Sentences with phrase «as traditional painting techniques»

While developing a career in wall painting and surface finishing, she explores the use of fresco as well as traditional painting techniques in contemporary practices, and works equally with murals, painting, drawing, photography and mixed media.

Not exact matches

Butler writes that Deleget «has never been particularly interested in traditional painting approaches such as wet - on - wet and glazing, color mixing, or other techniques that create the illusion of three dimensionality.

However, when Zao became established in Europe, he began creating fascinating paintings, such as Landscape (1951), which reworked traditional Chinese calligraphic techniques with reference to Paul Klee.

He is best known for a body of work that mixes different media as well as traditional with contemporary painting techniques.

This exhibition of contemporary and traditional bogolan from Mali revolves around the contemporary bogolan paintings of the Groupe Bogolan Kasobane and the ancient origins of the ancestral Malian technique as women's work.

Using both traditional techniques such as cloisonné, and many exciting modern methods, we create enamel paintings, sculpture, jewelry, bowls, and boxes.

Hugo McCloud (b1980, Palo Alto, California) is known for his large - scale abstract paintings that use materials such as tar paper and metal, and engage with traditional woodblock printing techniques.

I forego the traditional techniques of painting with brushes and use gravity as my tool to create my paintings.

Working across such diverse mediums as painting, sculpting, and assemblage, the works shown are definitive of the 21st Century while incorporating traditional techniques and processes.

Her father taught her anatomy and traditional oil painting techniques, and she learned painting both from masterworks as well as painting from life.

Though they work independently, Tim Gardner (based in Victoria, British Columbia), Marcelino Gonçalves (based in Los Angeles), and Zak Smith (based in New York) share a common interest in combining and alternating among traditional art - making techniques such as painting, drawing, and photography.

The display is arranged thematically, to show the full range of Johns» materials, motifs and techniques including his unique use of encaustic and collage in paintings, as well as the innovations he has achieved in sculpture and the graphic arts by expanding the possibilities of traditional media.

Polemical but symbolic, it combined drawing and painting as well as craft - based techniques like collage and printmaking seldom associated with traditional Western notions of high art and mastery.

With a range of traditional and nontraditional materials, including acrylic and oil paint, ceramic, paper, canvas, carpet, and larvae, as well as varying techniques — from painting, pouring, cutting to burning — the artists employ different degrees of chance, and some more than others.

If in his early work, he favoured almost intangible media (ultrasound and magnetism), recently Barry has moved closer to traditional techniques such as painting and photography.

The exhibition focuses on recent sculptures by the Japanese contemporary artist Bidou Yamaguchi (b. 1970) who employs the forms, techniques and transformative spirit of traditional Noh masks to create contemporary sculptures whose subjects are drawn from such iconic European paintings as Leonardo da Vinci's Mona Lisa and Vermeer's Girl with a Pearl Earring.

After procedures such as collecting, limning, scanning and painting after print, Hong Hao's artwork breaks the traditional rules of production and techniques, and also passes the boundary of media.

The co-director of Minus Space, Deleget has never been particularly interested in traditional painting approaches such as wet - on - wet and glazing, color mixing, or other techniques that create the illusion of three dimensionality.

He develops his skills in as many mediums as he can, from painting to drawing and video to more traditional hand craft techniques such as hook rugging.

In the decade that he employed unusual media he still preferred traditional painting and printmaking to experimenting with new techniques such as digital art.

Sun Xun has made his name by combining traditional craft techniques — such as ink painting and woodcuts — with energetic stop - motion animated films.

In addition, we can see a detachment from the traditional painting techniques and an development towards monochromatic surfaces in order to enhance the perception of the painting as a physical object.

She shares an interesting perspective on the physically demanding nature of spray painting in relation to traditional oil painting, as well as other differences and advantages the technique offers including speed and a uniform surface.

She writes: «Though printmaking has been an important means of expression for many artists of his generation, it was a brief endeavor for Twombly... That said, he worked in nearly all traditional printmaking techniques... including line etching, mezzotint, aquatint, lithography, and screenprinting... Many of them were issued as portfolios, in keeping with his mode of painting and drawing in cycles.»

For instance, Shahzia Sikander, born in Pakistan in 1969 and educated at the National College of Arts in Lahore and at the Rhode Island School of Design in Providence, decided to learn the traditional techniques of Persian and Indian miniature painting as an act of defiance, because miniature painting was scorned by her teachers and peers at home.

