Ever since the French electronica duo was announced
as the composers on «TRON Legacy,» excitement has been through the roof.
To me, it seems that working
as a composer on a film means creating an audio environment that adds to the narrative experience.
GSW: You served
as a composer on the Wii exclusive sound novel «428: In a Blockaded Shibuya,» which is one of few games to have received a perfect score from Famitsu Magazine.
Not exact matches
Douglas Yeo (bass trombonist with the Boston Symphony), Phil Smith (principal trumpet with the New York Philharmonic), Wendy White (mezzo — soprano with the Metropolitan Opera), Jerry Blackstone (co — director of the country's leading conducting program at the University of Michigan), and Michael Kurick (award — winning
composer on Vanderbilt's faculty) are but a handful of the hundreds upon hundreds of Christians active
as professional musicians outside of C — Pop.
For his views
on this see especially the discussion of the paper published here, «God
as Composer - Director, Enjoyer, and, in a Sense, Player of the Cosmic Drama.»
As with sacred Scripture, so with the exercise of the Petrine ministry: the truth or otherwise of a teaching is based
on the authority invested in it — in both cases, by God himself, guaranteed by his Holy Spirit — rather than
on the identity, oftentimes unknown, of this or that
composer (or
composers) of a particular text.
Yet the 38 - year - old British
composer of such blockbuster musicals
as Jesus Christ Superstar, Evita and Cats, who has written such enormously popular melodies
as «I Don't Know How to Love Him,» «Don't Cry for Me, Argentina» and «Memories,» demonstrated in the Requiem that he can also write beautiful serious music in the English choral tradition — while still holding
on to his more rock - inspired identity.
Creativity will be the keyword of the evening
as it will feature film screening and original live music with the performance of
composer Pete Drungle
on archive images from Gaumont film studio.
In a further photograph, shared
on Boca's Instagram page, the singer and
composer is seen
on the Bombonera turf, in a snazzy fisheye shot that looks
as though it could have been the album cover of one of Oasis's early 90s albums.
«
As far as we know,» says Rusty Magee, the young composer of 1919: A Baseball Opera, «there has never before been an opera or a ballet or anything theatrical based on the Black Sox scandal, which seems astonishing.&raqu
As far
as we know,» says Rusty Magee, the young composer of 1919: A Baseball Opera, «there has never before been an opera or a ballet or anything theatrical based on the Black Sox scandal, which seems astonishing.&raqu
as we know,» says Rusty Magee, the young
composer of 1919: A Baseball Opera, «there has never before been an opera or a ballet or anything theatrical based
on the Black Sox scandal, which seems astonishing.»
The society has seen fit to preserve, in framed photographs and monographs, certain events in the past of Woodson County — such
as the birth of Buster Keaton in 1895 and the visit of President Rutherford B. Hayes in 1879 and the arrival in the county of Thurlow Lieurance, the
composer of the song Falling Leaves, in 1885 and, most impressive of all perhaps, the sighting
on the night of April 19, 1897 by Captain Alexander Hamilton of a brightly lighted, reddish airship with a cigar - shaped cabin 300 feet long.
«To me, it is an affront when a Peer says that he thought his peerage was a reward for his success
as a
composer and he did not expect to attend debates and vote
on policy issues.
Indeed, this is not the first time a contemporary
composer has recognized the seemingly limitless potential for atomic Sturm und Drang; two previous operas — Steve Reich's Three Tales and Philip Glass's Einstein
on the Beach — take
as a central symbol the explosion of a nuclear bomb.
Kenny Wessel — electric guitar, banjo Originally from Chicago,
composer and handrummer / percussionist Adam Rudolph has released over twenty recordings
as a leader and appeared
on numerous albums.
Thankfully for Omaha singles, this city hosts Nebraska's only opera company, which performs at the Orpheum Theater
on S 16th St. Every year, you can catch iconic operas by giants like Puccini, Verdi and Mozart,
as well
as newer productions by lesser known
composers.
Gorgeous production design and superb costuming and girlie accoutrements help float this improbably romantic adventure and lend it an airy grace,
as does a score from
composer Michael Giacchino that classily evokes swirling romance without hitting antecedent influences directly
on the nose.
