tell you.

Killers human and supernatural rampage through this impressive black box, as Jay Chattaway's gritty «Maniac» brings 80's NYC synth sleaze to Joe Spinell's sweaty mannequin lover, while Michael Convertino's strikingly original score to «The Hidden's» body jumping alien slug still stands as one of the genre's most bizarrely percussive and effective soundtracks, samples creating a sound that's violently otherworldly, which also capturing the haunted spirit of the relentless E.T. cop out to bring him in.

I still get chills thinking about the Metal Gear Solid 4 wallpaper on my PS4 — a tortured Old Snake, gritting his teeth as the bottom half of his body disintegrates into pieces, while Williams» signature synth - brass sound blares on loop.

The story follows a missing person case taken at Valentine's Detective Agency, and leads the player to Far Harbor, where the situation is as tense as the locals, Child of Atom followers, and synths struggle to coexist on a heavily irradiated island that is home to more beasties than you can shake a super sledge at.

The Next Penelope OST — with nineteen tracks of slick, synth - infused electronica — actually stands alone as a decent album.

The entire game is modeled on and controlled by a soft synth, so that as you progress further into bringing the world back to life, it pulses with its own music.

The Children of Atom are as fanatical as ever, raising serious doubts over humanity's ability to live independent of blind faith (those of you familiar with Stephen King's The Mist will notice striking similarities), and the leader of the synth colony wastes no time in posing some genuinely thought - provoking questions to the player about synths who may not even know that they are synths, even going so far as to make the player question his / her character's true identity.

He grew up listening to synth bands such as Depeche Mode and Skinny Puppy, eventually following this musical path into electronic music production in the late 80's.