Sentences with phrase «as the plane touched»

As soon as the plane touched down in New York, Ogundipe, Amy and Jake headed straight to hospital but were released later that day.

As soon as my plane touched down I slept for a day and a half to recover, I called Wegman's, the only place around (that I'm aware of) that carries hatch chiles.

As your plane touches down you already are planning (and re-planning) the day with the kids.

But as the plane touched the tarmac in India, I was left [continue reading...]

Not exact matches

I still keep in touch with a few of the more charitable ones, however, it is apparent that we are not considered to be on the right spiritual plane as them.

The scriptural witness of the prophecies should be enough as a basis for faith; Mary did not find the Lord through her quest for his body, but only through answering his personal call to her; she must not cling to his bodily presence, for his life is now on another plane, with the Father who is the Father of all those who follow Jesus because he is his Father who has raised him from the dead; Thomas is offered sight and touch, as a gracious concession to his lack of faith; but he does not believe because of this, but because the risen Lord addresses him; and the happiness of those who have faith without sight is greater.

Business secretary Sajid Javid was facing a 48 - hour round trip as he boarded a plane back to the UK almost as soon as he touched down in Australia.

Use in replacement of your lotion - before applying your oil serum or moisturizer to seal in actives - Throughout the day, in the plane or after exercising to refresh your complexion - As a final touch on top of makeup to set - After cleansing to restore perfect skin pH and minimize pores.

Using them close to when I'm about to get off the plane is important to me, as it allows me to feel more awake and alert when I'm touching down.

I woke up as the plane was touching down.

At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.

The combat sounds great, and the planes all have individual engine sounds, but the little touches, like the way you hear air rushing past as you swoop around at regular speed, are what really drive the point home.

Identity Thief is all over the map when it comes to the kind of film it wants to be, sometimes playing like a wacky farce, sometimes as a black humor raunch-fest, sometimes as a silly thriller with laughs, and sometimes trying to draw out even some touching moments in a mismatched buddy road - trip comedy, a la Trains Planes and Automobiles.

The Kindle / Stanza interface is easy as pie, I can read it in the dark, I can take it on a plane, and I can keep thousands of books on my Touch.

This follows a ruling by the European Court of Justice in September 2014, after Germanwings unsuccessfully tried to argue that as its plane had touched down just less than three hours late its passenger had no right to compensation.

There's a noticeable element of «perspective planes» to its art - style which gives Legends a nice semi-3D (or 2.5 D, as they call it nowadays) touch.

The touching planes of her paintings are often described as «kissing»» — a gesture that humanises their basic geometric composition.

Hershman Leeson reveals herself in her documentary as multiple projections of a central self, but not in the sense of being a schizophrenic — i.e. someone who has lost touch with the Plane of the Real and proceeds to live on an Imaginary Plane peopled by distinctly separate personalities.

Yet, enlivened by an expressive, though always economical, touch, her work resonates just as strongly as a sustained, self - reflexive enquiry into the act of painting: what it might take to bring an image into being on a bounded, flat plane.

Amid the clear, bright planes of colour and Photoshop - straightened lines, touches of the handmade proudly remain for those who look close enough: would - be wooden floorboards gradually reveal their forced perspective, a grassy patch snaps into focus as the scrubby faux turf traversed by model trains, a speckled black floor shows itself as a square of carpet padding.