Sentences with phrase «as the viewer shifts»

As the viewer shifts from seeing to reading, the line of text, a statement and question — «I'm Nobody!

The play of light activates the surface with glints and shadows as the viewer shifts in space.

As the viewer shifts from one side to the other, the composite nature of the image is revealed, and with this, ideas about how the maps we consult on our screens are manipulated and always changing.

Most paintings in the exhibition employ two or three colors interacting visually on five sides to produce a single image that unfolds as the viewer shifts position.

The solidity and simplicity of his work was intended to reinforce its stature, to stabilize and ground itself as the viewer shifts position.

Not exact matches

The move comes as advertisers are increasingly shifting budgets from television to online as more viewers prefer to watch their favorite shows on their smartphones and tablets.

(Reuters)- Viacom Inc reported weaker - than - expected quarterly revenue, hurt by lower advertising revenue from its U.S. cable TV business as viewers increasingly shift to online streaming services.

Investors and analysts worry that companies such as Time Warner and Walt Disney Co (DIS.N) are being abandoned by «cord cutters,» especially younger viewers who are shifting to online services such as Netflix (NFLX.O) and Hulu.

Examining absurd theories around Mad Men and True Detective, Julia Yost characterizes this phenomenon as a shift from the aesthetic to the forensic: «Everything on screen and soundtrack is a clue, and the viewer's challenge is to suss out the secrets encoded by the creators» choices in writing, casting, wardrobe, and art direction.

Although the plot is very week, the direction seems to put the viewer in the shoes of a hallucinating drug addict, with scenes shifting between reality, and mental fantasies that spring up to explain metaphors or similes, as well as a sing - a-long version of the new National Anthem of England!

The narration not only signals a shift in tone, as viewers are thrown then into the midst of a battle between the Amazons and soldiers from the world of man, but also contrasts the Diana of today with the one from 100 years ago.

Recommendation: Carol offers viewers two fine performances from Cate Blanchett and Rooney Mara, the former of which has always been reliable and the latter becoming ever more watchable as she continues to shift genres and role types.

Through shifting the «harder» material to the periphery of the frame, as viewers we decentre our reading of minority worlds as something «tragic.»

Then, suddenly, a shift in the third act forces viewers to think about the significance of her character's presence (in the context of the film's themes) and, as a result, Clouds» enigmatic nature multiplies.

Egoyan's penchant for time - shifting narratives is certainly (and immediately) in evidence within The Captive, as the movie boasts (or suffers from) an opening half hour that jumps backwards and forwards to a degree that is, to put it mildly, somewhat confusing - with the fractured atmosphere preventing the viewer from initially connecting with either the material or the characters.

Director Sidney Lumet - working from Kelly Masterson's screenplay - has infused Before the Devil Knows You're Dead with a complex, time - shifting structure that doesn't work quite as well as one might've hoped, though there's little doubt that it effectively keeps the viewer guessing through the majority of the film's running time.

Perhaps because they felt «very dissed» (as Zach Braff put it) and perhaps because no one was seeing the episodes still being churned out on a regular schedule, those behind «Scrubs» seemed to shift in Season 5 from pleasing viewers to merely pleasing themselves.

As the soundtracks shifts so does the mood of the piece, always finding ways of drawing the viewer in without being overly manipulative.

Even when a character's status as a writer feels incidental to the plot at hand — such as in 2016's Hush, wherein the heroine's writerly profession comes into play mainly as justification for her later resourcefulness — the fact that such a vocation was chosen at all tends to shift the viewer's dynamic with the film in fascinating ways.

Director Dana Nachman includes enough information to support either interpretation, and even to allow the viewer to shift points of view, back and forth, as the movie goes along.

While you're reading ● Alt B — Set a bookmark or clear a bookmark previously set here ● Alt T — Display the time ● Alt 0 — Enable or disable a slideshow ● Alt 1 — Start the slideshow ● Alt 2 — Stop the slidehow ● Alt Next Page / Previous Page — Go to the next (or previous) annotation, or 5 % forward (or backward) Settings ● 411 — Run a diagnostics test and display technical information about your Kindle ● 511 — Run a loopback call test ● 611 — Perform a diagnostic data service call Font List ● J — Show or hide justification options (left or full justification) Picture Viewer ● Shift Alt 0 — Set the current picture as your screen saver.

This cube gets shifted down after scoring at the end of every round, aging the program as time goes on and changing a number of viewers it gets.

Instead, it expects the viewer to understand what's going on even as the time period shifts back and forth without a moment's notice.

With this shift in vantage points, the viewer might consider our recent history as an archaeology of all the «stuff» that will cease to exist in the digital age.

