She thinks back to the best of times and the worst of times,
as that auteur from across the Channel would put it, when Raymonde Veber became the best female tennis player in a nation that didn't belong to her anymore.
Not exact matches
Lister - Jones is also generous enough an
auteur to allow for memorable moments
from others, whether it's hilarious bits
from the likes of Retta (
as Anna and Ben's unlucky marriage counselor), Brooklyn Decker, and Jamie Chung; the escalating weirdness of Armisen (who was, of course, a seasoned indie - band drummer before he turned to acting and comedy); or a knockout dramatic scene between Pally and the great comedian Susie Essman
as Ben's mother, who provides some invaluable advice.
It's
as exhilaratingly honest and unshackled a work
as many have come to expect
from this
auteur of cringe comedy, one that foresees, absorbs, and responds to all possible bile that might be directed its way, knowing full well of the muck it dredges up.
If it isn't quite up to the standards of «Ed Wood,» Tim Burton's 1994 tribute to the
auteur of such misbegotten fruits of moviemaking
as «Plan 9
From Outer Space,» it is nonetheless a much - needed distraction.
It doesn't hurt that it was also selected
as Denmark's Foreign Language Oscar Entry, a distinguished honor, considering it beat out works
from more prestigious
auteurs.
Johnny Depp played hopeless B - movie
auteur Ed Wood Jr
as a never - say - die idealist who rescued Bela Lugosi
from unemployment; Meryl Streep gave life to the deluded classical singer, Florence Foster Jenkins, who was rich enough to pay people to listen to her off - key warbling.
Critics have seemingly cooled on Tarantino's pop culture patchwork technique over the years, mistaking cleverness for ironic detachment and his singularly innovative mode of theory - to - practice film geekery for plagiaristic slapdash kitsch just
as Tarantino is reaching personal heights
as an
auteur, and it begs the question: did Shakespeare have to deal with cooler - than - thou backlash
from his detractors?
And then, there were a decent number of
auteurs who appeared at the Cannes Market who should (hopefully) pop up in Venice, such
as Lido regular Benoit Jacquot with his adaptation of Don DeLillo's The Body Artist, apparently retitled Never Ever, while Wim Wenders could be a contender with The Beautiful Days of Aranjuez (though he may hold out for Berlin 2017, the same guess we'd wage for a new film
from Volker Schlondorff, Return to Montauk).
It's not much of an achievement that co-directors Anthony and Joe Russo (held over
from Captain America the Winter Soldier) make a better film than Zack Snyder... but it's worth noting that Marvel (corporation
as auteur) have nurtured their characters (even in weaker films like Iron Man 2) to the point when they carry more screen weight than lasting icons Batman and Superman.
But though it derives
from an ancient Greek myth,
auteur Yorgos Lanthimos» most recent English - language film, The Killing of a Sacred Deer, spoke to me of a more Freudian concept: the idea of psychology
as an impossible, inner dystopia.
A section of fifteen deleted scenes totalling 22 minutes with optional commentary
from Frankel and Livoisi is kind of maddening for Frankel's oft - repeated confession that he's never seen this material — trusting his editor that implicitly only betrays his TV training and makes it difficult to take Frankel seriously
as an
auteur.
Before starting to write this review, I decided to read the pro-Shyamalan arguments in the attempt to get the flip side opinion
as to what I consider to be one of the worst films of 2008, and perhaps the worst film
from an
auteur of Shyamalan's reputation in some time.
From the outset, the loss of Greengrass
as director should have a detrimental effect on the overall quality of this film, but this isn't the main obstacle facing Legacy,
as they have a very capable
auteur in the form of Gilroy, and it should be remembered that the franchise was kick - started by Doug Liman some ten years ago.
A director once anointed
as a promising
auteur, has now had many revoke that status
from him.
There are
auteurs offering up work considerably below the bars they've set (Woody Allen and «Whatever Works,» Pedro Almodovar and «Broken Embraces»),
as well
as indie hopefuls that could make an unexpected splash, like «Frozen River» and «Away
from Her» in years past (Guillermo Arriaga's «The Burning Plain,» for instance, or Alessandro Camon and Oren Moverman's «The Messenger,» both extremely deserving).
Time Out says: «What stiffens this unashamedly exhibitionist movie's muscles are its beautifully judged performances,
from Burt Reynolds» stand - out
as porn - king
auteur / father figure, to Julianne Moore's superb cokehead survivor - star and William H. Macy's humiliated cuckold, right down to Philip Seymour Hoffman's gut - wrenching gay crew member.»
