Sentences with phrase «as the feature film directing»

EXCLUSIVE: Matthew Quick has been set to adapt Sorta Like A Rock Star, his 2010 young adult novel that is now near a deal to be set up at Netflix as the feature film directing debut for Bryce Dallas Howard.

Not exact matches

Zegna's ambitous «A Rose Reborn» directed by Park Chan - wook made our list, as did Alexander Wang's funny Autumn / Winter campaign film, featuring Chris Kattan as Mango, a character from the American comedy show Saturday Night Live.

As «Disaster Artist» proceeds, Wiseau's lifelong desire to direct a feature film is granted.

Swanberg has 17 feature film credits as a director on his IMDb page, and he hasn't even been directing for a decade.

This is Stuart Baird's first attempt at directing a Star Trek feature, but his career as editor and also as director for decent films like Executive Decision and U.S. Marshals prove he has the talent necessary to bring it all together.

After completing the second and third films in his Pusher crime saga, and before embarking on the production of his 2008 biopic Bronson, Nicolas Winding Refn directed a feature - length episode of the British ITV television show Agatha Christie's Marple (also known as Marple) entitled «Nemesis».

The film is being described as a new creature feature horror - comedy, which is directed by Aaron Mento.

A casting call for «Iron Man 3,» which will get underway this summer, written by fast - rising screenwriter Drew Pearce and directed by «Kiss Kiss Bang Bang» helmer Shane Black, has been obtained via Feature Film Casting (via Latino Review), and it reveals that Johansson will be back on duty as the flexible Natasha Romanoff in the new film.

The film will feature Krasinski, who's also directing, and Blunt as they find themselves terrorized by a supernatural entity on their rural farm.

WHITE LIES (TUAKIRI HUNA), the New Zealand Film Commission funded Maori language feature film written and directed by Dana Rotberg, has been submitted as the official New Zealand...

Anderson, who would go on to direct films such as Magnolia and There Will Be Blood, was mentored on the Sundance Feature Film Program.

As for «King Arthur: Legend of the Sword,» starring Charlie Hunnam and directed by Guy Ritchie, it could be the first of six feature films.

They're both produced by J.J. Abrams and directed by up - and - coming filmmakers (as were the original Cloverfield and 10 Cloverfield Lane), and all of the films so far have featured strong casts and high - concept science fiction stories.

After the impact of these two features (the latter screening at Cannes and championed by such critics as Pauline Kael), Schepisi moved on to directing films overseas, including such varied works as Barbarosa (1982), Plenty (1985), Roxanne (1987), The Russia House (1990), Six Degrees of Separation (1993), Last Orders (2001) and the HBO - financed Empire Falls (2005), which won a Golden Globe for Best Mini-Series or Motion Picture made for Television.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

Featuring relative unknowns as its starring cast and a directing team of Justin Benson and Aaron Moorhead who despite a few small, mostly unheard of films are still making a name for themselves.

Obviously, it's not as if Kaufman did a complete overhaul, so don't expect Po to be kung fu fighting villains within his memories, only to realize that those memories are just part of an elaborate play being directed by Philip Seymour Hoffman (or maybe in this case Dustin Hoffman, since he voices a character in these films) which features himself directing a sequel to Kung Fu Panda.

The plot borrows many narrative elements from The Matrix, which itself, truth be told, borrowed many elements of its own from comic books and martial arts films, so it's hard to qualify this feature as a direct rip - off.

This includes directing for feature films as well as dramatic and comedic television.

Despite these triumphs, Leonard's reputation mainly rests on the series of six musical films he made with the singing team of Jeanette MacDonald and Nelson Eddy; Leonard directed all but two of their features, including Maytime (1937), long established as the uncontested favorite of the cycle.In Leonard's late career, the properties he handled were somewhat less auspicious, though there is a surprise in the hard - boiled melodrama The Bribe (1949), a respected film noir that is the only film of its kind in Leonard's canon of 161 known titles.

As directed by Steven Bernstein, a veteran director of photography who makes his feature film debut here, «Decoding Annie Parker» frequently dangles on the precipice of falling into Lifetime Original Movie territory.

