Sentences with phrase «as the script throws»

Scenes are packed with wildly ridiculous improvisation, as the script throws characters into some genuinely outrageous situations...

As the script throws plausibility to the wind, Démé's performance becomes just too opaque to hold our attention — and it all sort of devolves slowly downwards from there.

Uncoiling his warped self - awareness when apart from his family, Keegan - Michael Key sells Clarence's arc even as the script throws in cheap machinations to test it (Rob Huebel appears briefly — and pointlessly — as a temptation for Nia Long's character).

Not exact matches

In an interview about the trade sanctions that President Trump is throwing at China and at Corporate America - whose supply chains go through China in search of cheap labor and other cost savings - Ambassador Cui Tiankai defended the perennial innocence of China, as is to be expected, and trotted out the standard Chinese fig leafs and state - scripted rhetoric that confirmed in essence that Trump's decision is on the right track.

Put in your card of B - list stars, punch in the PIN of a thrown - together script, and often as not, a decent amount of...

Worse than that, the script even uses «ladies» as a derogatory term for slow flyers, an idea which belongs in the same dustbin as the phrase, «you throw like a girl»

From there, it only took Luck one play to answer again as he hit Donte Moncrief with a perfectly thrown pass on a double move in the back of the end zone to flip the script and give Indy their first lead since 9:57 of the third quarter.

Thanks Jon - I got angry reading your very well scripted words while stood in an overcrowded train on my way home.I was expecting at least one signing to be agreed today but what do we get?Yet more nonsense from that geriatric delusional fool.I am now very very concerned for anyone who is in the same pub as Sue while she is throwing her darts.As if we haven't got enough to stress ourselves over.

If you're like me and think 1D makes ears bleed, then the obviously - scripted terrible humor movie this claims to be (heh, calling it a movie as if its good... trust me its not) will throw constant amateur footage of concerts at you instead of

If you're like me and think 1D makes ears bleed, then the obviously - scripted terrible humor movie this claims to be (heh, calling it a movie as if its good... trust me its not) will throw constant amateur footage of concerts at you instead of giving any scenes with the group in and if so, it will just be dumb little skits.

What it doesn't have more of is inspiration, as director Shawn Levy (The Pink Panther, Cheaper by the Dozen), working from a script from Thomas Lennon and Robert Ben Garant (Balls of Fury, Herbie Fully Loaded), is content to just throw everything but the museum's bathroom sink at the screen and watch the live - action performers merely run away from them all.

Supporting Characters sounds like an amazing podcast, but as a commentor Ackerman doesn't say much beyond firing off questions that throw Crawford off his script.

Ayer's script, co-written by A Good Day to Die Hard's Skip Woods, isn't as tight, and though there are some twists thrown in late in the story, they're not particularly unexpected.

On the other side is The Mummy, where so much money, special effects, stunts and CGI is thrown at a movie that it seemingly forgot it might need a good script and direction as well.

Ben Affleck throws a double - punch in this production, acting as both director and playing real life CIA agent Tony Mendez, the man who came up with a crazy rescue idea that involved a fake film script as an excuse to go to Iran to scout shooting locations.

The script makes her just as essential to the jokes as Rogen and while at times, I felt she was a little shaky when it came to delivery, all doubt for the actress is thrown away in one scene at the midway point of the film, when she instantly becomes the latest crush of every teenage boy in the audience.

Robert Pattinson is clearly relishing putting the Twilight franchise ever further in his career's rear - view mirror, but even when you think his Jerome is just about the only vaguely moral person in this film's twisted universe there comes a twist which throws you completely off, as the script essentially points out that Hollywood is a corrupt and corrupting place where no real human values apply.

As far as I can tell, EA took one look at the script and asked why none of the classic series characters are in it, because pretty much every sequence involving Iden and her Inferno Squadron transitions right into elongated sequences throwing the player into the shoes of a not well imitated version of a classAs far as I can tell, EA took one look at the script and asked why none of the classic series characters are in it, because pretty much every sequence involving Iden and her Inferno Squadron transitions right into elongated sequences throwing the player into the shoes of a not well imitated version of a classas I can tell, EA took one look at the script and asked why none of the classic series characters are in it, because pretty much every sequence involving Iden and her Inferno Squadron transitions right into elongated sequences throwing the player into the shoes of a not well imitated version of a classic

This is just one of many lazy story developments in the film, as Stenders (working from a script by James McFarland) is quick to throw all logic out the door in favor of more twists and betrayals.

As with Bourne, car chases and hand - to - hand fights are heavily edited, and quite exciting visually, though there is a curious lack of white - knuckle tension that should have resulted from the scenes had the script by first - time feature film scribe David Guggenheim spent more time with the characters to get us to care about their situations before throwing them on the run.

Bousdoukos (who co-wrote the script) enters the film as an amiable slob with a vague attachment to a business that has become a matter of routine, but even as he makes plans to join his journalist girlfriend in China, where she has jumped as a choice opportunity, the transformation of his business from a glorified cafeteria with sleepy clientele to a social of young patrons, energetic music and magnificent cuisine (courtesy of a mad - dog chef with a tendency to end conversations with a well - thrown knife) stirs a new passion in him.

Via a rushed script or scissor - happy editing, the film constantly throws Wahlberg and Washington back together as the film loses momentum when they are apart.

The sorority is the smart twist in this script as a trio of outsider freshman coeds form their own sorority after learning «accredited» sororities can't throw their own parties.

There's a tightrope act going on in the early part of the movie as the script tries to make these guys likeable but still throw in enough uncomfortable moments for low humor.

As opposed to the original template of naming and creating a bunch of my own characters — the entire experience purely mine to invest in as much or as little as I wished beyond scene setting footnotes — I was curious to see how I felt about a scripted experience, so threw myself into iAs opposed to the original template of naming and creating a bunch of my own characters — the entire experience purely mine to invest in as much or as little as I wished beyond scene setting footnotes — I was curious to see how I felt about a scripted experience, so threw myself into ias much or as little as I wished beyond scene setting footnotes — I was curious to see how I felt about a scripted experience, so threw myself into ias little as I wished beyond scene setting footnotes — I was curious to see how I felt about a scripted experience, so threw myself into ias I wished beyond scene setting footnotes — I was curious to see how I felt about a scripted experience, so threw myself into it.

As for Joe Carnahan's «monstrous» script, it seems that it may be thrown out to the wind, or perhaps Sony Pictures will keep it in their back pocket until a later instalment.

Two relatively recent studies have found that men and women still adhere to quite traditional dating scripts, meaning that most people are in agreement that the man should pay for a date.2, 3 Research has shown that people often experience anger when relationship norms and expectations are violated, regardless of whether the individual expresses their expectations or not.4 El Cheapo's deviation from the norm of buying me dinner offers one explanation as to why I was tempted to throw the last of my drink in his face.

So as the length of our relationship increases, we become closer to the individual, we have a greater sense of security, and we lose that animalistic sense of «throw down» that was such a large part of early sexual scripts in the relationship.