Sentences with phrase «as voyeur»

Thus, I joined The Penzance Convention as a voyeur, but not as a sceptic.

Benjamin H. Bratton's account of the reverse panopticon effect as «exhibitionism in bad faith» whereby «you know you are being watched but act as if you aren't,» echoes the Freudian account of the exhibitionist as the voyeur in disguise who acts out their own imagined viewing.

Baltrop claimed to be terrified of the place initially, but also intrigued; he began taking photographs, he said, as a voyeur.

The openness of his canvases leaves room for interpretation, giving the viewer plenty of space to insert themselves in whatever capacity they see fit, as a voyeur or spectator, or joining him in a moment of nostalgia.

In literary works such as The Voyeur (1955) and Jealousy (1957), this nouveau romancier delighted...

Richter's viewers bear witness to such utterances; are cast as voyeur; are implicated as they watch.

Like both of these works, Mad Tracey from Margate, Everyone's Been There positions the viewer as voyeur and confidante of Emin's most intimate thoughts and confessions.

Eerily, the scene is framed by a silhouette of foliage — positioning the viewer as a voyeur lurking in a bush.

, Thomas not only makes these objectified women out - of - focus but out - of - reach, reaffirming our position as voyeur, as though we are looking through binoculars and have been caught doing so.

The performative nature of this work positions the artist as both a voyeur and a participant, and the camera becomes the recording device capturing the limits of bodily freedoms.

Set nine years after Before Sunrise ends, Linklater puts the audience in the movie as voyeur as Ethan Hawk and Julie Delpy meet again after missing their first date nine years prior.

After her husband's affair was discovered, Moore, who had been a stay - at - home - mom, sought to reclaim her sexuality by exploring, well, sex in its various iterations: she played around with BDSM, went to a sex club as a voyeur and dated younger men.

The only man left in it who might possibly step in, John Terry, has undergone what is almost as much a Mourinho trademark as voyeuring Wenger: passive - aggressive manipulation.

The daily things you see, things you might assume (as we voyeurs tend to create stories about the people we see), the sameness and the changes.

Overall the film's sterile and confronting gaze / performance had me glued to my seat for the entire two hours, and I can think of no other film that stares back at audiences so unnervingly, coldly dismissing us all as voyeurs.

Positioning his audience as voyeurs into derelict buildings, soundscapes and private lives — Nordström explores the conditions of «outsider» to develop an oeuvre of outlines — physical perimeters, cut - outs and scraps — creative edges of civilization.

Nudge the Judge assembles a cast who seem to catch us as voyeurs, while at the same time acknowledging and welcoming their viewers» gazes.

She shows men as voyeurs, depicts the male gender as symbolically reduced, and ironically pokes fun at macho behavior.

The attention to details in Graham's figurative sculpture places his viewers as voyeurs to the scenes inside the plastic enclosures.

Positioning his audience as voyeurs — into derelict buildings, soundscapes, and private lives — Nordström explores the conditions of «outsider» to develop an oeuvre of outlines — physical perimeters, cut - outs and scraps — creative edges of civilization.

Not exact matches

With the rise of anatomy as a profession, however, that visual mood was stamped out — in part to reassure the public that anatomists were objective scientists, not lurid, grave - robbing voyeurs.

The atmosphere is sexually charged and it seems as if everyone is an exhibitionist and / or voyeur.

Interact: Features such as who's seen me, who's interested, who's voted for me (for member of the week), blogs I'm mentioned on, address book, subscriptions to message boards and blogs, my secret crush, my voyeurs, my reject list and who's winked at me.

Russian Voyeur - Verify your age before see Nude Beach, Spy Camera, Beach Cabin and Upskirt pictures - download, LOGIN, MEMBER, ZONE Dating as an institution is a relatively recent phenomenon which has mainly emerged in the last few centuries.

2018-04-07 12:43 Russian Voyeur - Verify your age before see Nude Beach, Spy Camera, Beach Cabin and Upskirt pictures - download, LOGIN, MEMBER, ZONE Dating as an institution is a relatively recent phenomenon which has mainly emerged in the last few centuries.

2018-04-08 18:07 Russian Voyeur - Verify your age before see Nude Beach, Spy Camera, Beach Cabin and Upskirt pictures - download, LOGIN, MEMBER, ZONE The Schoolgirl Lesbians trope as used in popular culture.

For better or worse, we Americans now live in a society where it's possible for even the most desperate voyeur to view as much as female nudity as he could possibly want, either through magazines or videos or the Internet or even strip clubs.

For better or worse, we Americans now live in a society where it's possible for even the most desperate voyeur to view as much female nudity as he could possibly want, either through magazines or videos or the Internet or even strip clubs.

