Sentences with phrase «as the curators state»

Not exact matches

Its curators» decisions to display particular objects, such as the Artifact, in the Museum are not state actions to which Constitutional protections apply.»

But I wrote them and I got them, and then I was able to get another job, at Montana State University, as a curator.

«We think the Tufts - Love Rex is going to be an iconic specimen for the Burke Museum and the state of Washington and will be a must - see for dinosaur researchers as well,» said research lead Gregory P. Wilson, a UW biology professor and Burke Museum curator, in a statement.

As part of the program, current and former Reverse Shot writers joined chief curator David Schwartz and FILM COMMENT's own Kent Jones to discuss the state of film and film criticism.

«The Square» is a wry and decidedly dark Swedish comedy about an art museum curator (Claes Bang) who is variously forced to contend with a stolen wallet and phone; with trust issues, particularly as they pertain to a one - night stand with a reporter (Elisabeth Moss); with a viral - advertising disaster; and with a formal dinner disrupted by a performance artist (motion - capture coach Terry Notary) who seems to have reverted to a primal state.

A special award went to Adrienne Mancia, who, as a curator at New York's Museum of Modern Art for more than 30 years, «helped shape the movie - going tastes of New Yorkers by bringing the work of filmmakers like Bernardo Bertolucci, Manoel De Oliveira and Marco Bellocchio to the United States.»

With funding from major foundations and with state and district efforts to train teachers to become content curators, as opposed to content consumers, OER is helping to mobilize educators and librarians to bring quality, curated content to school and college classrooms in ways that students learn best.

Wheeler, as the school's curator (in addition to being on its advisory committee), encourages teachers interested in starting a similar program to collaborate with their state or local historical society (see «How To: Breathe Life into History»).

As part of our recent coverage of the Journese Curators event in Hawaii, Travel Agent stayed at the luxurious Grand Hyatt Kauai Resort and Spa and came back with a wealth of selling points for affluent Millennials looking to take a trip to the Aloha State.

This lead Alan Sondheim, then curator at Atlanta's Nexus Contemporary, to take matters into his own hands, by creating the first ever Atlanta Biennial as platform for contemporary art emerging from and impacting culture in the southeastern United States.

Those members came from various different artworld backgrounds (critic, curator, historian, artist, etc), and the programme, as stated on its still - live website, «eschewed solo exhibitions in favor of thematically, conceptually and politically driven group exhibitions and projects», such as its inaugural outing, modestly named Part One, which featured Andrea Fraser's May I Help You?

In this, the eighth of our interviews, we talk with Nigerian - born Okwui Enwezor who, after a distinguished early career as curator in the United States, organized exhibitions in Europe, where now he is director of the Haus der Kunst, Munich.

AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of significant alternative art spaces in the United States.

She has spoken of her fantasy that her artworks, «assembled from non-art objects», might one day «return to a state of non-art».6 Pavel S Pyś, exhibitions and display curator at the Henry Moore Institute, describes this alternation lyrically as an «alchemical variation».7

As the final days of «Contemporary Art / South Africa» (May 9 — Sept. 14) approach, the museum hosts a panel discussion among curators and artists discussing their «Multiple Perspectives» of the state of contemporary art in South Africa.

As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationAs part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationAs part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationAS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationAS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas a means of capturing first - person accounts of specific events, individuals, institutions and organizationas a means of capturing first - person accounts of specific events, individuals, institutions and organizations.

Yet his various biases as collector and curator are arguably celebrated here, with Hirst stating of Newport Street Gallery itself: «My favourite works by far are those by my contemporaries, and I definitely feel a responsibility to share them as much as I can.»

It's been unavoidable as we met with artists, fellow curators, writers, and other cultural producers across the United States and beyond.»

Daniel Fuller, Curator at Atlanta Contemporary says, «be it as an artist, an arts advocate, or at Georgia State University where he served as the School of Art and Design's director for 11 years, there are very, very few people that have meant more to the Atlanta art scene than Larry.

