It should also be mentioned that SICARIO sees Roger Deakins (SKYFALL, NO COUNTRY FOR OLD MEN)
as the cinematographer again (Deakins lensed PRISONERS, too).
Not exact matches
Ripley is engulfed by darkness and despair in director David Fincher's claustrophobic and underrated big - screen debut (which looks a lot better in light of Seven — photographed by Alien Resurrection
cinematographer Darius Khondji — and The Game),
as she crash lands on Fiorina «Fury» 161, a remote, nearly deserted, Class C Prison, maximum security, Double Y Chromosome - Work Correctional Facility after drifting in space —
again — for an unspecified time.
Filmmaker Robert Rodriguez
again wears several hats (including writer, director,
cinematographer and production designer), but they don't seem to fit quite
as well this time.
Working with his usual
cinematographer, Chung Chung - hoon, Park
again displays his eye for haunting detail: a daddy long - legs that creeps up India's bare calf, a metronome that tocks with foreboding, an eggshell that cracks
as heavily
as if it were the Earth's crust.
Once
again, Dreamworks Animation put together a talented crew and I'm sure using legendary
cinematographer Roger Deakins
again as a visual consultant greatly enhanced the look.
Scott serves
as producer this time around and Hampton Fancher, who adapted and reworked the Philip K. Dick novel, scripts once
again (though without the input of co-screenwriter David Peoples, whose rewrites helped give the original its poetry), but this world is very much the creation of director Denis Villeneuve (Arrival and Sicario) and
cinematographer Roger Deakins.
But here,
again, Arrival doesn't seem likely to get much love.The safest bet,
as so often this year, is probably on La La Land and its
cinematographer Linus Sandgren.
After an eight year period of silence following his time travelling Sundance Grand Jury Prize winning debut Primer, Shane Carruth returns to his position not only at the helm with his latest masterpiece, Upstream Color, but once
again as writer, actor,
cinematographer, sound designer, editor and even distributor.
Rodriguez
again takes his multifaceted role
as director, writer,
cinematographer, editor, composer, producer, production designer, and visual effects supervisor, taking the «theory» out of the auteur theory.