Sentences with phrase «as the romantic leads in»

Singh plays the character with aplomb in what is certainly a career - defining role for the actor who is more often cast as the romantic lead in mega Bollywood productions.
Woody Allen no longer casts himself as the romantic lead in his films, but it's still pretty obvious when the director's own viewpoints, neuroses, and inclinations are coming out of his male leads» mouths.

Not exact matches

Rosalind Rosalind means «pretty rose,» and it's a classic name favored by Shakespeare — it's the romantic lead in his comedy, As You Like It.
This could lead to a romantic night or at least you will able to keep your place as fresh as possible in your partner's heart.
Good quality photos are important, because the dater's aim is to, so to speak, win the «role of the romantic lead» in the story of somebody's life, and as such it's important to stand out from the crowd.
In online dating, as in most romantic situations, guys are expected to take the lead with womeIn online dating, as in most romantic situations, guys are expected to take the lead with womein most romantic situations, guys are expected to take the lead with women.
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Teens also described other negative aspects of technology in romantic relationships, such as surveillance that leads to jealousy, as well as arguments between partners that play out publicly on social media for all to see.
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Luke then starts signaling he's interested in Ellen through various food / sex metaphors that remarkable newcomer Sharp manages to sell with a lot of goofy charm and not an ounce of ick, essentially setting him up as the potential male romantic lead.
Though inclined to stoutness — and baldness — from age 16 onward, Alexander had such a commanding stage presence that he was invariably cast as the star in school plays, in roles ranging from romantic leads to elderly character parts.
Tucci appeared as an attorney who leads a secret life as a ballroom dancer in the Richard Gere - Jennifer Lopez romantic comedy «Shall We Dance?»
Later that year, Macdonald appeared in Mike Figgis» The Loss of Sexual Innocence, playing the young girlfriend of the film's protagonist; and in Gregg Araki's Splendor, a romantic comedy in which she played the blue - haired best friend of the film's heroine.After a slew of similar supporting roles, including a memorable turn as the daughter of Mary Elizabeth Mastrantonio and Colin Firth in My Life So Far, MacDonald was given possibly her biggest break since Trainspotting when Robert Altman cast her as a lead (albeit one of many) in Gosford Park (2001).
This off - center romantic comedy stars Gerwig and Swanberg as two geographically estranged lovers grappling with the impracticalities of a long - distance relationship.In 2010, Gerwig received rave reviews and critical acclaim as the female lead opposite Ben Stiller in Noah Baumbach's Greenberg.
Gleeson, on the other hand, has a harder circle to square, as both antagonist and romantic lead, and to his credit, he stays on the tightrope, even switching between both in one scene as he and Peter feign friendship for each other to appease Bea, only to be resume their fight every time she leaves the room.
As if it's not enough that Mamoudou Athie played Grandmaster Flash in The Get Down, he was also a very dreamy romantic lead in a little movie called Jean Of The Joneses, from writer - director Stella Meghie, which follows a young woman (Taylour Paige) with a sprawling matriarchal Brooklyn family.
It's a picture as well about the romance of restraint in a romantic lead pairing, Driver and Irene (Mulligan, bearing a close enough resemblance to Michelle Williams that the movie takes on a weird, alternate - universe Blue Valentine feeling), that is never consummated save for one magic - realist kiss in an elevator.
Piper Perabo (Rachel) seems stuck in the same rut as Reese Witherspoon before her... forever the sweet - as - pie romantic lead in films such as Coyote Ugly, Perfect Opposites (A Piece of My Heart), and The Adventures of Rocky & Bullwinkle.
The constant droning of sad classical music over 70 % of the film is highly manipulative.The lead actress is toiling hard in the fields, yet at all times wears lipstick, foundation, rough and mascara.Even some of the males wear lipstick throughout.Everybody is drop dead gorgeous, no mud or gore in sight.The whole film is suffused with too much romantic zeal and sentiment.The two lead actors are excellent, but as usual Tom Sturridge is poor.He fails to convince he could ever be the dashing colonial soldier with his thin, weedy style of acting.One star
She's beautiful, bug - eyes and all, and when she simpers in her mealy - mouthed way that she loves Ben as much as Ben loves baseball, all the men folk are supposed to melt — but I have serious doubts as to whether Barrymore is romantic lead material.
Darius Khondji, back from Midnight in Paris, lights her beautifully, and you wonder why she hasn't been seen as a traditional romantic lead up to now.
With her means of support rapidly dwindling, marriage is clearly the endgame for Lady Susan — as it is for all of Austen's leading ladies — but the romantic emotion that's supposed to go along with it proves to be little more than a social affect in this wry comedy of manners.
