But then her strength stirred, and
as the poem continues, «an all - powerful longing... drove me forth to wander in order to see, to enjoy, and to know the All.
Not exact matches
In making the word to become flesh the interpreter makes herself or himself into the word, takes the word
as poem into her or his body,
continues the creation process begun by the poet (Bozarth - Campbell, 52).
But
poems such
as in the Book of Job, sometimes
continuing to the length of two or three chapters, offer opportunity to study the matter further.
As one who
continues to delight in the
poems, I cheer the ingenuity and inspiration of the allegorical interpretation which preserved the Song of Solomon.
The resolution begins in stanza 6 and
continues to the end in the same metaphors
as used throughout the
poem: bud, smell, dew, light, tempests, flowers.
On the other hand, we read here several
poems hardly distinguishable from the work of Second Isaiah; and we must conclude, therefore, that Isaiah 56 - 66 comes out of
continuing Isaianic circles of prophetism surviving the sixth - century debacle, and had
as its nucleus a small collection of Second Isaiah's oracles not incorporated in 40 - 55 and perhaps of somewhat later origin (see especially the three chapters, 60 - 62, and the Servant Song in 61:1 - 4).
He
continues, describing the show
as a
poem, saying some are only meant to be, ``... haikus and some are meant to be sonnets and some are meant to be enormous epics, and this was always meant to be a sonnet.
Rothenberg also writes that «Resnick was a very visible & dynamic artist when we met him in the early 1960s, but beyond that he was also a persistent practitioner of poetry, less in a public sense than
as a release for feelings & ideas that were a necessary supplement to his life's work
as a painter» Rothenberg
continues, noting that Resnick «left behind at least 16 envelopes of unpublished, often handwritten poetry with some 40
poems in each.
Loosely taking its title from the first canto of John Shade's
poem in Nabokov's 1962 novel Pale Fire, the titular work in the exhibition, cymbals of sleep uncurtain the night,
continues McAllister's ongoing engagement with painting
as both transportive portal and decorative artifice.