Sentences with phrase «as the memorial exhibitions»

II.G The Pat Hearn Memorial subseries contains materials related to the organization of Pat Hearn's memorial service, as well as the memorial exhibitions, including a binder of memorabilia (press, invitations, etc.) which was on view.

Not exact matches

The Cu Chi tunnels and Presidential Palace with helicopter and exhibition present a snapshot of the «American War», as they call the «Vietnam War», and the Ho Chi Minh memorial is reminiscent of Mao or Lenin.

, Recession Art Project, Invisible Dog Gallery, New York, NY With / drawn, The Drawing Room, Budapest, Hungary Space / Place, 39th Street Gallery, Washington D.C KY7 Biennale, Lexington Art League, Lexington, KY Eye of the Beholder, Maryland Federation of the Art, Annapolis, MD Art Chicago, With Linda Warren Gallery, Chicago, IL Dis.place.ment, Urban Institute of Contemporary Art, Grand Rapids, MI Selections from the INDA 5, Manifest Gallery, Cincinnati, OH 2009 — 62nd Rochester Finger Lakes Exhibition, Memorial Art Gallery, Rochester, NY Art Chicago, With Linda Warren Gallery, Chicago, IL 2008 — Somewhere Elsewhere, Linda Warren Gallery, Chicago, IL Weekend Fling Series, All Rise Gallery, Chicago, IL Introductions 4, Irvine Contemporary, Washington D.C Paper New England II, The Bushnell, Hartford, CT 2007 — Viewing Registry, The Drawing Center of New York, New York, NY Summer Exhibition, New York Academy of Art, New York, NY CAA Exhibition, Hunter College, New York, NY 2006 — Place as Object Figure and Landscape, Janes Gallery, St. Barths 2004 — Doppelganger, Johnsonese Gallery, Chicago, IL

The featured works in the exhibition — ranging from painting and sculpture to photography, film and installation — examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act as documentation, memorial or symbol.

There, he staged solo exhibitions and participated in group shows at such noteworthy nonprofit venues as Artists Space, Exit Art, and Judson Memorial Church.

The Arts Council memorial exhibition that opened a year later — largely due to the efforts of the artist's widow, Lilian Holt, Joanna Drew of the Arts Council and the critic Andrew Forge — commenced the reappraisal of Bomberg's work, although the show was an uneven account of his career, entirely omitting the monumental early works such as In the Hold and The Mud Bath.

The exhibition presents more than 300 artifacts from the Beniecke Rare Books & Manuscript Library's James Weldon Johnson Memorial Collection of African American Arts and Letters, including materials from intellectual and literary figures, and artists such as Aaron Douglas, Augusta Savage, James Van Der Zee, and Laura Wheeler Waring.

A Decade of American Drawings Whitney Museum of American Art New York, NY Young Americans — 35 Artists under 35 Whitney Museum of American Art New York, NY 1964 Painters and Sculptors as Printmakers The Museum of Modern Art New York, NY 14th Annual Print Exhibition Library of Congress Washington, D.C. 1963 National Prints Exhibition Brooks Memorial Gallery Memphis, TN 19th Annual Print Exhibition Library of Congress Washington, D.C.

Serves as a member of the Pennell Committee at the Library of Congress until 1993, replacing Jim Dine; works first with Donald Saff and then with Yvonne Jacquette to select prints for the Library of Congress Pennell Print Collection; is guest teacher at Cornell University, SUNY Purchase, and University of Southern California, Los Angeles; sings in and designs a set based on Goya's prisoner figures for the «El Salvador» oratorio concert by the Back Bay Chorale under the direction of conductor Larry Hill, which takes place at Harvard's Sanders Theater on 18 May; exhibition Wakeby Day / Wakeby Night: Monumental Monotypes by Michael Mazur opens 11 March at the Hayden Gallery, MIT (colorplate 18), in conjunction with installation of Wakeby monotypes at the 500 Memorial Drive dormitory building.