The actors aren't all well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the audience I viewed the film with laughed at anything in the film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.
In the 80s, John was pegged first as the ubiquitous teen in comedies, then as the go - to romantic leaIn the 80s, John was pegged first as the ubiquitous teen in comedies, then as the go - to romantic leain comedies, then as the go - to romantic lead.
Bogdanovich contends that this film made Cary Grant a superstar because it proved he could win the girl as a romantic leading man, not a screwball comic (as in Leo McCarey's The Awful Truth) or a poetic misfit (as in George Cukor's peak - high comedy Holiday).
Though some felt that Stevens's tunes were a mismatch to the surrounding soundtrack's volley between Maurice Ravel and the Psychedelic Furs, the meek «Mystery of Love» is the best song in the lineup both in and out of context, charting the impatient but hesitant undercurrent of the film's romantic leads, at the same time as it approximates their shared, vaguely pretentious cultural interests.
And that's without mentioning the late non-professional Gary Poulter in «Joe,» one of the year's most terrifying villains, swoonsome «Belle» romantic interest Sam Reid, who also impresses in next year's «71» and «The Riot Club,» horror leads Olivia Cooke and Perdita Weeks from «The Quiet Ones» and «As Above So Below» respectively, Marine Vacth from Ozon's «Young & Beautiful,» «Palo Alto» stand - outs Jack Kilmer and Nat Wolff, comedy monster Jillian Bell from «22 Jump Street,» «Land Ho!»
Though once a light, blandly handsome lead in musicals and romantic comedies, Payne remade himself as a taciturn post-war tough guy and used his broad - shouldered physique and the strength of his physicality to make himself a formidable action hero.
Over the last few years, we've seen Michael Fassbender in a number of different guises — British agent disguised as a Nazi, Roman warrior, Gothic romantic lead, metal - bending Holocaust - surviving mutant, repressed psychotherapist, rampant sex addict, treacherous secret agent, and Peter O'Toole - ish android.
Momentum Pictures has unveiled the first official trailer for an indie romantic comedy titled Half Magic, the feature directorial debut of actress Heather Graham, who also stars in the film in the lead role as «Honey».
Her Oscar - winning performances were so hard core, in a way, that they make it almost impossible to see her as Amelia, for instance, or a detective, or a romantic comedy lead.
Domhnall Gleeson, son of Brendan and best known as one of the Weasley brothers in the «Harry Potter» movies, plays a typical uptight British romantic leading man, stammering adorably through his misadventures with women.
sees Laurentz exasperated to discover Western film star Hobie Doyle cast as Merrily We Dance's romantic lead; resulting in the film's standout comedic bit, in which Laurentz tries in vain to teach Doyle the elegance of the Mid-Atlantic accent.
In the last couple of years, he's gone from the romantic lead in About Time to Konstantin Levin in Tom Stoppard's adaptation of Anna Karenina; there's his leading role in the forthcoming Star Wars Episode VII; and there was the recent Calvary, in which he had a cameo as a creepy serial killer enduring a prison visit from a priest played by his father, Brendan, an experience he found «really cool»In the last couple of years, he's gone from the romantic lead in About Time to Konstantin Levin in Tom Stoppard's adaptation of Anna Karenina; there's his leading role in the forthcoming Star Wars Episode VII; and there was the recent Calvary, in which he had a cameo as a creepy serial killer enduring a prison visit from a priest played by his father, Brendan, an experience he found «really cool»in About Time to Konstantin Levin in Tom Stoppard's adaptation of Anna Karenina; there's his leading role in the forthcoming Star Wars Episode VII; and there was the recent Calvary, in which he had a cameo as a creepy serial killer enduring a prison visit from a priest played by his father, Brendan, an experience he found «really cool»in Tom Stoppard's adaptation of Anna Karenina; there's his leading role in the forthcoming Star Wars Episode VII; and there was the recent Calvary, in which he had a cameo as a creepy serial killer enduring a prison visit from a priest played by his father, Brendan, an experience he found «really cool»in the forthcoming Star Wars Episode VII; and there was the recent Calvary, in which he had a cameo as a creepy serial killer enduring a prison visit from a priest played by his father, Brendan, an experience he found «really cool»in which he had a cameo as a creepy serial killer enduring a prison visit from a priest played by his father, Brendan, an experience he found «really cool».
This is probably due to his links as the stereotypical romantic lead in the likes of AN OFFICER AND A GENTLEMEN, PRETTY WOMAN and RUNAWAY BRIDE.
Marsden has his moments as Oliver: This is not the first time it's been apparent that he's a gifted comic actor trapped in the body of a romantic lead.
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