This time out Glazer is working with cinematographer Daniel Landin, who has collaborated with Glazer
on his music video work,
as well
as the young multi-instrumentalist and
composer Mica Levi.
So Cuaron, who used the same writer (Steven Kloves), production designer (Stuart Craig),
composer (John Williams) and trio of leads
as the previous two films did, ended up putting the best face
on a problematic situation.
Providing a score
as authentically Chinese
as Big Alan who runs the Peking Nights Chinese Chippy around the corner from me is newly - styled «legendary
composer» Ramin Djawadi, presumably hired
as a result of his popular work
on Game of Thrones (James Horner had actually signed up to score it, before fate tragically intervened).
Gerald's Game, a Stephen King adaptation for Netflix starring Carla Gugino, is good Coming Soon Daniel Dae Kim's stunt training for the Hellboy reboot / Film Hocus Pocus moves forward
as a TV movie remake - none of the original actors or filmmaking team are involved David Poland
on Blade Runner 2049 with no spoilers «It is Aliens to Alien»... whoa, that's high praise Billboard
composer Danny Elfman interviewed about Superman's iconic theme (redeployed for Justice League) and his long collaboration with Gus Van Sant Playbill Judy Garland's final concert, restored / remastered from 1969 will be released for the first time i09
on why you should be watching the Exorcist TV series, back for Season 2 / Film Amazon still has a lot of work to do to catch up with Netflix and Hulu but they're diving into the sci - fi genre big time
Hans Zimmer at the film's premiere; based
on the music
as heard in the film, this was the first time any of the numerous
composers who wrote its music had actually seen the film
Mica Levi's signature toolkit of tranquilised electronics and terse strings produces an astonishingly addictive musical accompaniment, rivalling even her alien - distilled work
on Under the Skin, and confirming her place
as one of the most original
composers of a generation.
«Build that wall» is one of our favorite songs of the year, and the rest of the album of what the
composer describes
as «acoustic frontier trip - hop» is something that will be
on regular rotation for many of the XBLAFans staff for a while to come.
As he brings his Walt Whitman opera Crossing to the Brooklyn Academy of Music, the young
composer - conductor and Los Angeles Opera's artist - in - residence muses
on his prodigious start, his upcoming commission for the Metropolitan Opera, and the future of classical music.
Directed by Oscar ® winner Bill Condon based
on the 1991 animated film, «Beauty and the Beast» is produced by Mandeville Films» David Hoberman and Todd Lieberman with eight - time Oscar - winning
composer Alan Menken, who won two Academy Awards ® (Best Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman,
as well
as several new songs written by Menken and three - time Oscar winner Tim Rice.
It's also nice to finally check in with
composer John Williams (whose Indiana Jones theme is the heart - and - soul of the trilogy), who's not so much
as mentioned in the omnibus documentary, while Ben Burtt's work
on Raiders is justly honoured with revelatory and enthusiastic recollections («This jungle is gonna be so friggin» alien,» was Spielberg's reaction to the animal noises that Burtt had fabricated for the beginning of the movie).
IFMCA member James Southall said that «The Shape of Water» was «yet another from the top drawer of Desplat,» and went
on to describe him
as «one of the most consistently impressive film
composers of the last couple of decades,» who has «managed to be so successful without having to water down his highly - distinctive musical voice at all».
Behind the scenes, the creative team includes frequent collaborators Tom Stern, who served
as cinematographer
on 13 of Eastwood's previous films, and Deborah Hopper, who has served
as Eastwood's costume designer
on 17 prior films, editor Blu Murray, who most recently cut «Sully,» and the film's
composer, Christian Jacob.
It's worth noting that Spielberg made a rare concession here working with the famed
composer on his Twilight Zone segment, and Goldsmith gave a fanciful waltz that could be best described
as memorable, but over-bearing.
By bringing Lamar
on board and employing Ludwig Göransson (a longtime collaborator with Coogler who has also worked with Donald Glover aka Childish Gambino)
as the film's principal
composer, Marvel are finally broadening their symphonic horizons.
Additionally, there's a new featurette
on the film's visual effects, new interviews with
composer Alan Howarth, actor Joe Unger, still photographer Kim Gottlieb - Walker and filmmaker David DeCoteau,
as well
as a previously released featurette and the original opening bank robbery sequence.
