Their lives, as it turns out, strive for mortal normalcy, but their very natures
as vampires does mean that they must avoid sunlight, feast of human blood, and the usual tropes we'd expect.
Some farms are more modern than others, while you will find in the Third World as some African or Asian tribes «cattle owners» live on the Animal Milk and Blood
as vampires do while keeping the animal alive unhurt...
Not exact matches
I have no need to prove God exists, just
as no one has to prove Santa Claus,
vampires, and leprechauns don't exist.
It's a lovely thought... but drug dealers with guns don't seem to operate on the same metaphysical principles
as movie
vampires.
How
do you feel about the Twilight books
as opposed to King's
vampire books?
I'll prove God doesn't exist
as soon
as you prove Santa Claus, leprechauns,
vampires, and the Loch Ness monster don't exist.
Why not live
as though
vampires actually
do exist, wear a garlic necklace around your neck all the time, just in case?
Maybe if Anne Rice's books during her «Christian era»
did as well
as her
Vampire books we wouldn't be having this dialogue.
I don't think the
vampires would accept me
as one of there own yet, but I am pretty embarrassingly pale for July too.
Just
as long
as we
do nt glow like other
vampires these days smh lol but seriously what are they thinking
As long as I don't have a technique to vet if someone is an alien - vampire, I can not consider it as fals
As long
as I don't have a technique to vet if someone is an alien - vampire, I can not consider it as fals
as I don't have a technique to vet if someone is an alien -
vampire, I can not consider it
as fals
as false.
This study represents the only research
done so far on endogenous retroviruses of New World bats and suggests there is still much to be learned about
vampire bats
as viral reservoirs.
I'll say more NO to:
doing things which I don't want to but usually say yes to so I wouldn't disappoint others, feeling down or beat myself up over every little thing which didn't go right or
as planned, being a perfectionist every single moment of every single day, going places or meeting people just because of FOMO, eating foods that physically don't make me feel good, no matter how big the cravings might be, buying new stuff unless I really, really need them or can't stop thinking about them, emotional
vampires who suck the life out of me and never bring anything good or positive along with them...
I also own this polish Coconut and use it a lot but not nearly
as much
as I have used OPI my
Vampire is buff which is much more suitable for my skintone I
did finish a bottle of that one!
Vampires (also known
as Vampyrs and
as Van - Tal in the dimension Pylea) were a species of...
Vampire Blood (also called the Cirque
du Freak trilogy) is the first trilogy in The Saga of Darren Shan by the author Darren Shan.
A brief cameo by Martin Kemp, Lucy Pinder looking hot
as a
vampire bride but not really
doing much, scary Brit hard man Alan Ford (again briefly), ex «Bond» villain Steven Berkoff (again again briefly!)
By the time the nigh endless climax rolls around, Fright Night has certainly established itself
as just another in a long line of needless horror remakes - with the movie's failure especially disappointing given the strength of Farrell's engaging performance (and it's also worth noting that David Tennant
does manage to inject some life into the proceedings with his small role
as a Vegas
vampire hunter).
With its many repeated plot points and an ever - increasing roster of supernatural beings, it doesn't seem to be aging
as gracefully
as its immortal
vampires.
But positively on the other hand, I am a gorehound, and if you love watching Josh Hartnett chop
vampire's heads of with axes and slasher horror with an artistic quality to it, you'll enjoy it probably
as much
as I
did.
Adapted from a play called A
Vampire Story, Byzantium stars Gemma Arterton and Saoirse Ronan as a mother - daughter vampire duo who pissed off the wrong vampires a few centuries ago, and those leads both earned praise from multiple critics, as did the film's v
Vampire Story, Byzantium stars Gemma Arterton and Saoirse Ronan
as a mother - daughter
vampire duo who pissed off the wrong vampires a few centuries ago, and those leads both earned praise from multiple critics, as did the film's v
vampire duo who pissed off the wrong
vampires a few centuries ago, and those leads both earned praise from multiple critics,
as did the film's visuals.
If there is anything I didn't like about the film, it's Cameron's lack of realism when dealing with the roles of children, especially Jonathan Lipnicki's (Stuart Little, The Little
Vampire) character
as the boy that Maguire forms a bond with,
as he's too unrealistic in demeanor and too strange looking to buy
as a real kid, and for that matter the same goes for Tyson Tidwell's (Suarez, The Ladykillers) demeanor (son of Rod)
as well.
Miketendo64: «Since Axiom Verge is viewed
as being a Spiritual Successor to Metroid,
do you see yourself creating a game centred around Ghouls and
Vampires like Castlevania?»
Dr. Frankenstein and the
vampires don't so much kill
as lure people into a state of neither life nor death.
The action
does pick up near the end of the film when Edward approaches the
vampire's ruling body, known
as the Volturi, with a death wish.
Colin Farrell
does an awesome job
as the new
vampire in town, he's cool, he's funny, loved watching him, and his story with Anton Yelchin worked well, for the most part, I thought.
FX's new, very scary
vampire thriller has
as impressive a team behind the camera — Carlton Cuse («Lost») and Guillermo del Toro («Pan's Labyrinth»)--
as it
does in front (Corey Stoll, Sean Astin, Mía Maestro).
