Sentences with phrase «as the narrative truly»

Once things get going in the second half of the game it is hard to put the controller down as the narrative truly takes off.

Not exact matches

They help thread a cohesive narrative together that your company can own and your salespeople can deliver as something you truly stand for.

What you, as self - appointed arbiter, are saying is that no «true» Christian would embrace ID and that anything less than a strict literal reading of the Genesis narrative is not «truly» biblical.

Wells describes his massive tome as «an attempt to tell, truly and clearly, in one continuous narrative, the whole story of life and mankind so far as it is known to - day [sic].»

I, of course, am blessed to be able to hear your voice in my head telling these stories as I read but you truly have an awesome narrative voice.

As a single entry in the MCU, Avengers: Infinity War is as good as anything Marvel Studios has released in the last decade, but what makes it truly special is how it elevates everything that came before and makes every character and narrative development even more meaningfuAs a single entry in the MCU, Avengers: Infinity War is as good as anything Marvel Studios has released in the last decade, but what makes it truly special is how it elevates everything that came before and makes every character and narrative development even more meaningfuas good as anything Marvel Studios has released in the last decade, but what makes it truly special is how it elevates everything that came before and makes every character and narrative development even more meaningfuas anything Marvel Studios has released in the last decade, but what makes it truly special is how it elevates everything that came before and makes every character and narrative development even more meaningful.

No, «Moonlight» is truly a movie, ultimately a symphony of images that punches in the same weight class as such visionary narrative experiments as «2001: A Space Odyssey,» «Badlands,» «All That Jazz,» «The Limey,» «Three Times,» and perhaps most obviously the work of Wong Kar - Wai, possibly the world's greatest practitioner of sensual melancholy.

In the end, it is by no means a truly awful piece of work, but the big problem is that it was originally conceived as a short film, and has clearly suffered from the expansion of the narrative that has led to it cropping up on the big screen.

While the narrative format and lack of a truly compelling story development are liabilities that make this a very flawed and overly preachy way to spend 88 minutes, the acting is still superb all around, as is Carnahan's dialogue between people of depth.

Avengers: Infinity War, as a production, is a truly impressive moviemaking feat as it is hard to recall a film that has had to weave together so many actors, storylines, and locations while still driving a narrative.

That's a shame, because the final forty - five minutes of the movie should have been poignantly heart - wrenching, but with every character an archetype (or, often, a stereotype), it's hard to truly relate to them as real people, and consequently, the emotional impact never allows the narrative to soar to the heights that a live performance with living, breathing people in front of you might offer.

Over the last generation, Sony seems to have taken it upon itself to drive the cause of truly adult video game narrative and, as this crusade has continued, certain key tropes have begun to crystalise.

If these costumed super heroes are truly the gods of our time and the films that they are in each summer are our contemporary mythological canon, then these films should reflect our current understanding of each other, including visual representation of women and minorities, instead of parading out old narrative tropes and stereotypes as if they were steadfast truths.

Students then use visual - spatial intelligence when creating a story board and selecting images for the the multimedia piece; verbal - linguistic intelligence when writing scripts and recording the narration for the PSA; spatial intelligence when evaluating and selecting images; and interpersonal and verbal - linguistic intelligences when working as a team and planning a narrative that would truly convince others of the importance of evacuation.

Book Four of Robert A. Caro's monumental The Years of Lyndon Johnson displays all the narrative energy and illuminating insight that led the Times of London to acclaim it as «one of the truly great political biographies of the modern age.

Where this game truly succeeds is with the narrative as it is well thought - out, well - explained and properly executed over the course of the story.

Until Dawn is a truly unique experience, as it gorgeously blends every good — and bad — horror story into a single, refreshing and creative narrative, and serves as the definitive teen horror story.

It deserves it as well, because The Walking Dead is a great game, one that truly pushes what can be done with a video game narrative that can not be done in film or TV.

During the game's narrative, I was excited at the prospects of the overall story, as it hit some interesting plot points, but never truly capitalized on the ideas.

I was never truly one to be able to survive an interactive horror experience — to this day, I have not finished Outlast, nor have I managed to stomach the demo for Outlast 2 — but Resident Evil was different, and as terrified as I was for the first five hours of my experience, I managed to power through it and see the narrative unfold to its satisfying end.

On a thematic level, it all works, and revenge's relationship with The Phantom Pain's relationship with phantom pain stands out as one of the few things Metal Gear Solid V's narrative does truly well.

After a slew of mysterious voice messages, and not much direction as to what was truly going on or if there was even a narrative to follow; Hotline Miami took away the mindless, disturbing and guilty pleasure of destroying pixelated people and turned it into a nerve - wracking moment.

These narratives explore good and evil, authority, race, moral relativism, and religion, all while creating a truly unique body of visual art referencing artists such as Philip Guston and Henry Darger, as well as making unapologetic nods to comic books, illustrations, animations, horror films, and toys.

Next day, at the Museum of Contemporary Art (Le Mac LYON), which is secreted within a hideous and massive commercial complex designed by Renzo Piano, only an intriguing digital animation by Takao Minami stood out as truly new narrative amid the otherwise opaque commissions and previously exhibited works by, among others, Bjarne Melgaard, Matthew Barney, Ryan Trecartin, and Robert Gober, who contributed the dollhouses that comprise his first - ever artworks.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Taking this as a starting point, Chiurai's images attempt to disrupt the colonial narrative by imagining a radically different reading of history from which to consider a truly alternative Afro - future.

Among the numerous subtexts lurking within this narrow narrative is the assumption that Stella was able to create wholly American (and therefore truly new) art, while Bluhm and Mitchell were unable to sever their ties to European - inspired gestural painting, particularly as exemplified by de Kooning.

To break it down legally though (although no opinion or narrative in this article can be used as authorized legal word), if you're home has been around for any number of years, a composting commode doesn't truly break any existing laws if the following conditions are met:

that a therapist can never really knows what actually happened in the past; that all recollections are subjective, provisional rather than «true»; so any formulation that allows «narrative to masquerade as explanation» is unsafe in that one can never truly know.

I am passionate about my role as a psychotherapist and I am truly honored to engage in the experience of having others place trust in me, sharing their narratives and allowing me to come alongside them as they explore their path forward.