In a group of paintings by Tong Hongsheng, the artist applies the techniques of Vermeer — universally acclaimed as one of the greatest painters in Western art history — to traditional Tibetan Buddhist subjects, an intriguing twist considering that whole political can of worms.

However, the trend to consider those paintings and techniques from the past as traditional Japanese, in comparison with the new styles imported from overseas, has continued.

The mixture of traditional painting and printing techniques John Bauer employs results in an illusionary painterly surface that engages viewers with its forms and keeps them guessing as to their origin.

Using traditional Song Dynasty landscape painting techniques, with mineral - based inks and watercolors on handmade paper, his paintings and scrolls often explore the effects of environmental engineering and the resulting social upheaval, as well as the repercussions of natural disasters: from the U.S. government's ineffectual response to Hurricane Katrina to the Three Gorges Dam project on the Yangtze River.

He used the techniques associated with action painting, such as dripping, pouring and splattering, and also used staining and worked with traditional brushes.

The list is full of seductive, intriguing, involving work that appeals to the emotions and the senses, and in which what you might regard as traditional techniques — drawing, painting — loom large.

The artist removes the film from its conventional context by applying different processes that range from traditional artistic techniques (painting, drawing, collage, grafitti, etching) to alternative actions such as emulsion, chemical manipulation and direct exposure of the photosensitive material to light.

suggests, the works in this project, although showing the semblances of traditional art - making techniques such as painting and printing, have been conceived in non-traditional environments and transported to our reality, offer an exciting glimpse into contemporary art practices that use technology and new media for artistic creation.

Lim has a studio in Tribeca, where he puts together his quietly original sculptures and makes paintings that acknowledge Western abstraction, even as he places an emphasis on traditional Asian imagery and painting techniques.

2 All these painters have been or can be classified as what Donald Kuspit calls the New Old Masters who, though working in Old Master techniques, are «neither traditional nor avant - garde, but a combination of the two,» carrying on the spirituality of the former and the critical consciousness of the latter.3 Both Cooper and Kuspit read in new wave history painting and New Old Master painting, respectively, a return to humanist and modern existentialist themes absent in most mainstream contemporary art.

There, she further developed her artistic sensibility through encounters with traditional craftsmanship, indigenous art forms such as Turkoman jewelry and clothing, coffee house paintings and the technique of reverse - glass painting, resulting in a period of artistic discovery that culminated in commissions in Iran and exhibitions in Europe and the United States.

In creating these works, the artists used various techniques including altering the outline of the canvas, building up relief, cutting into the plane, and using materials alternate to traditional canvas as support... Shaped canvas works became popular in the 1960s as artists sought to emphasize the potential for paintings to be considered objects.

Rather, it is revealed dialectically as the artists psychically work through the ugliness and insanity of contemporary life; their psychical mastery and emotional restoration of the self are evidenced in their mastery of technique and the aesthetic transcendence it elicits.8 At the same time, it is important to underscore just how alien both the figuration and content of this new wave of history painting would appear through the humanist gaze of traditional history painters and the Old Masters.

With traditional silkscreen printing techniques as well as hand - painting, the artist layers hundreds of screens in an intricate network of overlapping and boldly colored objects.

Every new era of technological advancements has led to claims of the demise of painting as an outmoded traditional medium to be replaced by new techniques, supports and media.

Using the history as a path to the future the artists» work involved many contemporary and traditional painting techniques combined with digital imagery and photography.

While he uses the traditional technique of oil painting, his swirls of colour that appear at first glance to be impasto reveal themselves almost as trompe - l'oeil under closer inspection.

Shanghai Biennial Founded in 1996, it began as a showcase of traditional Ink - and - Wash Painting techniques, and some calligraphy, by Chinese painters from the Shanghai region.

They can be slotted into two primary positions: Neo-Conceptualism, which grew from Minimalism and Conceptualism to embrace techniques of photography and appropriation; and Neo-Expressionism, which exhumed the traditional notions of painting that had been stamped out by Modernism — only to represent them as a corpse.

I am extremely passionate in my works and research regarding traditional oil painting techniques, drawing, sculpture and various other printmaking techniques as well as my work and research in computer programming, how interactive design functions, and the future of the web.