Leo Valledor had over 22 solo and two person exhibitions in important galleries and museums on both coasts, including Park Place Gallery and Graham Gallery in NY and 6 Gallery, Modernism, Dilexi Gallery and Daniel Weinberg Gallery in San Francisco, as well as the M.H. de Young Memorial Museum and San Francisco Museum of Modern Art.

Acting as the finale to the exhibition is Stephen Prina's elegiac installation The Second Sentence of Everything I Read Is You: Mourning Sex, 2005 — 2007, a singing memorial to Felix Gonzalez - Torres.

Visitors can also view the memorial folder from Roy Rogers» funeral, as well as pay tribute to other fallen Hollywood cowboys and cowgirls in the museum's Thanks for the Memories exhibition.

The range of works in this exhibition is astounding — from photography, painting, sculpture, and works on paper, to video, installations, as well as a proposal to create a memorial garden in honor of Du Bois.

But, thanks substantially to Soby's expeditious research and stalwart advocacy, as his telegram anticipated, MacIver was given a gallery alongside the memorial exhibition for Muller, with Hadzi's sculptures outside.

Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).

The recipient of The John McCaughey Memorial Prize for her commission for the National Gallery of Victoria in Melbourne, Johnson's works has been the subjects of recent solo exhibitions at Talbot Rice Gallery at The University of Edinburgh, at the National Gallery of Victoria in Melbourne, at Ivan Anthony Gallery in New Zealand, at Darren Knight Gallery in Sydney, and at the TSB Bank Wallace Arts Centre in New Zealand; as well as part of group shows like «Future Nature» at Jack Hanley, «Hiding in Plain Sight: A Selection of Works from the Buxton Collection» at the Bendigo Art Gallery in Australia, «Believe Not Every Spirit, But Try The Spirits» at the Monash University Museum of Art in Melbourne, and «Don't Hide The Hate» at the Slopes Gallery in Melbourne.

Although some of her most iconic large - scale works aren't in this exhibition, such as her commission for the fourth plinth in Trafalgar Square «Monument» (2001), and her haunting «Holocaust Memorial» (2000) which has a permanent location in Vienna, some smaller and equally iconic works are featured at the Tate Britain including «Untitled» (One Hundred Spaces)(1995), a composed of 100 casts of the negative space beneath a chair, arranged like sentinels guarding the imposing sweep of the Duveen Galleries, beyond the classical columns of the entrance.

As the official representative to The Estate of Craigie Aitchison, Timothy Taylor Gallery is delighted to announce a memorial retrospective exhibition celebrating the life and work of Craigie Aitchison RA.

The baying hacks surrounded the affable NPG Director Sandy Nairne, as he introduced the press preview of «Lucian Freud Portraits, describing it as «A living exhibition planned with the artist», which came from a 2006 conversation with Freud followed by several years of planning, and not a memorial show to Freud who passed away last year at the grand old age of 88.

As an original member of the Group f. 64, formed in 1932, she participated in the exhibition at the M.H. de Young Memorial Museum in San Francisco and had a one - person exhibition at the Los Angeles County Museum.

Jose Ortiz Pagan, MFA» 11, has been appointed as the Exhibitions Coordinator for the Fleisher Art Memorial, Philadelphia.

The exhibition is laid out chronologically and the sections relate thematically to Whiteread's principal sculptural projects such as Floors, Beds and Mattresses, House, Holocaust Memorial, Water Tower, and Trafalgar Square Plinth.

The exhibition features the 19 lithographs Wood created during the Great Depression that were printed and distributed by Associated American Artists (AAA) as well as two scale drawings of soldiers portrayed in the 24 x 20 ft. stained glass Memorial Window he designed for the Veterans Memorial Building in Cedar Rapids, Iowa (1928 - 29).

Their project, The John Veenema Memorial Exhibition includes individual as well as collaborative works and promises candy, commerce and daily change of batteries.

Dickinson was the subject of a solo exhibition at Horsens Kunstmuseum in Denmark, and has been included in notable group exhibitions at venues such as Togo Memorial Sompo Japan Museum of Art in Tokyo, the Contemporary Art Museum in Sao Paulo, and Musée National Collection Schlumpf in Mulhouse, France.