The Art Of Getting By, formerly known as Homework, was both written and directed by up - and - coming filmmaker Gavin Wiesen, who's making his feature debut after a short film in 2008 called Kill the Day.

So Bulletproof Monk, directed by a music video and commercial director like a feature - length music video or commercial, falls into the category of film where Asians sell Gremlins to white people as opposed to the Adam Sandler / Happy Madison category of film, where Asians are screeching waiters and nail - salon owners.

The film is directed by Michael J. Bassett (Solomon Kane, Deathwatch), and features original cast members Sean Bean (HBO's Game Of Thrones, Lord Of The Rings) and Deborah Kara Unger (The Game, 88 minutes, The Samaritan) return in Silent Hill: Revelation 3D, starring along with rising stars Adelaide Clemens (X-Men Origins, upcoming The Great Gatsby, No One Lives) and Kit Harington (HBO's Game Of Thrones) as well as Carrie - Anne Moss (The Matrix, Disturbia, NBC's Chuck) and Malcolm McDowell (A Clockwork Orange, The Artist).

Animal Kingdom was developed for television by Jonathan Lisco and inspired by the award - winning feature film written & directed by David Michod and produced by Liz Watts, who also serve as executive producers on the series.

Pellington directed from a script by Stuart Ross Fink, and his previous work includes more music videos than I can list, the feature films ARLINGTON ROAD and HENRY POOLE IS HERE, as well as bringing both UNITED STATES OF POETRY and BLINDSPOT to television.

This interruption ended with Hardly Working, which was followed by Smorgasbord (which was released in North America as Cracking Up), the last feature film that Lewis has directed.

Hounds of Love is written and directed by Australian filmmaker Ben Young, making his feature directorial debut after a few short films previously as well as episodes of «Prank Patrol» and «Castaway».

The Secret of Kells, directed by Tomm Moore and produced by European Producer of the Year, Cartoon Saloon, is a beautifully animated film featuring the voice talent of Brendan Gleeson and Mick Lally and will screen as part of the Generation K plus section of the festival.

The film's wildly loyal producer Judd Apatow, then known as a showrunner of acclaimed but short - lived TV comedies, would again cast Rudd in his hit feature directing debut,

Other significant personal preems, in order of original release, included: Buster Keaton's Go West (1925) and College (directed by James V. Horne, 1927); Howard Hughes's and James Whale's Hell's Angels (1928 - 30), featuring (sorry, other Howard) the most awesome aerial scenes I've ever witnessed; John Ford's Up the River (1930) and Airmail (1932); Michael Curtiz's The Kennel Murder Case (1933), utterly silly but quite beguiling as an empty exercise in directorial pizzazz; Gordon Wiles's — and Daniel Fuchs's — The Gangster (1947), an archetypal arty film noir; Val Lewton's Apache Drums; (directed by Hugo Fregonese, 1951); Richard Fleischer's The Narrow Margin (1952); Robert Bresson's Quâtre Nuits d'un rêveur (1971); Tobe Hooper's The Texas Chainsaw Massacre (1974); Phil Karlson's Framed (1975); Clint Eastwood's The Gauntlet (1977); and Robert Mulligan's Bloodbrothers (1978), which returned to Seattle (after a five - day first run in» 78) only via Showtime.

Other feature directing credits include Janeane From Des Moines, set during the 2012 presidential campaign, which premiered at the 2012 Toronto Film Festival as well as American Zombie, a personal horror film, which premiered at Slamdance and is distributed by Cinema Libre.

Finally, Felicity Jones (Like Crazy, the upcoming Warren Beatty Howard Hughes film, if it ever happens) has been cast as Nelly Ternan in a film called The Invisible Woman that Ralph Fiennes will direct as his second feature.

As female - directed films slowly, but steadily, trickle into the circulation of independent and mainstream features, it's a worthwhile exercise to celebrate the trailblazers as well as acknowledge those emergent forces following in their patAs female - directed films slowly, but steadily, trickle into the circulation of independent and mainstream features, it's a worthwhile exercise to celebrate the trailblazers as well as acknowledge those emergent forces following in their patas well as acknowledge those emergent forces following in their patas acknowledge those emergent forces following in their path.

