Sentences with phrase «as viewers become»

There is a voyeuristic aspect to Senior's work as viewers become self - consciously aware of the action of their own gaze.

The works also shift the relationship of the audience to film, as viewers become participants, their bodies intersecting and modifying the transitory forms.

As the film progressed we, as viewers become totally immersed in her character.

The larger than life - size portraits appear to be featureless black and white silhouettes upon first glance, but as the viewer becomes more intimate with the image, each woman's individuality unfolds in the rich textures and skin tones barely visible.

As the viewer becomes subsumed in Cain's world, the poetry of it is uncovered, allowing for a personal engagement with the artist's bodily and emotional involvement with her work.

Death is a subject of art for the ages, but this work brings with it such delicacy of feeling — as the viewer becomes seduced by the anthropomorphism — counterbalanced by the shocking ending, that one does not begrudge the return to such a theme.

Within these assemblages however the order is clarified as the viewer becomes aware of how each element combines to create and generate an audio composition.

And as the viewer becomes engaged with seeing the painting, the painting takes on something of a train of thought, or time, compressed into a visual object.

Not exact matches

Pamela Post, head of original programming at Viacom - owned Logo, which makes content for lesbian, gay, bisexual and transgender viewers, praised Caitlyn Jenner as humanizing transgender people and making it more possible to air series like Becoming Us on mainstream television.

Competition: As streaming becomes more and more popular, competition for those viewers is increasing dramatically, with existing players such as Hulu and HBO being joined by Amazon — which has extremely deep pockets — and new offerings from CBS and otherAs streaming becomes more and more popular, competition for those viewers is increasing dramatically, with existing players such as Hulu and HBO being joined by Amazon — which has extremely deep pockets — and new offerings from CBS and otheras Hulu and HBO being joined by Amazon — which has extremely deep pockets — and new offerings from CBS and others.

But, of course, by the end of the final week of the games, I became the calloused Olympic viewer, watching with a bowl of ice cream on my lap as a Chinese diver jumped three stories into the water, rotating three and a half times on his way down, only to be critiqued by me — ice cream lap girl — for making too big of a splash.

With the advent of uncensored, streamable and online content, issues like these are becoming increasingly important to viewers as they cull through the plethora of available entertainment.

Generally, as news anchors and the news itself, more and more become the products of popular culture and consumers» desire to see the handsome and the beautiful, and the dramatic and alluring, television viewers will suffer more and more from inaccurate reporting, inane and nearly meaningless stories, outright stupidity, and a complete decline in journalistic integrity (of which this story on CNN is a part).

Viewers of the dance also are related to it as the visual patterns become part of their memory from observation and as the costumes and personalities of the dancers are experienced in the initiating of varying new patterns of pleasurable or unpleasurable response.

When applied to religious television, we might predict that religious television programs will have their greatest effect on a viewer when the viewer is aroused because of a particular need; when the recommended action on the religious program becomes salient to the person because of a lack of other options within their repertoire; when the action is perceived as being a realistic and rewarding solution to the need; when the viewer has experienced favorable consequences as a result of the action in the past; and when the program presents options for action that the viewer has opportunity to perform.

It took a while for Darryl to really become one of the show's fixtures, but after the series found its rhythm, it was Darryl who often served as a sort of surrogate for the viewer: a sane, wise - cracking everyman dropped into an office of madness.

As the Winter Games have become bloated, going from 13 hours of broadcast coverage over 11 days in 1960 to 178 (on CBS and cable's TNT) over 17 days this year, viewers have realized that there is not always something interesting to watch.

As he did in the last shot of Caché, Haneke is inviting us to become active viewers; as if the address wasn't clear enough, there's even an announcement telling everyone to please turn off their cell phoneAs he did in the last shot of Caché, Haneke is inviting us to become active viewers; as if the address wasn't clear enough, there's even an announcement telling everyone to please turn off their cell phoneas if the address wasn't clear enough, there's even an announcement telling everyone to please turn off their cell phones.

Director Ron Howard brings his usual light touch to the proceedings and manages to hold the viewer's interest even through the narrative's oddly action - packed final third (ie once the truth about Hannah's character is revealed, the film becomes more of a thriller than a cute little romantic comedy and there's even a chase sequence as the army attempts to capture the mermaid / woman).

While many viewers may watch it primarily to look for clues as to the filmmaker Fellini would become, there's actually a perfectly satisfying narrative at its core.

And while the movie's obvious highlight comes with Roma's brutal dressing - down of Kevin Spacey's officious manager, Mamet's screenplay affords virtually all of the actors their moment in the sun - with Lemmon's sad - sack of a character ultimately standing as the film's emotional center (ie despite his exceedingly slimy actions, Levene becomes a figure worthy of the viewer's sympathy).

All of which is seen through Laura's eyes as she provides a ground level view of what goes on around her for the viewer, as she becomes little more than a commodity to the criminals with her body (notice how it is described, by the way) used and abused, with little choice in her actions.

Taking sarcasm to a new level with his role as the shaggy - side - burned Steven Hyde, Masterson has become a familiar face to millions of television viewers with his popular character on the enduring retro series.

At the very least, that ambiguity reminds viewers how narrow our relationship with the narratives we watch has become — how prone we are, as a viewing public, to assume our demands will be met.

While rocker - docs invariably promise to lift the veil of stardom, viewers of titles as diverse as Don't Look Back or In Bed With Madonna will know that the genre generally reinforces, rather than deconstructs, the public personae with which we have become infatuated.

