Sentences with phrase «as visitors to his exhibition»
As well as visitors to the exhibition, curious passers - by crowded the front window of the project space's shopfront showroom, in which the video work Classified Digits by Christine Sun Kim and Thomas Mader was displayed.
http://www.projectspacefestival-berlin.com/ Not exact matches
Finally, visitors to Digital London will vote on the winner who will receive a collection of business - boosting goodies including, of course, exposure, as well as an exhibition stand at next year's Digital London event, access to Wazoku's idea - management software, production time in a video suite to record a promotional video and # 200 to spend at Moo.
All components of the conference programme are open to China Fruit Logistica visitors, and take place in the same hall as the exhibition, which is open from 10 am to 4 pm daily.
Important information and networking platform Alongside the exhibition, drink technology India visitors also got the opportunity to learn about current and future trends in the food, beverage and liquid - food industry as part of the supporting program.
As part of that exhibition they had the Hue Animation Studio kit set up for visitors to have a play with.
The temporary exhibitions are one of the biggest draws to attract repeat visitors to the British Museum — the value of an offer such as this in boosting the museum's popularity should not be underestimated.
I noticed as I walked around Hollywood Costume that the visitors to this exhibitions were pretty much divided 50:50 along the male / female lines (this isn't something I would have said of Ballgowns or Quilts!)
An idea was born: hand - made transparent masks featuring animal teeth that would allow visitors to take «teeth selfies» to be displayed as part of the exhibition.
When work on the gallery's skulls, skeletons and teeth specimens began, an idea was born: hand - made transparent masks featuring animal teeth that would allow visitors to take «teeth selfies» to be displayed as part of the exhibition.
Titanic Belfast showcases replica cabins of the ship, as well as historic and artistic exhibitions to educate visitors about its construction and ill - fated maiden voyage.
People may take away different messages from @Large, but our hope is that the exhibition will give visitors a different way to understand what Alcatraz means as a place of incarceration and isolation.»
There are in the region of 50 museums (and many other exhibition areas) attracting over 4 million visitors a year, so it's easy to see why Amsterdam is regarded as a major cultural centre.
«Over the coming ten years the rise in visitors to Qatar will be driven largely by the business sector as the Gulf state continues to put in place world - class infrastructure for the World Cup, and also beyond for its 2030 vision,» said Mark Walsh, portfolio director, Reed Travel Exhibitions.
A favourite accommodation of corporate executives during weeknights, the Quest Apartments World Square caters as successfully to to visitors to Sydney on weekends, who wish to explore some of Australia's premier city's culture including - the Spanish Quarter, Chinatown, The Sydney Exhibition and Convention Centre located in Darling Harbour.
The hotel is ideally located for visitors going to the Gabba, the Brisbane Exhibition and Convention Centre as well as visitors to the Brisbane CBD either for business, with family or as a couple.
Leading with a topical mid-market theme, the initial results for the 23rd travel and tourism industry showcase, released by organiser Reed Travel Exhibitions, also recorded a 9 % increase in the number of Buyers» Club members, with a similar percentage hike in the number of other quality visitors such as VIPs, sponsors and speakers, compared to 2015.
And closest to where it awaits visitors, as England grapples with the xenophobia and resentment in last summer's Brexit vote, the exhibition resonates in its own particular way.
I hope that the exhibition will prompt visitors to consider not only how far we as a society have come but also, crucially, what still needs to be done to combat prejudice and realise true equality.»
As part of the Jasper Johns: Variations on a Theme at The Phillips Collection, master printer and professor Scip Barnhart demonstrated to visitors the following printmaking processes: intaglio, lithography, and silkscreen in a workshop adjacent to the exhibition.
From the highest number of visitors to our online space to the 12,500 people visiting our public exhibitions, from the volume of bidders in the sales themselves to the significant number of new artist records set, we are seeing unprecedented momentum in the market as the desire to connect with great art continues to grow.»
Blagovesta Momchedjikova, Ph.D., acts as a consultant for the exhibition and editor for the accompanying publication, An Incomplete Visitor's Guide to Panoramas, a mini-encyclopedia of ideas, artists and their work, and historical facts that are relevant to visual representation today.
Most happily for the repeat visitor, in order to stay as loose as that moment works from the collection will be switched and rotated intermittently to the end of the exhibition's 12 - month run.
Inspired by our current exhibitions, free community workshops are led by artists and designed to support first - time visitors as they explore art and making.
The captivating exhibition Of Country and Culture: The Lam Collection of Contemporary Australian Aboriginal Art, on view through May 14 at the San Antonio Museum of Art, kicks off with a notice to visitors that's as startling as it is salutary.
Despite varied opinions, Johns never lost popularity amongst the viewers as his exhibitions have never failed to attract visitors and his pieces stand as some of the most expensive works ever sold.
Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confines.
