Sentences with phrase «as the developmental editor on»

I will not work as a developmental editor on anything that I do not feel can be improved to this level.
With my background in writing and publishing, I have exactly what it takes to serve as the developmental editor on your next project.

Not exact matches

A developmental edit (also referred to in the industry as a content edit) includes your Midnight Publishing editor reading the material and providing in - line comments and a chapter - by - chapter additional summary on facets of the storyline beyond grammar and syntax.
In a post on editing, author Ruth Harris concentrates on nine benefits primarily of «developmental» editing, as we say in the States, or «structural» editing, as it's called in the UK — the specialization of editors who work with how you're telling your story and, if necessary, how to reconstruct what you're doing to make it far more effective.
A developmental editor can help you work through your issues, make suggestions and be a sounding board for what's troubling you about your piece of work, as well as offering excellent suggestions on how to improve it.
Details below: Developmental Reads on a full manuscript: 15 % discount Line Edit Reads on a full manuscript: 10 % discount ** Any full read, I will throw in your query for no extra charge WHO I AM I'm a traditionally published author with Penguin Random House and HarperCollins, as well as a freelance editor, and blogger.
I'd like to add to the appreciative notes on this inspiring article and to add one note of caution regarding the earnings figures: remember to consider your upfront costs as a self - publisher, which ought to include a developmental editor, a line editor, a proofreader, and a designer (most of which a traditional publisher pays for).
As I mentioned in Part One of this series, not all developmental editors handle the proofreading aspects of a manuscript and focus solely on the overall «big picture.»
Feedback from beta readers and developmental editors often helps with this step as well, as they might comment on confusing sections and the like.
As a developmental editor, I've been really surprised at how many clients struggle with POV on macro and micro levels.
As a freelance developmental editor, I found myself doing a * head slap * over Naomi's emphasis on pulling out this stage of editing from the rest.
My point here about self - editing is that by taking your time and fixing as many errors as you can with the help of readers, you can get a price on the lower end of your editor's rates and maybe even skip developmental editing altogether.
As I mentioned earlier, the developmental editor looks at the manuscript on a more macro level, spotting issues with regard to character and story development, timelines, dialogue, and so on.
Working with a developmental editor (DE) means improving and developing your manuscript on a big - picture, story - logic level to prepare it for the next editing processes such as line and copy editing, and proofreading.
As a developmental editor working with authors on early drafts, I frequently go back to find and help fill in the spaces, so the reader can understand a character's private process that leads to new behavior.
Developmental edits can be time - consuming because the editor is reading your manuscript not only from a typical «editor's» standpoint (fixing grammatical errors), but as a «reader» who is determining whether it is an entertaining book that achieves what it set out to achieve (this will depend on the genre; for example, romance novels want to entice readers with sensual characters and chemistry, while a murder mystery's goal is to instill fear and intrigue in the reader's mind).
How an author would use Reedsy to find, for example, a developmental editor for a particular genre (using Mark working on a non-fiction paranormal book, as an example)
As a developmental editor, I focus a lot on the storytelling aspect of writing craft in my posts here: character arcs, plots and subplots, stakes and motivations, etc..
The developmental editor is your sounding board, on hand to tell you if all the wonderful, creative, passionate, important stuff you want to communicate is coming through as you intend — and when it isn't, to help you figure out why not and what you can do about it.
But from what your agent has requested I'd recommend that before sending anything back to him, you consider hiring a professional developmental editor to help you put together a proper proposal and, most importantly, to work with you on revising the manuscript to develop the narrative arc, your character and other elements as necessary to bring it to the level an agent and publisher would expect.
In addition to marking it up, a good substantive or developmental editor will make lots of queries (questions for the author) on the manuscript, where a copy editor will mostly clean up the language as - is, and a proofreader is usually purely focused on correcting any errors of usage or formatting.
After creating a rough outline that fleshes out my story with all the basic elements and characters (as detailed in my blog on outlining), and satisfying myself that the arcs work, I look at each chapter as a developmental editor might, and ask myself how I can make it the best in the book.
They skimp a bit on editing by either getting a not as experienced editor or by only doing certain editing like developmental editing and then opting to skip proofreading editing and just doing it themselves.
The opportunity to work on the team associated with such unbelievably talented authors is really an editor's dream,» said De Vita of joining the Waterhouse Press family as the Developmental Eeditor's dream,» said De Vita of joining the Waterhouse Press family as the Developmental EditorEditor.
Developmental editors should never try to take control of the process, consider themselves as co-author, or go with the writer on a book signing tour.
She has helped hundreds of authors as a developmental editor, writing coach, and through her «plot sessions» — one - on - one calls that get authors from concept to plot points in one hour.
Served as the Developmental Editor for three creative non-fiction manuscripts on behalf of [company name], analyzing texts for content, structure, and grammatical accuracy, as well as discussing any potential changes with authors
a b c d e f g h i j k l m n o p q r s t u v w x y z