Tragically, the new project will not simply be a documentary in which Gad employs ever - more complex schemes to get Ridley to cough up some Star Wars spoilers; instead, Variety is describing it as a «subversive take on the superhero genre,» an idea that we can't help but note is almost as old
as the superhero genre itself.
On Tuesday, Black Panther began receiving praise for upending the Marvel formula as well
as the superhero genre as a whole.
The wilful perversity of Wes Anderson's filmmaking has become as ubiquitous to cinemaland
as the superhero genre.
Not exact matches
He's actually pretty terrible at being an efficient hero — crashing through and destroying property in people's backyards and splitting a ferry in half, but it's one of the most refreshing aspects of «Homecoming,» not just
as a Spider - Man movie, but in the very crowded
genre of
superhero movies.
The end result is an uneven piece of work that's at its best in its opening hour, which is
as thrilling and engrossing
as anything the
superhero genre has cranked out in recent years.
While it's hard to deny the ineffectiveness of both Peter Berg's directorial choices and the film's final half hour, Hancock primarily comes off
as an engaging and thoroughly innovative spin on the
superhero genre - with Will Smith's admittedly impressive performance certainly ranking high on the movie's list of positive attributes.
Mostly, the jokes and the recurrent attempts to tweak the
superhero genre serve
as a reminder that somebody else has already done it better.
There is real wisdom and honesty in every moment of the film, and that's refreshing in a
genre that is built largely on fantasy every bit
as disconnected from our reality
as any
superhero film.
The future of blockbuster films such
as these lie with directors like Coogler (and Patty Jenkins, and Taika Waititi), ones who are bringing much - needed new life and ideas to the
superhero genre.
The movie doesn't reinvent the
superhero genre so much
as reclaim and reenergize it — archetypes, cliches, and all — for viewers hungry to dream in their own skin.
And yet, amid all that overdue and well - deserved scorn, the lone aspect of Deadpool 2 that is treated with gravid, wet - eyed sincerity — the thing the film wants us to care most deeply about, that acts
as the plot's triggering action — is itself the biggest, oldest, dumbest and most useless
superhero -
genre cliche of them all.
Then,
as told partly in flashback
as Arthur (Harrelson) is being interviewed by a court - appointed psychiatrist (the underrated Sandra Oh), the safe distance that gives the audience derails the pace and the film becomes more serious than it ought to, no matter the subject matter and this results in it becoming every «realistic» work that looks down on the idea of either a
superhero or the
genre.
As Stark now looks to take on the Mandarin (Ben Kingsley), a celeb - terrorist who has bio-engineered a group of Americans into unknowing time bombs, Black begins to take apart the accepted boundaries and structures of the superhero film, and if he still employs a variety of familiar genre tropes, he certainly dismantles as many as he indulge
As Stark now looks to take on the Mandarin (Ben Kingsley), a celeb - terrorist who has bio-engineered a group of Americans into unknowing time bombs, Black begins to take apart the accepted boundaries and structures of the
superhero film, and if he still employs a variety of familiar
genre tropes, he certainly dismantles
as many as he indulge
as many
as he indulge
as he indulges.
Likewise, the current popularity of the
superhero genre allows Birdman to be all the more relevant
as social commentary - and allows it to land its punches with greater precision (see: the joke about Keaton's character refusing to do Birdman 4).
The director even goes so far
as to incorporate imagery cues from the
superhero genre (the Superman parallels are hard to miss) and on the whole, the movie has hints of a director who can do some fun things with a big canvas - even if he stills needs some practice with the brushstrokes.
The relationship between Hiro and Baymax is
as touching
as it is funny, bringing real heart to the
superhero genre.
And
as even a casual reader of such comics knows, the concept of a short - lived «
superhero death» is a long - standing meme of the
genre.
Blade, to the fresh eye, free of the fandom surrounding the character, comes across
as the kind of film that is probably closer to a B Movie in the action
genre than a
superhero flick,
as it is branded to be.
That in itself is a most grueling feat
as Winter Soldier was one of those rare
superhero films that transcends the
genre with its welcoming 70s political tones.
In the hours surrounding teaser trailer, Trank and screenwriter Simon Kinberg talked with Collider, Empire Online and Yahoo! Movies about their frame of mind for the film and setting it apart from what they see
as the commodified
superhero action
genre.
As a deconstruction of the
superhero genre it doesn't quite achieve Watchmen or even Mystery Men status, but there are some technically well - choreographed fight scenes, some great dialogue and solid writing throughout.
With virtually the same tone
as they used in their
superhero spoof Kick - Ass, filmmakers Matthew Vaughn and Jane Goldman take another riotously adult approach to pastiche, this time tackling the James Bond
genre.
Working unobtrusively but consistently in a decadent Hollywood that's doubled down on sci - fi / fantasy /
superhero franchise tentpoles
as the end - all - be-all of action movies, Jaume Collet - Serra has been diligently and often ingeniously pursuing another filmmaking model, that of the mid-range budget standalone
genre picture.
I love a good popcorn
superhero movie
as much
as the next guy (maybe even more than most critics), but «Logan» shows how deep one can go in the
genre if they just approach it in a different way.
Moreover, I hate that modern pop culture is so literalminded
as to place a high premium on plausibility, while I'm 99 % sure that knowing the Batsuit could stop bullets off camera, too, is not going to convert any of the haters, whose snotty disdain for the
superhero genre is more a fashion statement than an issue of disbelief.
