Sentences with phrase «as the museum hopes»

Perhaps, as the museum hopes, it really will be a meeting of minds.

If abstraction is favored by undiscerning speculator collectors as well as museums hoping to advance a fast - forward chronology of art history, there is still no small amount of figurative work on the scene.

Not exact matches

If they should keep it in the museum I feel like it shouldn't be a «center piece» but more or less as a reminder to those who held it as a sign of hope in those days.

Similarly, in a presentation delivered at the Haskell Oriental Museum, Goodspeed expressed the hope that «there will go forth from these halls [of the University of Chicago] enlightenment, inspiration, and guidance in that learning which has come from the East and West, culminating in the Book of Books and in the teachings of the Son of Man, [which] will ever abide as our most precious possession.

Grant Park Conservancy President Bob O'Neill said Thursday that museum officials had told him they hope to release new renderings of the largely underground structure as early as Friday, showing a «reduction in profile.»

As coordinator of historical sites for the Lisle Park District and the only full - time employee at the Lisle Station Park museum complex, Elaine Keating is hoping to make a little village history this week with a springtime arts festival that she hopes will take off and grow.

He refused to say how much the museum hopes to get for the office building, citing ongoing negotiations over the sale, but sources familiar with the museum's plans say it hopes to make as much as $ 2 million in the sale.

Von Hagens hopes to bring Body Worlds to the United States before too long — just as soon as he finds a museum, gallery space, or abandoned warehouse brave enough to host him.

The new group takes a liking to Woody and he to them, but when he learns that their hope for a luxurious life in a Japanese museum depends on his joining them as part of a complete collection, Woody has to choose between his friends in Andy's house — and Andy himself — and the new life he's just uncovered.

Since the humor of The Office is the kind of sly, nuanced wit that doesn t exactly work well in the context of a two - minute movie trailer, I was holding out hope that the studio simply decided to cram the more obvious Robin Williams schtick into the previews to lure in the people who made cash cows out of such dross as RV and Night at the Museum and that the actual film would be more in the vein of The Office.

Karl Ludvigsen describes a technical tour de force of the first magnitude / Oily Rag Run — We report on The Automobile's inaugural Oily Rag Run, an event we hope will become a permanent fixture in the motoring calendar / Franschhoek Motor Museum — Simon Moore has visited this museum, an hour from Cape Town, and describes some of the mouthwatering exhibits being collected there / Dan Margulies — In the fourth part of Dan Margulies» competition reminiscences, as related to the Editor, we look at his switch to historic racing with the famous Maserati 8CM, chassis 3011 / The Car of Quality: The Taylor — Michael Worthington - Williams tells the story of one of the most ephemeral of all marques, Taylor of Scotswood - on Museum — Simon Moore has visited this museum, an hour from Cape Town, and describes some of the mouthwatering exhibits being collected there / Dan Margulies — In the fourth part of Dan Margulies» competition reminiscences, as related to the Editor, we look at his switch to historic racing with the famous Maserati 8CM, chassis 3011 / The Car of Quality: The Taylor — Michael Worthington - Williams tells the story of one of the most ephemeral of all marques, Taylor of Scotswood - on museum, an hour from Cape Town, and describes some of the mouthwatering exhibits being collected there / Dan Margulies — In the fourth part of Dan Margulies» competition reminiscences, as related to the Editor, we look at his switch to historic racing with the famous Maserati 8CM, chassis 3011 / The Car of Quality: The Taylor — Michael Worthington - Williams tells the story of one of the most ephemeral of all marques, Taylor of Scotswood - on - Tyne

Fields Auto Group is the title sponsor of the March of Dimes Chef's Auction, the March of Dimes Ray Meyer 3 - on - 3 basketball tournament, the Luol Deng - Chicago Housing Authority Holiday Toy Drive, as well as an official partner of the Kohl Children's Museum and the host of «The Art of the Vine» which benefits the New Hope For Kids Program of Central Florida.

However, Ms Tan hopes to keep them, as she regards the museum's turtles and tortoises as her own.

With Table Mountain and the Cape of Good Hope both in close proximity, nature is never far away, but within the city itself, you'll find plenty of urban charm, such as a world - class restaurant scene, fashionable shops, and modern art galleries, including the newly opened Zeitz Museum of Contemporary Art Africa.

- one of the songs is Walter Day's own song, «Museum of Your Heart» - there will be 15 or more songs - still hope for a traditional movie as well

Beautiful works, full of life and color, that is what I hope to see at the Prado Museum auctions that will begin in February of this year, with artists such as Munuera Nico, Perianes Jorge, Gabino Amaya Cacho, Diego de Giráldez, Guillermo Pérez Villalta, and many more artists.

As Alter wrote in 2010, «My hope was to find a museum emphasizing inclusion and diversity, one working toward greater representation of art by women and artists of color in its permanent collection, exhibitions and outreach programs; where the art by women would be fully accessible to students, teachers, scholars and the general public; and where my collection would be enthusiastically welcomed because it embodied the institution's vision.»

