Sentences with phrase «as vampires does»

Their lives, as it turns out, strive for mortal normalcy, but their very natures as vampires does mean that they must avoid sunlight, feast of human blood, and the usual tropes we'd expect.
Some farms are more modern than others, while you will find in the Third World as some African or Asian tribes «cattle owners» live on the Animal Milk and Blood as vampires do while keeping the animal alive unhurt...

Not exact matches

I have no need to prove God exists, just as no one has to prove Santa Claus, vampires, and leprechauns don't exist.
It's a lovely thought... but drug dealers with guns don't seem to operate on the same metaphysical principles as movie vampires.
How do you feel about the Twilight books as opposed to King's vampire books?
I'll prove God doesn't exist as soon as you prove Santa Claus, leprechauns, vampires, and the Loch Ness monster don't exist.
Why not live as though vampires actually do exist, wear a garlic necklace around your neck all the time, just in case?
Maybe if Anne Rice's books during her «Christian era» did as well as her Vampire books we wouldn't be having this dialogue.
I don't think the vampires would accept me as one of there own yet, but I am pretty embarrassingly pale for July too.
Just as long as we do nt glow like other vampires these days smh lol but seriously what are they thinking
As long as I don't have a technique to vet if someone is an alien - vampire, I can not consider it as falsAs long as I don't have a technique to vet if someone is an alien - vampire, I can not consider it as falsas I don't have a technique to vet if someone is an alien - vampire, I can not consider it as falsas false.
This study represents the only research done so far on endogenous retroviruses of New World bats and suggests there is still much to be learned about vampire bats as viral reservoirs.
I'll say more NO to: doing things which I don't want to but usually say yes to so I wouldn't disappoint others, feeling down or beat myself up over every little thing which didn't go right or as planned, being a perfectionist every single moment of every single day, going places or meeting people just because of FOMO, eating foods that physically don't make me feel good, no matter how big the cravings might be, buying new stuff unless I really, really need them or can't stop thinking about them, emotional vampires who suck the life out of me and never bring anything good or positive along with them...
I also own this polish Coconut and use it a lot but not nearly as much as I have used OPI my Vampire is buff which is much more suitable for my skintone I did finish a bottle of that one!
Vampires (also known as Vampyrs and as Van - Tal in the dimension Pylea) were a species of... Vampire Blood (also called the Cirque du Freak trilogy) is the first trilogy in The Saga of Darren Shan by the author Darren Shan.
A brief cameo by Martin Kemp, Lucy Pinder looking hot as a vampire bride but not really doing much, scary Brit hard man Alan Ford (again briefly), ex «Bond» villain Steven Berkoff (again again briefly!)
By the time the nigh endless climax rolls around, Fright Night has certainly established itself as just another in a long line of needless horror remakes - with the movie's failure especially disappointing given the strength of Farrell's engaging performance (and it's also worth noting that David Tennant does manage to inject some life into the proceedings with his small role as a Vegas vampire hunter).
With its many repeated plot points and an ever - increasing roster of supernatural beings, it doesn't seem to be aging as gracefully as its immortal vampires.
But positively on the other hand, I am a gorehound, and if you love watching Josh Hartnett chop vampire's heads of with axes and slasher horror with an artistic quality to it, you'll enjoy it probably as much as I did.
Adapted from a play called A Vampire Story, Byzantium stars Gemma Arterton and Saoirse Ronan as a mother - daughter vampire duo who pissed off the wrong vampires a few centuries ago, and those leads both earned praise from multiple critics, as did the film's vVampire Story, Byzantium stars Gemma Arterton and Saoirse Ronan as a mother - daughter vampire duo who pissed off the wrong vampires a few centuries ago, and those leads both earned praise from multiple critics, as did the film's vvampire duo who pissed off the wrong vampires a few centuries ago, and those leads both earned praise from multiple critics, as did the film's visuals.
If there is anything I didn't like about the film, it's Cameron's lack of realism when dealing with the roles of children, especially Jonathan Lipnicki's (Stuart Little, The Little Vampire) character as the boy that Maguire forms a bond with, as he's too unrealistic in demeanor and too strange looking to buy as a real kid, and for that matter the same goes for Tyson Tidwell's (Suarez, The Ladykillers) demeanor (son of Rod) as well.
Miketendo64: «Since Axiom Verge is viewed as being a Spiritual Successor to Metroid, do you see yourself creating a game centred around Ghouls and Vampires like Castlevania?»
Dr. Frankenstein and the vampires don't so much kill as lure people into a state of neither life nor death.
The action does pick up near the end of the film when Edward approaches the vampire's ruling body, known as the Volturi, with a death wish.
Colin Farrell does an awesome job as the new vampire in town, he's cool, he's funny, loved watching him, and his story with Anton Yelchin worked well, for the most part, I thought.
