Sentences with phrase «as the animation at»

The animation staff is not as friendly as the animation at Iberostar.

Not exact matches

After PayPal: Regarded as a very useful person to have around at a start - up, Rabois went onto hold senior positions at LinkedIn (more on that in a minute), Max Levchin's Slide (a company responsible for slideshows and animations in social networks) and electronic payment firm Square (founded by Twitter's Jack Dorsey).

Current Venture: Music Is My Business, an Atlanta company that matches performers with marketers at clients such as Heineken and ESPN and produces original music and animation

Unveiled at this year's San Diego Comic - Con, Marvel Studios» logo and animation update pays homage to Marvel Comics (as did its predecessor) while highlighting its own cinematic work.

If you look at production forecasts for oilseeds — where exports could exceed 3.5 million barrels per day by 2020 — as well as U.S. production in the Bakken — watch this animation to get a feel for how fast that's growing — then there's definitely a market for significant new pipeline capacity.

We learn about Ed's journey from his early days as a pioneer of computer animation, being hired by George Lucas to run the computer division at Lucasfilm, working with Steve Jobs to form Pixar (ultimately Pixar - Disney) and leading it to meteoric success.

The entertainment is great especially the Beijing Acrobats, they were a must see, I must say I was a little disappointed with Cosmos I thought they would have made more effort especially with the children, the Cosmos kids club reps were great but if you weren't outside the kids club hut at 10 am they left and for them to entertain your children in the evening they charge between 10 — 15euros which I thought was a bit wrong seen as you book the hotel for the kids clubs then have to pay extra — hey ho — but the animation team were great.

As a senior at Texas A&M University, he rediscovered his artistic interest through a course that introduced him to computer graphics and animation.

Housed at Illinois, this computational facility has helped other scientists, such as astrophysicists, translate their math into animations.

Health care, pharmaceutical, and medical device companies use the high - quality and scientifically accurate 2D and 3D animations, illustrations, and Web - enabled content to explain their scientific discoveries to their clients at medical symposiums, for internal communications, and as marketing materials.

Modeling Animation: Storm - tide flooding of the Battery in New York City through several tidal cycles during Hurricane Sandy as modeled by Professor Harry Wang and colleagues at VIMS.

In the absence of a black hole, the stars would move at a much slower rate, as shown in the animation.

The site combines the project outputs with interviews, animations, and articles about the project history, as well as a look at the future directions.

This animation first shows Curiosity working to understand Mars as a past habitat, with a cut to MAVEN arriving at Mars to study the upper Martian atmosphere.

Some of the animations are downright awful (for example, look at your Skylander as he exits a cannon).

Sure the animation was a standard for Disney between the 1940's and 1970's, where you can see certain characters move in the same way as other characters from earlier or later films, but that was solely due to the limitations in the animation room at the time.

The hyperrealism of computer animation begs another question: If your goal is to make things look as realistic as possible, why bother with animation at all?

One of the great pleasures of animation is the way it distills movement and color and sound into their simplest outlines; at its best, it gives us as much information as we need and no more.

«Tummy Trouble», «Rollercoaster Rabbit», and «Trail Mix - Up» are all included here, but while the opening of Who Framed Roger Rabbit functions as both wild cartoon slapstick and hyperbolic parody of same (as well as something of a precursor to the even more satiric Itchy and Scratchy of The Simpsons), the subsequent shorts, beyond lacking the deft, fluid touch of the movie's animation director Richard Williams, are less clever: orchestrations of mayhem that occasionally pause to wink at themselves.

The packaging makes it seem as if the scene contains mostly unfinished animation and storyboards, but it's actually a fairly polished full - frame sequence, and it would have felt right at home in the feature, containing good humor and some great new footage of Jessica Rabbit and Judge Doom and Toontown.

As someone who has written at some length about the decline of Pixar Animation Studios since its acquisition by Disney, I am especially pleased to be proven wrong, even if only intermittently.

The animation and graphics are truly wonderful to look at, and the voice work and music tie everything together but, the repetition in the puzzles and copious amounts of backtracking means, it is not as fun to play as it is to look at.

For viewers who are au fait with recent animation and fairy tale adaptations aimed at young children, Cinderella may come as something of a shock.

At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile GerimAt the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerimat loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

No cheap tricks here as the animation for Paddington continues to be impressive at capturing his innocence and the playful mayhem that he gets finds himself in on any given day.

Flashback footage shows the director starting Studio Ghibli, and part of what is happening as «The Wind Rises» wraps up is him paying back his animation mentor, Isao Takahata, whose Ghibli - released «The Tale of the Princess Kaguya» was to come out at the same time as «Wind Rises.»

Also, to Ms. Taymor's credit, she intelligently provides at times inspired touches such as — stop motion action shots, color tinting in brightly exotic desert shades, finely textured black - and - white sequences, shots of Diego in New York to do the Rockefeller commissioned mural against a lively Dadaist collage of the New York setting, Frida's dream of her hubby as King Kong, a puppet show in the hospital (with the help of the gifted Quay brothers animations of skeletons in the post-accident emergency room — the skeletons were copied from one of Frida's paintings).

Having said that, Kronk's New Groove does boast several top - notch voice performances and an animation style that's just as bright and colorful as the original, so (at the very least) the film doesn't have the feel of something haphazardly slapped together.