Executive director Louis Grachos points to his upcoming roster of exhibiting artists as evidence that the Contemporary, as he hopes it will come to be known — the way the «the Modern» has for the Modern Art Museum of Fort Worth — isn't just changing its name.

Christian's here criticizing the OWS engagement with the art museums as so far being inadequate, without a larger viewpoint — something I would agree with... & hope they do better.

Every month or so, as the pandering museum shows and art fairs and summer group shows and art writer resignations and auction records had me losing hope, one of these came along.

It's a model I hope not only the MFAH but the Blanton Museum of Art and the San Antonio Museum of Art — as well as any museum concerned that going free will lead to austerity measures and undermine paid membership — will study careMuseum of Art and the San Antonio Museum of Art — as well as any museum concerned that going free will lead to austerity measures and undermine paid membership — will study careMuseum of Art — as well as any museum concerned that going free will lead to austerity measures and undermine paid membership — will study caremuseum concerned that going free will lead to austerity measures and undermine paid membership — will study carefully.

Sandy, who had as much interest in illustration as he did in gallery art, happened to say that it was a fond hope of his to one day have an illustration collection in the New Britain Museum, but he didn't know how to go about it.

While Spain and St. John the Divine set aside «Time to Hope» once more, the Toledo Museum shows art history's grappling with humanity and nature in such figures as El Greco, Piero di Cosimo, and Jacopo Bassano.

From Ohio, the Toledo Museum shows art history's grappling with humanity and nature in such figures as El Greco, Piero di Cosimo, and Jacopo Bassano, while Spain and St. John the Divine set aside «Time to Hope.»

A Sense of Hope: The Photographs of W. Eugene Smith — Museum Techniques Student Exhibition June 8 - July 3, 2003 As their final project, students from the Museum Studies Seminar class have organized an exhibition of the photos of W. Eugene Smith, a native Wichitan.

As well as coming to talk with us, we hope you will make use of our resources: the museum, the archive, the library, the classroom, and the graduate program, with its faculty, staff and studentAs well as coming to talk with us, we hope you will make use of our resources: the museum, the archive, the library, the classroom, and the graduate program, with its faculty, staff and studentas coming to talk with us, we hope you will make use of our resources: the museum, the archive, the library, the classroom, and the graduate program, with its faculty, staff and students.

He is represented in such public collections as the Medical College of Virginia, the Virginia State Bar Association, The Art Museum of Western Virginia, the State Museum of Pennsylvania and the Henry Hope Art Museum at Indiana University.

As we all look toward the future of museum practice and audience engagement, we hope this report will be a valuable tool to other arts institutions and artists seeking to undertake similar initiatives.

Prior to Project Row Houses she worked in New York City at the Museum for African Art as the traveling exhibition manager, working on exhibitions including but not limited to El Anatsui: When I Last Wrote to You about Africa, Dynasty and Divinity: Ife Art in Ancient Nigeria, and Jane Alexander: Surveys (from the Cape of Good Hope).

Director of Swindon museum project resigns Hadrian Ellory - van Dekker has resigned as director of The Swindon Museum and Art Gallery Trust, which hopes to build a multi-million pound new art gallery in themuseum project resigns Hadrian Ellory - van Dekker has resigned as director of The Swindon Museum and Art Gallery Trust, which hopes to build a multi-million pound new art gallery in theMuseum and Art Gallery Trust, which hopes to build a multi-million pound new art gallery in the town.

And the Whitney abandoned, to my mind, New York's finest museum architecture, leaving one to hope for the best from Renzo Piano as architect of the Whitney's new home in the Meatpacking District.

Recently, he performed and curated Hope Coming On at the Museum of Fine Arts Boston, as well as The Small Infinite at the John Hansard Gallery with artworks never previously exhibited from the estate of John Latham.

2011 Spann, Maria, My space: Yinka Shonibare, artist, tells us how and where he works, The Times, 10 December Singh, Anita, Museum campaign to buy Nelson's Ship in a Bottle, The Telegraph, 1 December Kennedy, Maev, Message in a big bottle - appeal to save fourth plinth HMS Victory, The Guardian, 30 November Jury, Louise, Setting Sail Again, London Evening Standard, 30 November Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 Olurin, Titilayo, A Revolution in the Studio, next, 1 May Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 - 3 April, p. 52 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 Alvarado, Esther, Un ano de exposiciones, Madrid Press, February.

For the Hepworth Wakefield, now in its fifth year, and described by its director Simon Wallis as but a «toddler» of the museum world, this gift is a major boon — one they hope will be emulated by more quotidian collectors.