Her work has been shown in numerous exhibitions locally, including galleries and museums such as the Philadelphia Art Alliance, Seraphin Gallery, Pennsylvania Academy of the Fine Arts, the Woodmere Art Museum, and a Wind Challenge exhibition at the Fleisher Art Memorial, and across the country at galleries such as Thinkspace Gallery in Culver City, California, the Delaware Center for Contemporary Arts in Wilmington, and Parlor Gallery in Asbury Park, New Jersey.

By 1951, when the Whitney Museum of American Art mounted «Arshile Gorky: Memorial Exhibition,» Gorky's stature as an important modernist painter was secure.

A major MoMA show opens in December 1956, intended to be a mid-career exhibition but instead opened as a memorial retrospective curated by Frank O'Hara.

She has won the Michael S. Vivo Memorial Prize in 2008 and has shown in various group exhibitions in NYC including The Greenpoint Gallery, 440 Gallery and Ortega y Gasset Projects as well as Ferro Strouse Gallery in Miami FL..

1972 Konzept Kunst, Kunstmuseum Basel, Basel, CH Windham II, Windham College, Putney, Vermont, US Das Konzept Ist Die Form, Westfalischer Kunstverein, Munster, DE Fifteenth Festival of Two Worlds (Film section), Spoleto, IT Encuentros 1972 Pamplona, Museo de Navarro, Pamplona, ES dokumenta 5, Kassel, DE Art Now, Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, CA Book as Artwork 1960 - 1972, Nigel Greenwood Gallery, London, UK Exhibition of Art and Project bulletins, Cologne Art Fair, Cologne, DE Actualité d'Un Bilan, Yvon Lambert, Paris, FR Drawing, Museum of Modern Art, Oxford, UK Kunst als Boek, Stedelijk Museum, Amsterdam, NL Bertrand Russell Centenary International Art Exhibition, London, UK Art Without Limits, Memorial Art Gallery of the University of Rochester, Rochester, New York, US La Biennale di Venezia (Italian Pavilion), Videogalerie Schum, IT Broken Off, presentation Projection, Louisiana Museum, Humlebaek, DK

Drawing inspiration from official communication, memorials, war museums, and political propaganda as well as current events, advertising, and video games, the exhibition explores the interchangeability of strategies and discourses.

While at Oberlin, Franny served as Curatorial Assistant at the Allen Memorial Art Museum, where she co-curated an exhibition of modern and contemporary drawings.

He has had solo exhibitions at New Langton Arts in San Francisco (1998), the Rosenbach Museum and Library in Philadelphia (1999), and the Royal Hibernian Academy in Dublin (2005), and his work has been widely exhibited in numerous Philadelphia group shows at venues such as the Institute of Contemporary Art, Samuel S. Fleisher Art Memorial, and Moore College of Art and Design.

New York, Metropolitan Museum of Art, Henry Moore: 60 Years of His Art, May 14 - September 25, 1983, p. 120 (another example exhibited and illustrated as Draped Reclining Mother and Child) London, Marlborough Fine Art, Henry Moore: 85th Birthday Exhibition, June 15 - August 13, 1983, no. 31, p. 62 (another example exhibited and illustrated as Draped Reclining Mother and Baby) Hempstead, Hofstra Museum, Hofstra University; University Park, Museum of Art, The Pennsylvania State University; Philadelphia, Arthur Ross Gallery, University of Pennsylvania; The Baltimore Art Museum, Mother and Child: The Art of Henry Moore, September 10, 1987 - April 17, 1988, no. 110, p. 119 (another example exhibited and illustrated) Beijing, Beihai Park; Beijing, China Art Gallery; Guangzhou, Guangdong Museum of Art; Shanghai Art Museum, Moore in China, October 24, 2000 - April 15, 2001, no. 108, p. 85 (another example exhibited and illustrated) Sakura, Kawamura Memorial Museum of Art; Ashikaga Museum of Art; Takamatsu City Museum of Art; Kagoshima City Museum of Art, Henry Moore: A Living Presence, April 5 - November 3, 2003, no.