While Black Panther will almost certainly experiences some drop - off in its second week, one thing is for certain: It has already left its mark on the
superhero movie
genre and, more importantly, the Marvel Cinematic Universe
as a whole.
As the YouTube critic Really That Good pointed out in November, superhero films as they've been produced in the last decade belong to their own innovative genr
As the YouTube critic Really That Good pointed out in November,
superhero films
as they've been produced in the last decade belong to their own innovative genr
as they've been produced in the last decade belong to their own innovative
genre.
It's hard work composing a
superhero theme song; that's what Hans Zimmer gave
as his own explanation for leaving the
genre behind.
He may be heavily tipped for an Oscar for his performance
as Doctor Stephen Hawking in The Theory of Everything, but British actor Eddie Redmayne is looking to stretch his acting muscles in the
superhero genre.
Taken
as a whole, Civil War is an impressive accomplishment for Marvel Studios and provides further proof that there's far more storytelling potential in the
superhero movie
genre than many people believed back when the MCU began with Iron Man in 2008.
It was also a year where even
genre skeptics could give in to
superhero domination,
as so many
superhero films turned out good or even great (there's six on this list).
What they find in there is both easy to figure out (stuff is mutating), beautiful and scary and weird (stuff is mutating) and inexplicable (most of the why and a bunch of other side mysteries), explored in a mostly unsatisfactory blend of arthouse stillness and
genre thriller scares, part of a burgeoning subgenre of sci - fi films that I suppose function
as a counterweight to the more populist nonsense of
superhero sc - fi.
In addition to the plethora of comic book - based
superhero movies in the next few years, there are a variety of other films such
as science fiction, fantasy and action under the umbrella description of «
genre.»
Just
as Tim Burton's Batman set a new standard for
superhero movies in 1989, Danny Elfman's musical score remains one of the
genre's most iconic compositions.
Like our list of comic book - based
superhero movies and other
genre movies, we're not including production info such
as cast, crew or plot; this is just an easy - to - read look at what's to come in North American theaters.
Luckily, the movie lives up to the hype quite well, delivering a unique spin on the
superhero genre that serves
as a welcome breath of fresh air.
If «Superman» is low on this list, that has to be because most of our voters don't really view it
as science fiction: sure, it kicks off with the destruction of an alien planet, but the
superhero movie has now become its own
genre, largely divorced from those that bore it.
By comparison, upcoming filmmaker - driven efforts such
as M. Night Shyamalan's Glass and Rick Famuyiwa's Past Midnight (starring Keanu Reeves) aim to further mix things up by incorporating different
genre elements into the (
superhero) mix.
In this way the
superhero genre is just
as dull
as the biopic, with their obsession with This Caused This!
And it would have been nice for a
superhero movie that vocally wants to subvert the
genre to present Morena Baccarin's Vanessa, the love of Wade's life,
as more than just your standard
superhero girlfriend.
And
as 2016's Deadpool made clear, the greatest of those powers may be his complete self - awareness: The majority of jokes in Deadpool were focused on flaying the titular hero and the
superhero industrial complex, whether that meant poking fun at Reynolds's career and Fox's run of bad
superhero movies or inserting raunchy one - liners and superfluous gore into the movie's big action sequences in order to earn its rare - for - the -
genre R rating.
Like Hart's 2016 directorial debut «Miss Stevens,» an indie charmer inspired by her tenure
as a young high school teacher, the roots of «Fast Color» grew from personal experience — and a frustration with the ways the same characters and stories kept being told within the
superhero genre.
After nearly 11 years of studio hesitation and apparently enough sexual favors for Wolverine, Deadpool finally has his own
superhero movie (something that star Ryan Reynolds has fought long and hard (see, I can make sexual innuendos too and use parentheses inside of parentheses) for to see come to fruition), and with opening credits featuring billings such
as «some really hot guy» and «an overpaid tool» the tone is set for an irreverent and refreshing outing from a
genre slowly entering a phase of stagnation and repetitiveness.
Black Panther stands out
as a groundbreaker not just within the
superhero genre, but in Hollywood in general — from the Gil Scott Heron track sampled throughout the trailer, to the Kendrick Lamar soundtrack, to the hair and makeup and set design, to Coogler's vision of what an African, technological utopia could look like (Wakanda is a capital city that's nothing like the Western or Asian - influenced visions of the future we know well — one of the most notable differences?
As Cornell «Cottonmouth» Stokes, a deeply corrupt mover and shaker who comes to blows with Mike Colter's titular
superhero on the streets of modern - day Harlem, Ali crafts a multilayered antagonist within a
genre whose mammoth commercial success rarely hinges on in - depth character work.
Part of that, frankly, stems from uncertainty
as to what exactly Doom's powers are, after a fleeting demonstration of them that feels closer to horror than the
superhero genre.
Such
genre cross-pollination might make both films more appealing to Academy voters who otherwise wouldn't look twice
as superhero fare.
Logan's Best Adapted Screenplay Oscar nomination came
as a big surprise, and could mean big change in the industry for the
superhero genre.
As a Latina film journalist who hopes to make
genre films in the future, I took the opportunity to ask Del Toro his thoughts on the assumption that women simply aren't interested in making monster, dinosaur and
superhero studio films.
This is a full - throttled tale of revenge and love with a series of references to other movies of the same
genre, from common tropes like the
superhero landings or heroic moments to iconic remarks regarding the relationship between Batman and Robin,
as well
as the Daredevil mantle.