Tagged as: a.i.r. gallery, AIM, Alex Gingrow, Austin Eddy, Bathers, Benjamin Degen, BoomBoxBoy aka Prince Harvey, Bronx Museum of Arts, CUE Foundation, Damali Abrams, Daniel Heidkamp, Freight + Volume, Fruits of Captiva, Gavin Brown's Enterprise, Gina Beavers, Goddess Clap Back, Hank Willis Thomas, Hold The Floor, Hope Gangloff, Hundred Forsyth, Irvin Climaco Morazan, Jackie Gendel, Jade Townsend, Joshua Liner Gallery, Kalup Linzy, Karen Finley, Lainie Love Dalby (as Diamond Lil), laura owens, Lauren Kelley, Linda Simpson, Loren Munk, Lucas Blalock, Made In Space, Melissa Brown, Michael Scoggins, Michelle Marie Charles, Monkey Town, monkey town 3, Morgan Lehman, myla dalbesio, Narcissister, Nina Chanel Abney, Noelle Lorraine Williams, Oasa DuVerney, One Night Stands, Participant Inc, Peter Harkawik, Princess Hijab, Rashaad Newsome, Rauschenberg Foundation, Ruby Sky Stiler, Ryan Kitson, Ryan Schneider, Sean Paul Gallegos, Shanti Grumbine, Shara Hughes, ted gahl, Venus Over Manhattan, William Powhida

The Open Call art exhibition carries with it the hope of winning a solo show at the museum's Spiga Gallery as well as having art selected as noteworthy in several different categories.

Despite significant budget difficulties, it seems that great hope is being placed in the museum as an engine of regeneration.

She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and culture.

These changes, their authors hope, will help the AAMD play a more vital role in its field, as well as in local communities and in Congress, arenas where art museums have not been considered particularly relevant of late.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

(NYT) New Picasso Discovered, Heads to Market - In one of those classic check - your - attic tales, the Evansville Museum of Arts, History and Science found a layered glass mosaic by Picasso (titled Seated Woman With Red Hat) in an old mislabeled shipping crate and is now hoping to sell it at Guernsey's auction house for as much as $ 40 million, which would multiply the museums endowment ninefold.

The museum's role as a cultural hub and urban oasis in its low - to - moderate income neighborhood cultivates the hope that increasing access to art will inspire, educate, and transform lives.

Prior to Project Row Houses she worked in New York City at the Museum for African Art as the traveling exhibition manager, working on exhibitions which included but not limited to El Anatsui: When I Last Wrote to You about Africa, Dynasty and Divinity: Ife Art in Ancient Nigeria, and Jane Alexander: Surveys (from the Cape of Good Hope).

Christopher Bedford, who recently became the new head of the Baltimore Museum of Art, described the show as «a gift - wrapped present for an incoming director» and said the exhibit presages the direction in which he hopes to guide the institution.

As a curator, Bessa has organized several exhibitions including the 3rd Trienal Poli / Grafica de San Juan (in collaboration with Deborah Cullen), 2012; Intersections — The Grand Concourse at 100 (2009), Joan Semmel — A Lucid Eye (2013), and Paulo Bruscky — Art is our Last Hope (2013) at The Bronx Museum of the Arts.

Newly - minted director Gonzalo Casals, a veteran of Friends of the High Line and the Museo del Barrio, hopes the upgraded venue, doubling the museum's exhibition space, will allow the 30 - year - old institution to «reframe scholarship from a queer perspective» and also raise its profile «as a cultural hub for the LGBTQ community.»

Hope Education, Hope supplies educational resources for schools and classes and support a number of charities and museums such as SOS Children, Marie Curie and The Baltic Contemporary Arts Centre.

I hope the Museum of Modern Art courageously takes up the cause again, just as I hope that artists continue to pursue visions beyond the vanguards of established culture.

Exhibition: 2009 Robert Indiana: LOVE and HOPE, Rosenbaum Contemporary, Boca Raton, FL 2008 Pressing Issues, Des Moines Art center, Des Moines, IA 2008 Pop and Op, Nassau County Museum of Art, Roslyn Harbor, NY 2007 Art Market Now, The Columns, Seoul 2006 Life as a Legend - Marilyn Monroe, Boca Raton Museum of Art, Boca Raton, FL 2005 Made in USA — ausgewählte Graphik, Galerie & Edition Bode GmbH, Nuremberg 2005 Summer of Love Art of the Psychedelic Era, Tate Liverpool, Liverpool (England) 2005 Do it yourself - Positionen von den sechziger Jahren bis Heute, Hamburger Bahnhof, Museum für Gegenwart, Berlin 2005 40 Jahre Galerie Thomas, Galerie Thomas, Munich 1962 Stable Gallery, New York.

2011 Spann, Maria, My space: Yinka Shonibare, artist, tells us how and where he works, The Times, 10 December 2011 Singh, Anita, Museum campaign to buy Nelson's Ship in a Bottle, The Telegraph, 1 December 2011 Kennedy, Maev, Message in a big bottle — appeal to save fourth plinth HMS Victory, The Guardian, 30 November 2011 Jury, Louise, Setting Sail Again, London Evening Standard, 30 November 2011 Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 2011 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 2011 Olurin, Titilayo, A Revolution in the Studio, next, 1 May 2011 Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May 2011 Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April 2011 Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 — 3 April, p. 52 2011 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March 2011 Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March 2011 Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 2011 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 2011 Alvarado, Esther, Un ano de exposiciones, Madrid Press, February.