As for the rest of the techs, the editing team of Douglas Crise and Stephen Mirrione are Oscar nominees for their work
on Babel and
composer veteran John Powell received his first Oscar nomination for How to Train Your Dragon... both of these technical categories could be in play (especially Powell, who's also composing How to Train Your Dragon 2).
The film comes in the wake of 2013's heart wrenching Sundance Jury Prize award winner, Blood Brother, a film that seemed to come out of nowhere to wow audiences and critics alike, and apparently even the likes of Terrence Malick and Atticus Ross who came
on to Hoover's latest project to executive produce and serve
as composer, respectively.
His choice of James Newton Howard
as his
composer will seem so strange
on paper, but will heighten the film's core to a new level.
Scenes of Segel
on the job
as a TV show
composer are more distracting than amusing, and a strange choice considering the character himself is supposed to be lazy and unambitious.
With franchise icons Tom Savini
as executive producer and cinematographer, Henery Manfredini
as composer, and Kane Hodder
as motion capture actor portraying Jason, Friday the 13th: The Game will launch
on Xbox One, PS4 and Steam
as a digital download
on May 26.
Tom Holkenborg, aka Junkie XL, is a Grammy - nominated and multi-platinum producer, musician, and
composer whose versatility puts him
on the cutting edge of contemporary music,
as well at the vanguard of exciting new film
composers.
What makes this one worth buying is the new commentary with Tim Burton and
composer Danny Elfman,
as well
as the original poem and concept art the film was based
on, read by Christopher Lee.
Akira Yamaoka, best known
as the video game
composer for Silent Hill, has announced
on Twitter that he will write a song for an upcoming horror film called...
I am just astonished that a
composer of his standing would agree to do this — I know the argument is that if the
composer doesn't do what is asked of him, he will quickly find employment harder to come by, but surely Howard is offered enough movies that he could work
on high - profile films without having to compromise himself
as distastefully
as he has here.
Not surprisingly, I wasn't the only one asking if he'd be returning
as composer,
as he posted
on Twitter:
On the latest Crew Call, the Long Island native and two - time Oscar nominee of The Hurt Locker and 3:10 to Yuma talks with us about his latest work
as well
as his early days at Yale Music, and how he decided to take the plunge into film scoring thanks to The Omen and Poltergeist
composer Jerry Goldsmith.
Composer Justin Hurwitz and lyricists Benj Pasek and Justin Paul contribute a pleasing score, with the kind of earnest verse («Here's to the ones who dream / Foolish
as they may seem / Here's to the hearts that ache / Here's to the mess we make»)
on which Demy films thrived.
(It was
on a double bill with «Psycho»
as part of the series honoring
composer Bernard Herrmann.)
Celebrated movie
composer Hans Zimmer and hip - hop star Pharrell Williams have signed
on as music consultants for the 2012 Oscars.The Oscar - winner and...
He does not work nearly
as much
as he should, which is a shame because no other
composer working in film today comes close to the consistently breathtaking work Mansell has been churning out since Requiem for a Dream put him
on the map.
With season two of Wayward Pines set to get underway
on Fox next Wednesday (May 25th), we caught up with
composer Charlie Clouser of Nine Inch Nails fame to discuss his work
on the score for the hit series,
as well
as getting our hands
on an exclusive track from the season two premiere!
On his Twitter account, Forssell describes himself
as composer and audio director at Kojima Productions.
As well, you can take a peek at
composer Harold Arlen's home movies, outtakes and deleted scenes, special effects sequences, the 1938 MGM short From the Vault: Another Romance of Celluloid: Electrical Power, the 1939 newsreel Cavalcade of Academy Awards, the 1939 trailer Texas Contest Winners, audio vault, the radio promo Leo Is
on the Air, the 1939 radio show Good News, the December 25 1950 Lux Radio Theater broadcast, and stills galleries.
Directed by Oscar ® winner Bill Condon from a screenplay by TBD based
on the 1991 animated film, the film is produced by Mandeville Films» David Hoberman and Todd Lieberman with eight - time Oscar - winning
composer Alan Menken, who won two Academy Awards ® (Best Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman,
as well
as several new songs written by Menken and three - time Oscar winner Tim Rice.