FX's new, very scary vampire thriller has as impressive a team behind the camera — Carlton Cuse («Lost») and Guillermo del Toro («Pan's Labyrinth»)-- as it does in front (Corey Stoll, Sean Astin, Mía Maestro).
(A better name would've been «Mineral,» and for as good as the «Buffy the Vampire Slayer» series occasionally was, boy did it produce a stable of untalented stars.)
Other films playing are It Follows, which caused a stir earlier this year at Cannes; Jermaine Clement & Taika Waititi's vampire comedy What We Do in the Shadows; Kevin Smith's Tusk; [REC]: Apocalypse, the fourth entry in the hit Spanish franchise, and Big Game, the new film from the director of past TIFF film Rare Exports starring Samuel L. Jackson as the president.
As Lions Gate is an honourable outfit known for riskier fare (they braved Dogma, Shadow of the Vampire, and Love and Death on Long Island, to cite a few), Two Family House doesn't jibe with their implied philosophy.
Billed as the first Iranian vampire Western, writer - director Armipour's film certainly borrows heavily from the tropes of that genre, featuring as it does a lone stranger dolling out bloody vigilante justice to those deemed deserving.
Forget the pubescent wranglings of Twilight; together with Jim Jarmusch's sumptuous, romantic odyssey Only Lovers Left Alive and Jemaine Clement's and Taika Waititi's hilarious spoof What We Do in the Shadows, A Girl Walks Home Alone at Night marks an exciting new dawn for the vampire genre as an entirely adult proposition.
Co-written and directed by David Greenwalt, who would later do mostly television work for teen series such as «Buffy the Vampire Slayer» and «Angel», this is a smart and energetic film that, despite some of one of the more contrived premises you're ever likely to see, manages to succeed by keeping the story constantly moving and changing, and actually do it with some wit.
I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.
That might be hard with Johnny Depp booked to do both Dark Shadows (as vampire Barnabas Collins) and the Lone Ranger (as Tonto) next year.
There's nothing better than a little vampire ass - kicking to light up the holiday season, but unfortunately for fans of the «Blade» franchise, the third (and hopefully final) installment of the heroic bloodsucker just doesn't have the same bite as its previous chapters.
Stewart, as we've seen in other films like Into the Wild and Panic Room, is a fine young actress, and Pattinson does fit the part of a handsome, troubled and tortured vampire suitor (even though it seems they start to run out of pale pancake makeup toward the end of the movie).
Kate is just a teenage girl, and somehow she picks up a crossbow and does Buffy the Vampire Slayer moves (with outstanding accuracy as well).
Regular television roles on such series as «The Jeff Foxworthy Show» and «Meego» kept him in front of the camera, as did roles in films like «Stuart Little» and «The Little Vampire
Set in Barrow, Alaska — a town that experiences, as the title of the film suggests, a period where the sun doesn't rise for thirty days — the film follows a group of townspeople that fend for their lives against an onslaught of vampires that take advantage of the sun-less situation.
I don't think anyone expected «Let Me In,» the remake of the Swedish winter - dark vampire thriller «Let the Right One In,» to show up this year, being both a remake and a horror film, but this perfectly - realized film surely deserves a nod as much as (if not more than) most films that made the cut.
Four deleted scenes featuring an option of a joint commentary by Lussier and Soisson are likewise useless in context, but do further the idea that the filmmakers really believed that they were involved in something of value not only to vampire lore, but to biblical scholarship as well.
He most recently directed the hilarious vampire mockumentary What We Do in the Shadows, as well as the Kiwi drama Boy from a few years ago.
The film hails from What We Do in the Shadows director Taika Waititi, and since the vampire mockumentary was one of / Film's collective favorite films of 2015, it should come as no surprise that those of us who saw Hunt for the Wilderpeople at Sundance absolutely love it.
It also doesn't hurt that there are some cool, fun vampires to balance out the sillier Cullen clan, particularly Lee Pace as Garrett.
I guess we can agree to disagree over how much of a vampire flick it is (it's obviously a «vampire film» in so much as vampires are in it), but I personally feel the film works as well as it does by not letting the vampire stuff get in the way of what's an absorbing tale of kinship forged out of loneliness.
Red Riding Hood - Starts off bad and gets better, but this Twilight version of the fairy tale doesn't even hold our interest as those vampire movies do.
Michael Almereyda is an interesting and ambitious filmmaker (his 1994 vampire film «Nadja» is one of the better contemporary riffs on the genre) who doesn't work as often as he should.
In 2013, Waititi co-directed the New Zealand - based vampire comedy mockumentary What We Do in the Shadows with friend and fellow comedian Jemaine Clement; Waititi starred as Viago.
Note Nelson's early remark that he wanted to write a script with a smart teenage girl as the «protagonist,» citing Buffy the Vampire Slayer herself as an exemplar: sorta deciphers that Rorschach blot for you, doesn't it?
While the film does slow down in the third act to tell the clay's backstory, as well as there being an unnecessarily long epilogue, Vampire Clay is still a quite enjoyable watch.
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