Your defense of Bay's «auteurist» aesthetic sense - «a man who never outgrew directing Super Bowl commercials»; «Bay has a style - a weird one, certainly, a hybrid of a nose - picking jock and a slick ad man who shoots a can of Pepsi, a Chevy Camaro, and a leggy blonde with the same voyeur's eye, and his bizarre gallery of ethnic sounds, voices, and faces is not without precedent» - makes this movie sound about as appealing as... well, exactly the things you described.

It's a unique take on the war - based theme, and will evoke your inner voyeur, dazzling in its moments of exposition as well as its suggestive junctures.

In contrast to his brother, he's shown as a man holding back, a voyeur obsessed with prostitute and dancer Mai (Yayaying Rhatha Phongam, pictured below).

I thought Klute (Donald Sutherland) was creepier than the bad guys — he was protrayed as a huge voyeur — Jane Fonda was perfect as the messed up freedom rider / control freak who wanted to numb herself.

He's the main attraction in «Nightcrawler,» a cynical, sick - soul - of - Los - Angeles movie that announces itself as a «Medium Cool» or «Network» for the TMZ era, but doesn't have much to say beyond the familiar, shopworn hand - wringing about shutterbugs willing to do anything to get the shot and the desensitized voyeur audience — us — that laps it all up.

Rhinoceros Eyes is an embrace of dreaming as Chep (Pitt), cocooned in a decrepit moviehouse, sneaks away nightly to watch the same B - movie soaper, to return, popcorn in hand, the voyeur of the undressed windows along his path home.

Carl Van Vechten & the Harlem Renaissance: A Portrait in Black & White By Emily Bernard Yale University Press Hardcover, $ 30.00 372 pages, Illustrated ISBN: 978 -0-300-12199-5 Book Review by Kam Williams «This book is a portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a whole?

What follows is a stylishly decadent voyeur's delight: As if paying retribution for the understated tone of his previous films, director John McNaughton (Henry: Portrait Of A Serial Killer, Normal Life) fills Wild Things with group sex, gratuitous nudity, graphic violence, an abundance of authentically sweaty Florida atmosphere, and more plot twists than a season's worth of Melrose Place.

Now a gloomy and neglected structure, the house, taken over by a murder - re-enactment voyeur website, is suddenly the setting for a new set of ghastly crimes, as one by one the actresses become genuine prey to a terrifying copy - cat killer.

She too was at Voyeur looking smug as sh-t that night because there are reports that they were all partying together.

That seems to be as reflexive a gesture as Clark can muster from the film's thinly sketched presentation of a group of young Parisian skaters moonlighting as novice hustlers, replete with Clark's typically poseur - voyeur aesthetics.

In Camille Thoman's psychological thriller Never Here, she flips the story with her lead actress Mireille Enos, whose professional voyeur / installation artist Miranda suddenly finds herself as someone's new obsession.

We are already the voyeurs, watching as David and Amy Fox (Luke Wilson, Kate Beckinsale) get lost in the middle of nowhere.

It stars Andrew Garfield as Sam, an unemployed voyeur who falls for the bikini - clad girl he's been spying on — playing by Riley Keough — and then turns shaggy - dog detective when she abruptly moves away.

The picture loosened the old form of film censorship's hold on the motion picture industry (to pave the way for new censorship, natch), but its most enduring legacy could be the popularization of the cinematographer - as - voyeur.

We the audience are virtually in the scene with the lovers like voyeurs, or even more intimately, as part of a «menage a trois.»

As she examines him through the lens of the camera, we become the voyeurs of her own life.

Meanwhile, The Last Samurai lifts the nursing - from - injury / courtship / surrogate father cycle whole from Peter Weir's Witness (an accidental voyeur moment nearly shot - for - shot), marking the piece as over-familiar even as the realization that we are in this film only about sixty - years before the Japanese begin their massacre of the Chinese at the onset of WWII provides the piece a sort of ambivalence that compels as the one thing truly its own.

While it's fascinating to see the French judicial system at work, shown with some of the same engrossing detail as Lumet's great films and Dick Wolf's «Law & Order,» the trial scenes lack the crackling tension that would have completely hooked us voyeurs.

Haneke, whose eclectic output includes Funny Games (both the original Austrian version and the 2007 American remake), Code Unknown, Caché and The White Ribbon, has proven time and again that he loves using the tools of cinema to implicate the audience — as participatory voyeurs — in the turbulent lives of his characters.

EW is thrilled to exclusively reveal your first look at the cover, where Emily Blunt stars as alcoholic voyeur Rachel Watson, below.

As he mentioned, most people are voyeurs and love to see how others are doing.