As a 21 year old assistant to the curator at Syracuse's Everson Museum, Ross helped mount Yoko Ono's first major solo show in the United States.

As Senior Curator at BAM / PFA from 1999 through 2007, she organized many major exhibitions that toured nationally and internationally, including The Dream of the Audience: Theresa Hak Kyung Cha (1951 — 1982); Everything Matters: Paul Kos, a Retrospective; Ant Farm, 1968 — 1978 (with cocurator Steve Seid); A Rose Has No Teeth: Bruce Nauman in the 1960s; and State of Mind: New California Art circa 1970 (with cocurator Karen Moss).

As curator Chrissie Iles states in her catalogue essay, «This is not a show about cinema,» nor is it a show about immersion per se.

As The Margot B. Perot Senior Curator of Decorative Arts and Design, Schleuning will be responsible for the DMA's Decorative Arts and Design collection, internationally recognized as one of the foremost decorative arts collections in the United StateAs The Margot B. Perot Senior Curator of Decorative Arts and Design, Schleuning will be responsible for the DMA's Decorative Arts and Design collection, internationally recognized as one of the foremost decorative arts collections in the United Stateas one of the foremost decorative arts collections in the United States.

Guest - curated by former Blanton curator Gabriel Pérez - Barreiro and jointly organized with the Fundação Iberê Camargo (Porto Alegre, Brazil), this retrospective aims to make the Brazilian conceptual artist, who defines his practice as sculpting the distance between objects in pursuit of «maximally present work through minimal action,» better known in the United States.

State of Concept has since its inception focused on solo exhibitions by international and Greek artists (such as After Europe by Jonas Staal in 2016, Margarita Bofiliou Everything's wrong Xerxes in May 2015, Laure Prouvost C'est l'est not ouest in April 2016, a.o.) whilst inviting international curators to comment on the current socio - political landscape of Greece and beyond.

«In 2014, visitors saw these works as part of an isolated experiment — contained within their own exhibition as State of the Art,» says Crystal Bridges» Assistant Curator Alejo Benedetti.

Gass, who has been chief curator at Stanford University's Cantor Arts Center since 2014, began her curatorial career at New York's Jewish Museum and has since held positions at institutions including SFMOMA, and served as acting director of the Eli and Edythe Broad Art Museum at Michigan State University.

«It has been an outstanding opportunity to collaborate with Christy and Bill Gautreaux as we identified thematic threads unique to their collection,» states Erin Dziedzic, curator and head of adult programs at the Kemper Museum.

Davis» record as an artist and a curator is equally illustrious, including exhibitions at Studio Museum of Harlem, American Craft Museum, Renwick Gallery, Maryland Institute College of Art, Savannah College of Art and Design, Anacostia Museum, National Museum of Art of Senegal West Africa, United States Embassy Accra, Ghana and Museum fur Angewandte Kunst (Museum of Applied Arts, Frankfurt, Germany.

Highlights of the evening included a welcome speech by Houston - based photographer and Gala Emcee Emily Peacock, the awards ceremony with introductions by Valerie Cassel Oliver, Curator of Modern and Contemporary art The Virginia Museum of Fine Arts and Andrea Grover, Executive Director of Guild Hall, NY and founder of Aurora Picture Show, a champagne toast by the Honorable Vanessa Gilmore, United States District Judge, and deeply moving and personal acceptance speeches by the night's honorees Trenton Doyle Hancock and Lynn Goode, as well as the Texas Artist and Patron of the Year awards, which were created by Patrick Turk, and Terrell James / John Caloway.

«I can think of no other painters whose commitment to art and their artistic community was as strong as that of James Brooks and Charlotte Park in the decades that they lived on the East End,» stated Alicia G. Longwell, the Lewis B. and Dorothy Cullman Chief Curator at the Parrish.

