Heston clearly loves the role
as white savior, Parker's magnificent, Conrad's fun as serious comic relief.
Not exact matches
International philanthropy and the western world's desire to eradicate poverty and disease can't ever truly rid themselves of their imperialist roots;
as many critics have pointed out, the
white savior industrial complex has never been more pervasive in global culture.
White House chief of staff John Kelly has eroded morale in the West Wing in recent months with comments to aides that include insulting the president's intelligence and casting himself
as the
savior of the country, according to eight current and former
White House officials.
White House chief of staff John Kelly has eroded morale in the West Wing in recent months with comments to aides that include insulting the president's intelligence and casting himself
as the
savior of the...
Of course,
as our convictions persist and mature, we begin to see the ways in which we are complicit in global wealth disparity and injustice, and we begin to think more seriously about policy, about sustainability, about making more dramatic attitude and lifestyle changes, and about problems within some of our charities and justice groups that perpetuate a
white savior complex, sometimes doing more harm than good.
As passionate as I was about social justice and alleviating poverty, child sponsorship struck me as an old - fashioned model for giving in which a few select children essentially walked through a breadline to receive meals, schools supplies, and medical attention from far - away white «saviors» whose first - world guilt was eased by letters ensuring that their contributions made a differenc
As passionate
as I was about social justice and alleviating poverty, child sponsorship struck me as an old - fashioned model for giving in which a few select children essentially walked through a breadline to receive meals, schools supplies, and medical attention from far - away white «saviors» whose first - world guilt was eased by letters ensuring that their contributions made a differenc
as I was about social justice and alleviating poverty, child sponsorship struck me
as an old - fashioned model for giving in which a few select children essentially walked through a breadline to receive meals, schools supplies, and medical attention from far - away white «saviors» whose first - world guilt was eased by letters ensuring that their contributions made a differenc
as an old - fashioned model for giving in which a few select children essentially walked through a breadline to receive meals, schools supplies, and medical attention from far - away
white «
saviors» whose first - world guilt was eased by letters ensuring that their contributions made a difference.
It vastly oversimplifies the issue; it chooses an out - of - date political target; it casts an annoying
white guy
as a
savior for hopeless Africa; the organization gets money from the radical right and has a militaristic slant; and, lastly, the naiveté of the campaign makes your average 6 - year - old look cynical.
Unusual
as it might seem at first, the fact that Agent Ross gets to put his piloting skills to work on behalf of T'Challa is not a case of the
white savior.
The character of Tracy is a bit of a «
white savior» in her leading the protests to protect dogs while the villain we again, only hear him in his own language,
as even Atari doesn't do much except want to save his own dog.
The popular narrative around this picture is the casting of Matt Damon
as some sort of «
white savior» in a film about China's most notable architectural achievement — except that it's not really about the Wall and Damon doesn't really save anything, though he does put to rest any sort of debate about whether or not he's a credible action star... or even star star.
Perhaps Roth intends the film to be a cautionary tale against the
white savior,
as the students» cannibal ordeal only inspires the martyrdom of Justine (Lorenza Izzo), the privileged Ivy League daughter of a U.N. lawyer.
And this year, rock bottom undoubtedly belongs to That Wasn't Me, unanimously selected by Slant's prognosticating panel
as this lineup's most obnoxiously self - satisfied case of well - heeled
white -
savior guilt run amok.
The filmmaker is clearly well - intended but, along with a rather knee - jerk portrayal of race and racism, his on - the - nose script can't escape the «
white savior» trap
as the better - off Sam brings light and largesse (she has a horse!)