This idea ties together all the exhibitions, whether it's Stop.Look.Listen, which is asking you as a viewer to become an active, rather than a passive witness to temporal works of art; or Joanne Tod's painting installation which is a memorial witnessing of what's taking place in Afghanistan; or Robert Hengeveld's slowly forming salt pile, which you have to spend vast amount of time with in order to see it actually take place.

His large - scale interactive installations have been commissioned for such events as the pre-opening exhibition of the Guggenheim in Abu Dhabi in 2015; the Vancouver Winter Olympics in 2010; the 2008 memorial for the Tlatelolco Student Massacre in Mexico City; and the U.N. World Summit of Cities in Lyon, France, in 2003.

Robert Henri: a Nebraska Legend, the twelfth in a series of Sheldon Statewide exhibitions, is a result of the uniquely successful partnership between the staff of the Sheldon Memorial Art Gallery and Sculpture Garden and our principal funding support group, the Nebraska Art Association, a nonprofit volunteer membership organization dedicated to the advancement of the visual arts in Nebraska, and twenty - two Nebraska communities that have served as exhibition venues since the inception of the program in 1987.

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

During his compelling address, he described the university as a «Midwestern oasis» that «sharpened [his] mind, honed [his] gifts, opened [his] eyes, and tuned [his] heart...» In association with the exhibition, the School of Art will announce the initiation of the Terry Adkins Memorial Scholarship for Diversity, which will provide financial assistance for underrepresented students majoring in Art.

The wall installation, Memorial Promenade, by Rebecca Horn — a title borrowed as the subtitle of the exhibition — is not only a guidepost, but together with the works, Three Periods and Question Mark, by Richard Artschwager representative for many significant works placed in outstanding collections.

In the introductory essay of the catalogue to the Memorial Exhibition held at the RBSA in 1965, Richard Seddon described his work as follows:

A special online exhibition celebrating life by the sea as we get the 2016 season underway here in Provincetown this upcoming Memorial Day Weekend.

David Smith is a protean talent who created sculptures that Donald Judd once described as ‗ some of the best in the world, «yet there has not been an exhibition of Smith «s work on the West Coast since a memorial show at LACMA in 1965, ‖ says Carol S. Eliel, exhibition curator and LACMA curator of modern art.

Curated by Aretha Campbell, the exhibition will bring together letters from the memorial, photographs, as well as works by Warhol himself.

In 1967 he was included in the Scale as Content exhibition at the Corcoran Gallery of Art in Washington, which brought together important sculptures by Ronald Bladen, Barnett Newman and Tony Smith, he showed his monumental sculpture, The X. [16] In 1968, Bladen was awarded the John Simon Guggenheim Memorial Foundation Fellowship, was represented at documenta 4 in Kassel, and was among the circle of artists presented to a European art public under the title, Minimal Art, West Berlin.

A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.

A major survey of his work planned by the Los Angeles County Museum of Art, and organized in consultation with Smith, was presented in 1965 as David Smith: A Memorial Exhibition.

The exhibition will include documentation of House and all of the other public projects which have punctuated Whiteread's career, such as Watertower 1998 in New York, the Holocaust Memorial 2000 in Vienna; Monument 2001 for Trafalgar Square's fourth plinth in London and Cabin 2016 on Governor's Island.

Since her death she has been the subject of many publications and numerous solo exhibitions, many of them traveling shows, including a memorial retrospective at New York's Guggenheim Museum in 1972, as well as more recent exhibitions at the Yale University Art Gallery in New Haven, Connecticut (1992), the San Francisco Museum of Modern Art (2002), the Drawing Center and the Jewish Museum (both in New York City; 2006), the Menil Collection in Houston (2006), and the University of New Mexico Art Museum in Albuquerque (2010), among others.

This exhibition brings together sculptures, drawings, and large - scale installations, as well as the artist's multimedia memorial to the earth's vanishing biodiversity and habitats.