«As a curator I see my role as a mediator between artistic expression and public perception,» states Tina SauerländeAs a curator I see my role as a mediator between artistic expression and public perception,» states Tina Sauerländeas a mediator between artistic expression and public perception,» states Tina Sauerländer.

Ms. Morgan, a widely respected British curator who spent her formative years working in the United States before joining the Tate in 2002 as a curator of contemporary art, will take over Dia at an uncertain time in its history.

As an independent curator, López - Chahoud has curated and co-curated numerous exhibitions in the United States and internationally.

«The unstable identity of the present begs for the return of power of the mask from ancient times, when it was used as a form of protection, disguise, performance, or just plain entertainment», states curator and artist Bogomir Doringer in the catalogue for his newly opened exhibition Faceless II at the Freiraum Quartier21 International of MuseumsQuartier Wien.

As the curator, Anne Ellegood, states, ``... in the 1950s, [abstract art] was used as a kind of propaganda tool to promote American values around the worlAs the curator, Anne Ellegood, states, ``... in the 1950s, [abstract art] was used as a kind of propaganda tool to promote American values around the worlas a kind of propaganda tool to promote American values around the world.

Last night as Tate curators started the long and arduous task of putting Emin's bed back into its original dishevelled state, Xi, 37, and Chai, 43, were in the cells of Belgravia police station ex plaining their «intervention» to police.

Wild Noise / Ruido Salvaje is organized by the Bronx Museum and by Corina Matamoros and Aylet Ojeda Jequín, Curators of Contemporary Cuban Art at El Museo Nacional de Bellas Artes (MNBA) in Havana, as part of a multi-year collaboration between the Bronx Museum and the MNBA to foster artistic and cultural exchange between Cuba and the United States.

As curator Christine Macel states «it is a Biennale designed with artists, by artists and for artists».

As a curator, critic, and educator, she has been a Lecturer in art practice, history, and theory at Otis College Graduate Public Practice Program, San José State University, College of Marin, and UC Berkeley; curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served as a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTablAs a curator, critic, and educator, she has been a Lecturer in art practice, history, and theory at Otis College Graduate Public Practice Program, San José State University, College of Marin, and UC Berkeley; curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served as a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTablas a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTable.

Lisa Byrne has an impressive and varied career in the arts sector as a director / curator in Victoria, New South Wales and the ACT across local, state and national arts organisations.

«The growing importance of Art Basel's Public program reflects both the strong desire of artists to work in ways that initiate a direct encounter with the public, and the investment that many galleries now make to help artists realize their most ambitious ideas,» stated Baume in June, after accepting his role as curator in the Basel - Bass collaboration.

Pfohl previously served as a curator at the Louisiana State University Museum of Art, and she has a wide range of academic and curatorial experience.

The curator states: «A profound erudite on the canonical gospels, León Ferrari dedicated much of his time to defending his main thesis: the artistic heritage of Western culture is based on promises of penalties and torture, with Hell and Revelation as categorical imperatives of impious humankind».

As Ulrich Loock, curator at the Kunsthalle Bern, Switzerland states in a catalogue that accompanied Pettibon's recent retrospective there:

«As chief curator, Douglas helped make significant additions to the Hammer Contemporary Collection, including important videos by Doug Aitken and Barbara Kruger, major paintings by Lari Pittman and Ed Ruscha, a large cut - paper silhouette installation by Kara Walker, and an exceptional new multimedia installation by Charles Gaines,» stated the Hammer in a press release.

In addition to Scoates's tenure at Cranbrook, he served as director of the University Art Museum at California State University in Long Beach and was the chief curator of the University Museum of the University of California at Santa Barbara.

Elaine worked as a curator in the United States for more than 25 years, at institutional behemoths The Drawing Center in New York and Hammer Museum in Los Angeles.

As always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynoteAs always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynoteas its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.

Jodi Throckmorton came to PAFA from the Ulrich Museum of Art at Wichita State University, where she served as Curator of Modern and Contemporary Art.