As likely to use steel and salt as fabric and light, Violette shifts a viewer's perspective by always implying more than what is on vieAs likely to use steel and salt as fabric and light, Violette shifts a viewer's perspective by always implying more than what is on vieas fabric and light, Violette shifts a viewer's perspective by always implying more than what is on view.

Referencing such sources as Golden Age children's book illustrations, 19th - century botanical drawings, floral textile patterns, lunar maps, and prints of underwater sea life, Bowdoin's fragile, lush installations shift and change as viewers explore their surfaces.

In a return to video, Sze questions how we measure time and space, incorporating elements that shift and dissolve as the viewer moves around the piece.

While they are called paintings, these wall - mounted works are composed of layers of laser - cut birch wood ply and MDF, milled, perforated and painted so that evocations — of colour, form and image — seem to shift and dissolve as the viewer moves in front of them.

As the dizzying action travels across the walls, the viewer's position embodies the shifting camera angles.

The current exhibition is a step - by - step illustration of this shift towards this de-naturalization of form and the artists» revolutionary approach to color, line and form as the primary vehicles of communicating with the viewer.

In an artist's statement she speaks of «the tracking and marking of energy,» as well as «finding patterns within chaos» that enables the viewer, with the slightest perceptual shift of vision, to arrest the movement that she generates with her vigorous swirling strokes and discover the serene stillness at the heart of her compositions.

Meanwhile, the clouds shift in and out of sight as viewers walk around them.

Ultimately, Wakefield supports the exhibition's title as the viewer understands the shift in the perception of objects based on circumstances.

Begging for honesty, truth, and critical thought a dialog is created and as such may provoke within viewers a conscious or unconscious shift in perception.

His very shift between styles has stood in the way of appreciation, for viewers who expect an artistic signature — and by his death painting, too, seemed dead, as if he had somehow managed to take it with him.

The work in my current show at Halsey McKay Gallery has developed in scale and continues to investigate spatial relationships with a perceptual shift that occurs as the viewer places themselves within the work.

Colors mutate, fade and intensify, seeming to hover just above the surface of the room like a prism, materializing the unseen shifts of light and air as the viewer moves through space.

These leafed areas look different in different light, and shift as the viewer moves.

As opposed to creating concrete forms, the transparency of these pieces invite the viewer to examine the intricate interplay of each assemblage and the ways in which the contextual interpretation of each component shifts depending upon the angle at which it is viewed.

His exuberant sculptures of the period unfold within the personal space of the viewer, shifting dramatically in appearance as s / he walks around them, although they mark a departure from the figure as subject, a sense of liberation from the concentrated weight, scale, and ordered naturalism of the body endures.

The shift in scale also brings to the fore the viewer's relationship to the work as an object, adding a spatial and physical dimension to the viewing experience.

As Mieke Bal has written about Janssens's work: «They entrap the viewer, body and soul, in an experience so unsettling that something really shifts in one's physical being in the world.

In exquisitely rendered paintings, works on paper, wall and floor works, sculptures, site - specific installations and public projects, the Mysore - based artist examines structures, borders and barriers as a series of ever - shifting concepts, alluding to an interconnectedness that compels the viewer to consider their relationship to the art work as part of a wider conversation about systems of knowledge, belief and power.

The silhouettes of the sculptural works continue this shifting as the viewer moves around the work, with an amorphous shape suddenly turning into a gaping mouth or a funny bird's head.

In Kauffman's work, the environment constantly shifts as the viewer moves around each object.

I'm interested in creating spaces where scale shifts to create a distancing between the work and the viewer as well as moments that invite a closer look.

In this series Marzouk makes her subtle brush work visible to the viewer as a slight shift from her signature hard - edge flat technique.

The images, fragmented and then displayed as three dimensional works, present the viewer with multiple, shifting perspectives when viewed from different angles and engage the environment in which they are presented.

It will present work from the abolition of the death penalty for sodomy in 1861 to the passing of the Sexual Offences Act in 1967 — a time of seismic shifts in gender and sexuality that found expression in the arts as artists and viewers explored their desires, experiences and sense of self.

As you sat around the finely crafted gazebo like structure, the viewer shifted their attention to each projection as it screened a different group of LGBT community members, artists, activist, and civic leaders celebrating the queer history of Trinidad ColoradAs you sat around the finely crafted gazebo like structure, the viewer shifted their attention to each projection as it screened a different group of LGBT community members, artists, activist, and civic leaders celebrating the queer history of Trinidad Coloradas it screened a different group of LGBT community members, artists, activist, and civic leaders celebrating the queer history of Trinidad Colorado.