The Alfred P. Sloan Feature Film Prize, presented to outstanding feature films focusing on science or technology as a theme, or depicting a scientist, engineer, or mathematician as a major character, was presented to Computer Chess, directed and written by Andrew BuFeature Film Prize, presented to outstanding feature films focusing on science or technology as a theme, or depicting a scientist, engineer, or mathematician as a major character, was presented to Computer Chess, directed and written by Andrew Bufeature films focusing on science or technology as a theme, or depicting a scientist, engineer, or mathematician as a major character, was presented to Computer Chess, directed and written by Andrew Bujalski.

Although the director is Douglas Trumbull, a special effects expert who has only directed two features as of date (the other being Brainstorm) the film isn't a special effects film as such and is surprisingly good, albeit slightly melancholy.

The film is the latest true - story based projected directed by Bennett Miller; part psychological drama / thriller, part sports drama, Foxcatcher reads as being a hybrid of genre tropes presents in Miller's previous biographical features, Capote and Moneyball.

Hell, Still Alice — the absolutely shattering film that features Julianne Moore's career - best performance as a woman struggling to maintain her dignity as Alzheimer's deteriorates her brain — was directed by two men!

Webb, whose feature film credits also include «(500) Days of Summer,» will also serve as executive producer on CBS's upcoming adaptation of the Bradley Cooper feature «Limitless» as well as The CW's «Crazy Ex-Girlfriend,» both of which he directed the pilots for.

The film, starring Kate Bosworth, Lake Bell and Katie Aselton (who also directs) is said to follow in the same footsteps as those aforementioned features.

Starring Garrett Hedlund (On the Road) and Oscar Isaac (Inside Llewyn Davis), and written and directed by William Monahan (Oscar - winning screenwriter of The Departed, with one previous feature as a director — London Boulevard — under his belt), the film is a showcase for ostensibly fine talent wasted in the service of self - indulgence.

The Men in Black reboot, directed by Straight Outta Compton, Friday and Fate of the Furious director F. Gary Gray, will feature brand new Agents as opposed to series protagonists J and K. Unlike the first three films, which were set in and around New York, the spinoff will be much more global, and more of an ensemble piece.

Wolfen (Warner Archive, Blu - ray)-- The werewolf movie was revived and reworked with a vengeance in 1981 andWolfen, adapted from the Whitley Strieber novel and directed by Michael Wadleigh (his first feature since the epic concert film Woodstock), was a far more radical take on the genre than either An American Werewolf in Londonor The Howling, though not as popular as either.

Hell, between turkey or whatever you'll be binging next week, you should also binge the fully Lee - directed and DeWanda Wise - starring show based on Lee's first feature film, as I say in my video review above.

Indeed, Robert Eggers — whose debut feature this is — has previously directed a few short films, but mainly worked as a Production Designer, Art Director and Costume Designer on the films and theater productions of others.

For all of his obvious skills and uncommon talent as a visual storyteller, Kosinski's first two films were short on character depth and emotional engagement, but whether a function of Kosinski's innate preferences for spectacle over substance or simply script - related issues, Kosinski's feature - film output made him an odd, left - of - field choice to direct a film about American firefighters and the Yarnell Hill Fire of 2013 that resulted in the greatest loss of firefighters since 9 - 11 more than a decade earlier.

The film will be directed by Kasra Farahani, who will make his feature directorial debut, having previously worked as a production and art director on the likes of Avatar and Thor.

In addition to starring in the film, it was presumed Franco would write and produce the feature as well, but The Adderall Diaries is written and directed by Pamela Romanowsky.

Same Kind of Different as Me is directed by Michael Carney, making his feature directorial debut with this after a short film previously.

The series is created, written and directed by Rodrigo Garcia, who is known for his work on feature films like «Mother and Child» and last year's «Albert Nobbs,» as well as television series such as HBO's «The Sopranos» and «Six Feet Under,» the latter of which has a similarly soap opera feel to it.