Sentences with phrase «as thematic approach»

His work engages with postcolonialism, migration and diaspora, racism and minor gender identities as thematic approach.

Not exact matches

This approach assumes we can not learn from ancient or mediaeval dramas the way educated audiences of the 1600s and 1800s did, taking the particularity of the time straight, and as a key thematic element of the play.

A historical perspective and recent research point to some form of carbohydrate restriction as a likely candidate for a new nutritional approach, and we present a thematic review regarding carbohydrate restriction.

I also have to say, by the way, that «A Christmas Tale» has really grown on me in the weeks since I saw it at the London Film Festival, as the visual and structural clutter of Desplechin's approach has revealed to me, in hindsight, a greater thematic density than I perhaps originally credited it with.

We have experience leading small teams as well as large groups through a focused, thematic lens as well as a more general, curriculum - based approach.

Try to focus on broad, thematic items like a candidate's approach to zoning regulations, as opposed to specific scenarios that might be up for consideration.

What considerations did you have in your approach to the music for this change of setting, seeing as it was to retain thematic ties to the previously existing Yakuza titles?

Eschewing any attempt at an overview, Exhibitionism instead privileges multiple perspectives, and as such might be characterized as a sampler of thematic approaches to both the analysis and reinterpretation of a collection.»

The project is built around a comprehensive thematic and critical international contemporary art platform founded in 2011 by Sabin Borș, and functions as an ongoing laboratory for experimental approaches to contemporary art.

Around one hundred paintings from museums worldwide tell the great story of portrait and figurative painting from the fifteenth to the late twentieth century in four broad thematic sections that offer much more than a merely chronological approach to works by a host of outstanding artists: from Raphael, Botticelli, Mantegna, Bellini, Giorgione, Titian, Dürer, Cranach, Pontormo, Rubens, Caravaggio, Van Dyck, Rembrandt, Velázquez, El Greco, Goya, Tiepolo up to the Impressionists, Manet, Van Gogh and great twentieth - century artists, such as Munch, Picasso, Matisse, Modigliani, Giacometti and Bacon.

For her presentation in the museum's lobby gallery, she will produce a new series that extends her broader thematic concerns, while maintaining her experimental approach to the material and the communicative possibilities of painting as a critical medium.

Her Remarkable series is significant as it typifies the artist's thematic and stylistic approach to language.

The case studies presented in this article — the thematic contemporary art exhibitions De Vitaliteit in de Kunst (Vitality in Art) and Van Natuur tot Kunst (From Nature to Art), both of which opened in 1960 at the Stedelijk Museum — put pressure on the approach to exhibition history as an art historical subgenre.

In his wide - ranging cycles of works, each of which is devoted to a unifying thematic narrative, the Swiss artist Florian Germann (b. 1978; lives and works in Zurich) creates complex systems of reference, playing with the role of the artist - researcher as he approaches fields as diverse as culture, science, and nature.

His early career as a graphic artist continues to strongly influence Ruscha's aesthetic and thematic approach.

Let me first declare an interest, so that you can put what I am about to say in context: I edited The Legal 500 in 1996 and 1997 and am responsible for the thematic (as opposed to alphabetical) construction of the editorial of that publication, an innovation I am proud to say remains intact to this day, and which I believe better reflects the interconnected nature of the sector - led approach law has increasingly taken.