The cute animation for pulling stickers off anything (walls, bushes, trees, etc) is nice at first, but quickly grows tiresome as you need hundreds of the damn things and just multiply the two seconds it takes to pull each one off and you'll realise how much time is wasted.

I liked Pirates Curse so I will definitely get this one as well - I admit at first I liked the pixel style of Pirates Curse more, this one reminded me of the Ducktales Remaster too much (good artstyle but animations were a bit disappointing).

The animation and voice work is solid, and the slightly more adult tone is a welcome change of pace, but even at a brisk 76 minutes, «Batman: Assault on Arkham» isn't nearly as enjoyable as its premise suggests.

Official Premise: Based on the DreamWorks Animation Academy Award ® nominated movie How to Train Your Dragon, there's action at every turn and excitement on every ride in DREAMWORKS DRAGONS: DEFENDERS OF BERK PART 2 as Hiccup and his fearless friends embark on new adventures and battle to protect their island home.

As a result, the movie feels cinematic at times and downright cartoonish at others but of course the dazzling 1950s animation is never even challenged, let alone rivaled.

Filmmaker Jocelyn Moorhouse (Proof, How To Make An American Quilt, A Thousand Acres, The Dressmaker) joins the show this month as we look back at some of the key releases of November 2016, including the new Marvel entry Doctor Strange, the Harry Potter prequel spin - off Fantastic Beasts and Where To Find Them, and DreamWorks Animation's toy adaptation Trolls.

Disc 2 resurrects «The Sunset Squid Fight» — the initial, spectacularly failed stab at the squid tussle, reconstructed from colour 16 mm outtakes (it's Ed Wood cheesy)-- as well as the «unused animation» that realized, with limited success, Fleischer's idea for bioluminescent fish to swim past Nemo's porthole.

But even then, the film remains a consistent visual treat (the computer animation is more inspired in this section, with the grown - ups depicted as a colorless, zombified mass of tall, narrow bodies) and always echoes Saint - Exupery's core theme of looking at the world through the hopeful, uncorrupted eyes of a child, where sometimes what appears to be a hat may in fact be a boa constrictor with an elephant inside.

Utilizing a cut - and - paste animation style with a photographic edge to recreate scenes from Hicks's life, usually to cheeky effect, American turns some 90 minutes of interview footage into a smooth, illustrated, altogether agreeable narrative that is chock - full of anecdotes and achieves a genuine intimacy without resorting to hero - worship (only the occasionally lame visual, such as the whitewashed depictions of tripping during Bill's mushroom blowouts at Kevin Booth's ranch, weaken the device).

Made at a time when the idea of animation changed radically, Allen starred as an ant with big ideas to change his own station.

Rare was experimenting with 3D animation at the time as they found the then - popular digitization technique too restrictive [8].

If that isn't an issue, The Book of Life's colorful imagery and marionette - style animation may be a refreshing celebration of family, as well as a fun look at Mexican traditions.

While no new characters are debuted, the whole gang from The Force Awakens is on hand: Rey and Kylo Ren grip their lightsabers, Finn (John Boyega) sleeps in what looks like a suspended animation chamber, Poe Dameron (Oscar Isaac) and his droid companion BB - 8 race through a Resistance base as it comes under attack; Luke and R2 - D2 gaze at a burning temple; Kylo Ren and his stormtroopers stride through the flames.

However the level design is quite decent, including the areas that you visit, the lighting effects and character design but the animation is a mixed bag and at times it was like my character was floating as she attempted to climb large rocks.

They also good at producing animation film such as Pokemon: the 1st movie which made $ 163,644,662, making it the highest - grossing anime film in the US.

One way of dealing with it would be to have the characters entering the real world, although Chris McKay — animation co-director of The LEGO Movie and director of The LEGO Batman Movie — has previously said it's going to be «this big musical and space action movie», so at this point it's anyone's guess as to what the plot might entail.

There's a supposed love story among the explosions and the dead spots somewhere, but acting in a film as effects - heavy as this one is akin to doing voice work for animation: long hours of sitting by yourself in a fake cockpit as you scream your lines at nothing while gyros toss you around tends to hinder human tenderness and connection.

The characters themselves are at least well - written for the most part, with the occasional funny skit managing to land despite the game's relatively limited animations, and they're rarely as anime trope - laden as their appearances may suggest.

Although The Boxtrolls lead the nomination tally going into the awards, How to Train Your Dragon 2 won six awards at the 42nd ANNIE Awards this weekend, including Directing, Editing, Music, Storyboarding, Character Animation in an Animated Feature as well as the big one itself, Best Animated Feature.

, while a little gimmicky (Lloyd reprises his librarian character), does manage to provide a good deal of insight into the difficulties of cel animation as well as the odd priorities of the filmmaking team (animation director Maurice Hunt declares, «Animation is the best art form in the history of the world» — a contention at direct contretemps with The Pagemaster's literaranimation as well as the odd priorities of the filmmaking team (animation director Maurice Hunt declares, «Animation is the best art form in the history of the world» — a contention at direct contretemps with The Pagemaster's literaranimation director Maurice Hunt declares, «Animation is the best art form in the history of the world» — a contention at direct contretemps with The Pagemaster's literarAnimation is the best art form in the history of the world» — a contention at direct contretemps with The Pagemaster's literary ethic).

They get to briefly open up about what attracts them to making shorts as well as commenting on the legacy of Disney shorts — and the painstaking care with which the older shorts are treated at the Disney Animation Research Library.