In the years that followed, Cranston became an increasingly familiar face to television and film viewers, and in addition to offering vocal work for the short - lived animated television series Clerks, he would contribute to such family - friendly fare as» T was the Night and The Santa Claus Brothers.

The movie's atmosphere of head - scratching complexity is exacerbated by LaBeouf's rather bland turn as Moore, with the one - dimensional nature of the character preventing the viewer from becoming wholeheartedly wrapped up in his ongoing efforts and exploits.

The appeal of Lovelace to the emotions, in its simplistic characterisation of Chuck Traynor as Svengali, becomes pornographic, in this sense, when Anthony Romano oversees Chuck's beating, at which stage viewers will probably take delight in seeing this exploitative man getting what he deserves.

This ultimately ensures that Divergent wears down / exhausts the viewer to an increasingly distressing extent, and it does, as a result, become more and more difficult to work up any interest in the protagonist's continuing exploits - which proves especially disastrous once the action - packed third act rolls around (ie it's become awfully difficult to wholeheartedly care about the outcome of any of this).

McCarthy conveys a certain charm, reminding viewers of her talent that's been put to better use elsewhere, even if Deanna's awkwardness becomes less endearing as it goes along.

In spite of being almost as long as Episode II, The Revenge of the Sith felt taut and paid off the patience of the viewers who had been waiting to see how Anakin Skywalker actually turned to the dark side and became Darth Vader.

Obviously viewers have become quite smitten with the pairing of Cumberbatch as Sherlock and Martin Freeman as Watson but could you even imagine if Smith had landed that role?

However, the dark storyline about childhood fears becomes secondary to the special effects as the images become increasingly bizarre and frightening for young viewers.

Even as the marketplace becomes a little more crowded in the coming weeks, it should continue to play well for younger viewers.

(46) For this reason, Blue «is nothing less than a revolutionary cinematic achievement [which] redefined the notion of what is possible in cinema», (47) as the intense, flickering blue screen becomes a blank canvas onto which the viewers, prompted by the evocative soundtrack, can impose their own images.

As a former reality - TV star and an ex-model, Donald and Melania Trump seem likely to become perhaps the most image - dependent first couple in American history — a fact that lends Jackie a pang of nostalgia the director couldn't have intended, as the viewer walks out wondering how we got from there to herAs a former reality - TV star and an ex-model, Donald and Melania Trump seem likely to become perhaps the most image - dependent first couple in American history — a fact that lends Jackie a pang of nostalgia the director couldn't have intended, as the viewer walks out wondering how we got from there to heras the viewer walks out wondering how we got from there to here.

As the night unfolds, the game's mysterious rules become clear, and the family realizes their nightmare is streaming live to riveted viewers all over the world, who are compelled to KEEP WATCHING... not knowing if what they're seeing is real or staged.

But as Godard said of Hitchcock — that what we remember of his films are not their plots but «a glass of milk, a handbag, a string of pearls» — we might apply to Carol, a film in which objects and small gestures become touchstones, for characters and viewers alike, of a passion beyond words.

This documentary plunges the viewer into the chaotic life of a forgotten artist, from early fame as a painter and denizen of the Lower East Side, through his struggles with heroin, to his surprising comeback as street art exploded to become one of the most popular and lucrative art movements in the world.

Recommendation: Carol offers viewers two fine performances from Cate Blanchett and Rooney Mara, the former of which has always been reliable and the latter becoming ever more watchable as she continues to shift genres and role types.

In explaining just why that was the case, Black Mass becomes as seedy as the city it skulks around in, feeding bleak and ominous cinematography to viewers who, in all likelihood, are more curious as to how Depp fares than how his character does.

The film becomes increasingly far - fetched over the last half hour as a miniature mob war erupts in the pokey take - away setting, but overall it's a pleasantly enjoyable experience and won't give many viewers much to complain about.

Coloured by verdant green nature and the red stain of rusting metal, Abbasi steeps the viewer in the sorrow and beauty of this poverty stricken milieu, yet an over reliance on elaborate cinematography soon becomes distracting, and those familiar with the early work of David Gordon Green, won't be surprised to see the director's name appear as an executive producer.

Full Metal Jacket has grown in stature to become a classic war film for many viewers, and is seen by some as another of Kubrick's masterworks.

Director Trey Edward Shults thrusts viewers into a situation without explanation, but enough facts become clear as the story moves on.

In the psychological horror film It Comes at Night, Director Trey Edward Shults thrusts viewers into a situation without explanation, but enough facts become clear as the story moves on.

By Marilyn Beck and Stacy Jenel Smith HollywoodNews.com: When motivational guru Tony Robbins debuts his powerful new NBC «Breakthrough With Tony Robbins» reality show July 27, viewers will see such astonishing stories as that of a man who broke his neck at his own wedding reception and became a quadriplegic ---LSB-...]

With the camera lingering over her midriff, she is introduced as a slinky, seductive presence, but it soon becomes clear that she, with her slyly deployed barbed comments, is the savant of the group (eagle - eyed viewers will note her revealing choice of reading material); the disrupter ushering in the storm.

Tuesday becomes a go - between between the human and the animals — and, as narrator, between the movie and viewers — and Crusoe is soon the recipient of considerable, well - meaning help from the local animals.

Through breathtaking cinematography weaving in and out of the early 20th Century set pieces, viewers become equally invested in the dark, twisty case as Gordon.