As for those critics who might be hoping to see something a little different
from Anderson next time around, the
auteur says he has no plans to change up his famously idiosyncratic style.
What makes «Year of the Rat» so vital is how, incidentally or not, it goes
from denouncing the
auteur theory (through not only the typically insecure observations of actors, but also the deflective statements of Morgan and long - time creative partner Wong) to validating it: In a coda, we see that the movie's poor box - office showing has shaken Morgan and only Morgan to the core; call filmmaking a «collaborative effort» to your heart's content, but
as William Shatner, of all people, opines on the recent Star Trek V discs, at the end of the day no one on the set has
as much emotionally invested in the picture's success
as the person at its helm.
He draws thematic inspiration
from classic Western director John Ford (specifically 1956's «The Searchers») and
from his beloved»30s and»40s crime movies
as well
as the visual aesthetic of French New Wave
auteurs.
Even then in May, amongst the line - up of melodramas and arthouses
from auteurs all around the world, it stood out
as an entertaining and commercial thriller, though this is just the first take on live - action
from the 39 - year - old South Korean director who packed on his back only several animated movies, most notably The King of Pigs and The Fake.
In 1993, Graham Fuller went a step further, calling Tarantino «not so much a postmodern
auteur as a post-postmodern one, for he is feverishly interested in pop - cultural artifacts and ideas... that themselves spring
from earlier incarnations or have already been mediated or predigested.»
I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film
from the South Korean
auteur Hong Sang - soo, the story of a female student's «sentimental education»
as it were,
as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is
from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.
Alas, too much of Storytelling moves away
from Solondz's social critique, casting its audience
as that of intellectual lector in contemplation of the
auteur's professional injuries.
Together, they paint a puckish portrait of the
auteur,
from Bale's discovery that Malick would often shoot him surreptitiously — at last justifying his Method posturing between takes — to Chief Stephen R. Adkins of the Chickahominy Tribe revealing that «Terry» (always «Terry») told him to consider the title ironic after Adkins expressed his displeasure with a 5,000 - year - old civilization being Eurocentrically referred to
as «new.»
Also too good to pass up: Garry Winogrand: All Things Are Photographable, a striking documentary profile of one of the strongest practitioners of urban street photography, directed by Sasha Waters Freyer, Apr. 15; Godard Mon Amour, director Michel Hazanavicius» cool, dramatized portrait of iconic French
auteur Jean - Luc Godard (Louis Garrel),
as told by Godard's one - time wife, Anne Wiazemsky, Apr. 15; and,
from Japanese master Koreeda Hirokazu, The Third Murder, a chambered nautilus of a murder mystery, starring Fukuyama Masaharu and Yakusho Kôji, Apr. 6.
David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar
from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the
auteur's use of wardrobe and colour schemes
from Hitchcock's meditation on objectification, Vertigo,
as well
as those of his first collaboration with inamorata Tippi Hedren, The Birds).
Resnais is also given a nice showcase via a lengthy, vintage Q&A session
from 1961, where the camera stays on the director, and Resnais answers queries regarding his disuse of the possessive credit («A Film By»), views on the
Auteur theory, his rather humbling self - classification
as a working editor, and his reply on the ever popular question by cinema tightwads, «Is Cinema dead?»
Julieta, the 20th film
from Spanish
auteur Pedro Almodóvar is referred to
as Banal in Shelagh's less than impressed review
Until a couple of tired romantic roundelays — Jasmine takes up with a wealthy widow played by Peter Sarsgaard, while Ginger strays with speaker - installation guru Louis C.K. — turn up in the last act,
as they do in most of Allen's weaker comedies, this is an uncharacteristically focused work
from the
auteur.
«Midnight Special» — It almost seems that young writer / director (gearing towards
auteur) can do know wrong,
as his entire catalog for me, thus far, has ranged
from good to fantastic.
The lack of many of them
from this year's lineup is jarring — though, to be fair, this year's lineup is missing many expected male
auteurs from its ranks
as well, including Nuri Bilge Ceylan, Lars von Trier, Terrence Malick, and Brian De Palma — especially considering how many of them have new projects completed.
On the one hand, I could hardly argue, not least since we'd both just emerged
from a film — Chilean
auteur Pablo Larrain's brilliant nightmare of a black comedy «Post Mortem» — that stands
as much chance of securing an invitation to the Kodak Theater
as Kim Kardashian does to the Kennedy Center Honors.