Garage Museum of Contemporary Art invites visitors to take part in YES — the largest collaborative outdoor project by Swiss - born artist Urs Fischer as part of his first solo exhibition Small Axe.
Used as a way to help visitors to slow down and look closely at selected exhibitions, Exhibition Activity Guides embody the practice of the artists whose work is on view and provide an interactive resource to experience art.
In Fall 2015 and Spring 2016, museum visitors checked out headsets fitted with electrodes to track brain activity as they viewed recent exhibitions.
«As the viewer... you get to imagine, and possibly have that experience for yourself,» says Associate Curator Kelly Taxter in the Jewish Museum's new exhibition video for Marc Camille Chaimowicz: Your Place or Mine... Through August 5, visitors to the Museum may find the historic Felix Warburg Mansion transformed by the London - based artist's works on display.
Instead, the careful selection of artists and works included in the exhibition encourage the visitor to reconsider the unique properties of the medium - primarily its ephemerality, and the ease with which it can be transformed into a variety of different objects - and, in doing so, Paper sheds a new light on this medium as both a raw material and a vehicle for artistic expression.
In Neuenschwander's version a police sketch artist sits with visitors and listens as they describe the faces of their first loves; the sketch artist then produces portraits of these «first loves» to adorn the walls of the gallery for the duration of the exhibition.
Most Notable Exhibition: Under her curatorial guidance, Documenta 13 in 2012 was a smashing success, drawing over 100,000 more visitors than its previous edition in 2007 and being an impressive feat of organization, as it spread beyond the usual location of Kassel, Germany to Kabul, Banff, and Cairo.
Visitors can also view the memorial folder from Roy Rogers» funeral, as well as pay tribute to other fallen Hollywood cowboys and cowgirls in the museum's Thanks for the Memories exhibition.
At the opening the Mayor of London Sadiq Khan, said: «It's fantastic that the free Frieze Sculpture exhibition will open as part of an exceptional summer of culture in the capital, showing that London is open to innovation, creativity and to visitors from around the world.
Established in 1903, the Museum today welcomes more than 600,000 visitors annually and acts as a catalyst for community creativity, engaging people of all ages and backgrounds with a diverse spectrum of programming, from exhibitions and lectures to concerts, literary readings and dramatic and dance presentations.
Join Decorative Arts Curator Mel Buchanan as she leads visitors through A Queen Within: Adorned Archetypes, NOMA's first - ever exhibition devoted to fashion.
Fifteen archival prints of photographs of sunlight streaming into Grand Central Station, watermarked with their sources — sites such as Art.com, Easy Art, Picasso.com — greet visitors to Penelope Umbrico's latest exhibition, playfully drawing attention to her process of appropriation while offering the prosaic material a more profound afterlife.
As part of this exhibition, we invite you to contribute towards this coming semester's Visitor Talks program.
by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!
Through the work of artists in the permanent collection such as Martin Johnson Heade and Andy Warhol, as well as loans by contemporary artists such as Jessica Pezalla and Kendell Carter, the exhibition gives visitors new ways of relating to flowers through relationships to the human figure, scientific study, and moments when the floral form becomes ornamentation.
Solo exhibitions include «the wet wet wanderer», as part of «Para Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs, to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting», New Museum, New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think Link», Flat Time House, London, UK.
In the final work, films of five different dances are projected simultaneously on freestanding walls, allowing visitors to reflect upon their own movement as they traverse the exhibition space.
As if to underscore the lingering controversy, a visitor to the exhibition was recently overheard saying of the painting: «I have to say, I'm not seeing it.»
EXHIBITION: Goldschmied & Chiari: Untitled Portraits, Kristen Lorello, 195 Chrystie St # 600A, December 11, 2014 — January 25, 2015 Artists Sara Goldschmied and Eleonora Chiari present a series of photographs of colored vapors, which have been manipulated post-production and printed onto glass mirrors so as to reflect the faces of visitors amidst steaks of color.
In this way, Seated Warrior acts as a gatekeeper to the rest of the exhibition, allowing visitors to meditate on both the experiences of the dead and on the path forward for those of us still here,» said Biggers.
Located in the nation's largest arts district, the Museum acts as a catalyst for community creativity, engaging people of all ages and backgrounds with a diverse spectrum of programming, from exhibitions and lectures to concerts, literary events, and dramatic and dance presentations.Since the Museum's return to free general admission in 2013, the DMA has welcomed more than two and a half million visitors.
Just as Mayorga's residency allowed visitors to examine her artistic process and culminated into a final exhibition, so will Pam Rogers» Botanica Magnifca.
The exhibition explored in depth the relationship of radical politics to art, by providing visitors with factual context in the form of historical objects that brought home the social and historical realities the movement faced, interspersed with historic artwork that supported and reflected its circumstances and ideals, as well as contemporary pieces.
Visitors were able to see the full production process of the publication as it was written, compiled, edited, designed, and printed in the exhibition space over a period of two weeks.