(A better name would've been «Mineral,» and for
as good
as the «Buffy the
Vampire Slayer» series occasionally was, boy
did it produce a stable of untalented stars.)
Other films playing are It Follows, which caused a stir earlier this year at Cannes; Jermaine Clement & Taika Waititi's
vampire comedy What We
Do in the Shadows; Kevin Smith's Tusk; [REC]: Apocalypse, the fourth entry in the hit Spanish franchise, and Big Game, the new film from the director of past TIFF film Rare Exports starring Samuel L. Jackson
as the president.
As Lions Gate is an honourable outfit known for riskier fare (they braved Dogma, Shadow of the
Vampire, and Love and Death on Long Island, to cite a few), Two Family House doesn't jibe with their implied philosophy.
Billed
as the first Iranian
vampire Western, writer - director Armipour's film certainly borrows heavily from the tropes of that genre, featuring
as it
does a lone stranger dolling out bloody vigilante justice to those deemed deserving.
Forget the pubescent wranglings of Twilight; together with Jim Jarmusch's sumptuous, romantic odyssey Only Lovers Left Alive and Jemaine Clement's and Taika Waititi's hilarious spoof What We
Do in the Shadows, A Girl Walks Home Alone at Night marks an exciting new dawn for the
vampire genre
as an entirely adult proposition.
Co-written and directed by David Greenwalt, who would later
do mostly television work for teen series such
as «Buffy the
Vampire Slayer» and «Angel», this is a smart and energetic film that, despite some of one of the more contrived premises you're ever likely to see, manages to succeed by keeping the story constantly moving and changing, and actually
do it with some wit.
I caught some of the titles: Nugu - ui ttal -
do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education»
as it were,
as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative
vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.
That might be hard with Johnny Depp booked to
do both Dark Shadows (
as vampire Barnabas Collins) and the Lone Ranger (
as Tonto) next year.
There's nothing better than a little
vampire ass - kicking to light up the holiday season, but unfortunately for fans of the «Blade» franchise, the third (and hopefully final) installment of the heroic bloodsucker just doesn't have the same bite
as its previous chapters.
Stewart,
as we've seen in other films like Into the Wild and Panic Room, is a fine young actress, and Pattinson
does fit the part of a handsome, troubled and tortured
vampire suitor (even though it seems they start to run out of pale pancake makeup toward the end of the movie).
Kate is just a teenage girl, and somehow she picks up a crossbow and
does Buffy the
Vampire Slayer moves (with outstanding accuracy
as well).
Regular television roles on such series
as «The Jeff Foxworthy Show» and «Meego» kept him in front of the camera,
as did roles in films like «Stuart Little» and «The Little
Vampire.»
Set in Barrow, Alaska — a town that experiences,
as the title of the film suggests, a period where the sun doesn't rise for thirty days — the film follows a group of townspeople that fend for their lives against an onslaught of
vampires that take advantage of the sun-less situation.
I don't think anyone expected «Let Me In,» the remake of the Swedish winter - dark
vampire thriller «Let the Right One In,» to show up this year, being both a remake and a horror film, but this perfectly - realized film surely deserves a nod
as much
as (if not more than) most films that made the cut.
Four deleted scenes featuring an option of a joint commentary by Lussier and Soisson are likewise useless in context, but
do further the idea that the filmmakers really believed that they were involved in something of value not only to
vampire lore, but to biblical scholarship
as well.
He most recently directed the hilarious
vampire mockumentary What We
Do in the Shadows,
as well
as the Kiwi drama Boy from a few years ago.
The film hails from What We
Do in the Shadows director Taika Waititi, and since the
vampire mockumentary was one of / Film's collective favorite films of 2015, it should come
as no surprise that those of us who saw Hunt for the Wilderpeople at Sundance absolutely love it.
It also doesn't hurt that there are some cool, fun
vampires to balance out the sillier Cullen clan, particularly Lee Pace
as Garrett.
I guess we can agree to disagree over how much of a
vampire flick it is (it's obviously a «
vampire film» in so much
as vampires are in it), but I personally feel the film works
as well
as it
does by not letting the
vampire stuff get in the way of what's an absorbing tale of kinship forged out of loneliness.
Red Riding Hood - Starts off bad and gets better, but this Twilight version of the fairy tale doesn't even hold our interest
as those
vampire movies
do.
Michael Almereyda is an interesting and ambitious filmmaker (his 1994
vampire film «Nadja» is one of the better contemporary riffs on the genre) who doesn't work
as often
as he should.
In 2013, Waititi co-directed the New Zealand - based
vampire comedy mockumentary What We
Do in the Shadows with friend and fellow comedian Jemaine Clement; Waititi starred
as Viago.
Note Nelson's early remark that he wanted to write a script with a smart teenage girl
as the «protagonist,» citing Buffy the
Vampire Slayer herself
as an exemplar: sorta deciphers that Rorschach blot for you, doesn't it?
While the film
does slow down in the third act to tell the clay's backstory,
as well
as there being an unnecessarily long epilogue,
Vampire Clay is still a quite enjoyable watch.