Sentences with phrase «as visitors wander»

These are the areas that lie between one destination and the next, and are found by chance as visitors wander the museum.

As visitors wandered into the church from the street to see what was going on, it felt like the church was serving them well — it was making space both for U2's passionate love for humanity and for its fury at how we treat one another.

Not exact matches

As I was talking with one visitor, another visitor wandered to the back of the table and grabbed a book.

To my astonishment, a few minutes later, one of our visitors wandered out and picked up a half - rotten apple as if to eat it.

Long known as the gathering place for the island's Kahuna Nui, or high priests, Waimea Valley invites visitors to wander among ancient temples, shrines, and burial sites while learning about the earliest Hawaiian traditions.

On Friday evening and all day Saturday, visitors can wander from gallery to gallery enjoying a variety of receptions and artist demonstrations and catch free live music performances with regional musicians at indoor and outdoor venues throughout the town as they go.

Visitors young and old can wander the manicured grounds at their leisure and learn about local sea life while exploring the various pools, caves and fauna while trying their hand at activities such as Snuba, a combination of snorkel and scuba, sea trekking and zip lining.

For the next few months or even years, visitors will be able to wander alone through a ruin as majestic as tourist - thronged Tikal.

Visitors can wander the narrow streets of historic Palamós or head to any one of many neighboring hamlets, such as historic Castell or Monteagut — both of which are worth a trip for their architectural heritage, alone.

The ancient remnants offer visitors a maze of discoveries as they wander through what was once a thriving seaport.

Keep an eye on all the action of the free flight birds as they wander up to the visitors for some attention.

Tomaszewski begins with video of visitors walking in the sculpture garden and recontextualizes it as part of a projected generative drawing in the gallery, and Schlei creates an outdoor multi-channel sound piece in dialogue with Tony Smith's The Wandering Rocks (1967 - 1969).

This object - heavy approach is generous to lay viewers unaccustomed to the dense theoretical wall texts and schematic drawings that often stifle architecture exhibitions; at the same time, none of the towers were accompanied by a wall text, so visitors to the opening wandered through them as if lost in a maze, stopping to snap selfies for Instagram.

Projected onto the wall, the creatures wander aimlessly, their movement controlled by gallery visitors as they push a button or depress a foot pedal.

In his first major retrospective, at the Solomon R. Guggenheim Museum in New York in 1971, Chamberlain installed a giant barge in the rotunda, from which visitors could watch other visitors as they wandered along the ramp occupied by Chamberlain's metal, Plexiglas, and small - scale foam sculptures.

By wandering around its rooms and encountering the works of art, visitors come to embody both poetic structural elements such as stanzas, and some of the topoi of poetry, like the descent to the underworld.

Reich arranged the instruments, equipment, and musicians as they would be in a gallery rather than a concert hall; visitors were invited to enter the space, wander around at will, and stay for some of the music, experiencing the entire installation up - close.

The museum's mission to educate and inspire visitors on the «rich and varied cultural, economic, political and social history of the Dallas County Area» comes to life as you wander among turrets, ornate gargoyles and stunning walls of red sandstone and grey granite.

As such, limited numbers of visitors are invited to carefully wander among installations whose boundaries are not always obvious or easily discernable, heightening our attention to the shifting relationships she creates between the various elements that comprise her works.

One territorial, via the ground walked upon, as much felt as heard; the other aerial, via a sonic beam that occasionally swept the visitor unannounced like a wandering ghost.

As a matter of fact, you'll discover in future columns or if you were to read my book, The Happy Agent, that's why I encourage agents to restrict the number of visitors in - house at any given time and to prevent them from wandering unaccompanied through the house, which many agents are wont to do.