While some
auteurs locked out of the comp in 2015 have been invited back to the fold (Desplechin, Kawase) of Fremaux's loving arms, the usual trend of displacement has crafted an unusually exciting crop of titles in the Directors» Fortnight sidebar,
as well
as miscellaneous groupings of designated Special Screenings and Out of Competition slots specifically designed for
auteurs who will remain part of the official program but away
from the glaring inspection of competition pressures.
Aside
from Jean - Luc Godard, it's hard to think of an octogenarian
auteur who remains
as vital and intellectually playful
as 84 - year - old documentary master Frederick Wiseman.
Sit in
as the cool and stylish
auteur and I chat about everything
from Otis Redding, Tennessee Williams, Hong Kong diners, Leslie Cheung's anniversary, Chinese censorship and of course the Temple's Unrequited Luv, Mr. Tony Leung Chiu - Wai.
But its eerie photographic effects, off - beat narrative and stylish direction set it apart
from its contemporaries and mark it
as the work of an
auteur with a clear, specific vision.
Powerful drama
from writer - director Kelly Reichardt («Wendy and Lucy») further establishes her
as an
auteur who finds poignancy in the stillness
Dead Pigs was shot with a bilingual crew with money
from Chinese investors and finished in New York City, with arthouse
auteur Jia Zhangke on board
as an executive producer.
Se7en (1995), which turned David Fincher
from that guy who screwed up the Alien series to a new breed of popular
auteur, came out around the same time
as The Usual Suspects.
As mentioned earlier, the DVDs of Shyamalan's feature films have contained clips from the movies he made as a child and aspiring auteu
As mentioned earlier, the DVDs of Shyamalan's feature films have contained clips
from the movies he made
as a child and aspiring auteu
as a child and aspiring
auteur.
Leo Tolstoy's tale of ball gowns, steam engines and lives ruined by affairs has been injected with a burst of visual flair by the Atonement
auteur, staging much of the action within a 19th Century Russian theatre, where characters move
from scene to scene
as if in an epic, shifting play.
And so, in choosing it
as the film
from the past ten years I would most like to discuss in the context of the future of the medium, I might be asserting, against my better judgment, the primacy of the
auteur over and above national cinemas and identity art — the ferocious and aggressively confrontational cinema of Lucrecia Martel serving
as evidence that an ethos long - since debunked in serious academic circles still has credence or at least value in the second century of the movies.
With Courtney B. Vance providing omniscient narration (and a superb, bombastic score
from Alexander Desplat), a score of the
auteur's regular players have key voice work moments,
from Bill Murray, Bob Balaban, Ed Norton and Jeff Goldblum
as a pack of helpful mutts, to Scarlett Johansson and Harvey Keitel
as love interest and savior.
As an imperfect but heartfelt and exquisitely rendered portrait of the world's mysteries seen through wide, guileless eyes, the film can proudly stand next to VELVET GOLDMINE and FAR
FROM HEAVEN in the oeuvre of an endlessly, passionately curious
auteur.
As usual, the Masters programme is cholk - full of carryover items from world renowned auteurs who've already premiered last February (Berlin), this past May (Cannes) or as part of the upcoming action on the Lido (Venice
As usual, the Masters programme is cholk - full of carryover items
from world renowned
auteurs who've already premiered last February (Berlin), this past May (Cannes) or
as part of the upcoming action on the Lido (Venice
as part of the upcoming action on the Lido (Venice).
It does, however, continue the
auteur's knack for mining astonishing breakout performances
from young actors,
as near - novice Tahar Rahim splinters the screen
as a 19 year - old illiterate enduring the harshest passage into adulthood imaginable.
Other celebrated
auteurs looking for their first Foreign Language nomination are Belgian brothers Jean - Pierre and Luc Dardenne, who went home
from Cannes empty - handed but whose film Two Days, One Night will likely have their highest stateside profile yet due to the presence of Marion Cotillard in the lead role
as a woman who has a single weekend to convince her co-workers to give up their bonuses so she will not be laid off.
The competition alone includes new films
from famous international
auteurs such
as: Isabel Coixet, Hong Sangsoo, Doris Dorrie, Robert Guediguian, Errol Morris, Majid Majidi, Mike Leigh, Erick Zonca, Andrzej Wajda, and Johnnie To.
As perhaps the most famous Dutch
auteur, he's gone
from ribald little European films to the biggest of Hollywood bangs, incorporating his unique wit, visual sense and narrative acuity to all his projects.
His criticism
as a writer for the Cahiers du cinema is just
as important
as his filmmaking, too — he's the one who first started the idea behind the
auteur theory, though many others have modified it far
from his original intent