Sentences with phrase «as woodcutting»

Her diverse practice ranges from traditional art forms such as woodcutting and clay sculptureRead more

Büttner, to the extent that she could be said to explore identity at all, has done so through her work with Carmelite nuns and displays of native plant life, although the judges singled out her use of anachronistic techniques such as woodcutting as amongst the reasons for her nomination.

However, the collecting jobs, such as woodcutting and mining, are not quite as fulfilling.

In fact, I do nude art, such as this woodcut nude.

Büttner mines the political dimension of her chosen materials, such as woodcuts.

Meineche Hansen works with materials such as woodcut, sculpture and computer - generated images and virtual reality animation, and focusses on the complexity of the body in industries such as the pharmaceutics, pornography and technology.

Nina Wishnok prints at Abrazos Press where she mixes techniques such as woodcut and paper lithography, intaglio, trace monotype, and encaustic.

His process primarily involved plein - air watercolor paintings, which he would later revision as woodcut prints in the studio.

Working in a variety of media and techniques (e.g. old - fashioned items such as woodcuts, glass painting and pressed flowers), Andrea Büttner references religious and spiritual themes in her practice.

Michael Clark's Woods design was originally created in 1959 as a woodcut but makes a truly stylish impression as a wallpaper.

Not exact matches

Albrecht Durer, resident in Nuremberg, sent Luther a set of prints of woodcuts, as thanks for expressing what everyone wanted said.

I use both natural and abstract elements as my departure point to create a collection of items that combines my interests in bold, graphic woodcut / relief art, the craft of sewing, and, in particular, nature, giving a nod to mid-Twentieth Century design too.

Art and science often came together in the works of Dutch artist M.C. Escher, known for his prints and woodcuts of «impossible constructions,» such as the famous stairway illusion in «Relativity.»

Crucially, it's VistaVision, that high - density 35 mm format that makes everything seem hyper - real and surreal at the same time, an entire world of woodcut surfaces that looks as if you can walk into it.

Take on the challenging world of a modern day farmer by engaging in everyday activities such as planting and harvesting crops, selling produce in a dynamic marketplace, woodcutting, and more.

The show at Firstsite will be a unique presentation consisting of tapestries, woodcuts, ceramics and tiles designed for the House as well as sketchbooks and photographs that chart its development.

Pop artists abandoned traditional modes of printmaking such as etching and woodcut in favor of more commercial approaches to the medium.

For a 2014 exhibition at the Albertina, the late, precocious Austrian artist Gunter Damisch shipped a stack of precut wood panels from Vienna to Paris, leaving the Woolworth studio team to compose the final images as they pleased in a mix of collage, monotype, woodcut, drawing and painting.

As an art student experimenting with printmaking, Alyse Rosner that, in woodcut printing, the directness of cutting the block and the intrinsic beauty of the wood seduced her.

[2] In the early 1960s, he concentrated on specific archetypes in paintings and woodcuts, mostly of rebels, heroes, and shepherds, becoming increasingly interested in anamorphosis, the distorted or monstrous representation of an image, as exemplified in the proportions and facial features of his figures.

Confronted by the show, two questions come to mind: What does it mean to present these items — a woodcut by Joel Shapiro, an etching by Mary Heilmann, a «sculptural wall unit» with letterpress, lithography and collage by Jessica Stockholder and Jeremy Sigler, or a book by Susan Howe and Robert Mangold — even obliquely, as works by Miller, Lingen, and Melby?

Recent major exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Helen Frankenthaler: Composing with Color: Paintings 1962 — 1963 (Gagosian Gallery, NY, 2014); Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, in cooperation with the Helen Frankenthaler Foundation, 2014 — 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962 — 1987 (Gagosian Gallery, Beverly Hills, 2016); As in Nature: Helen Frankenthaler Paintings and No Rules: Helen Frankenthaler Woodcuts (The Clark Art Institute, Williamstown, MA, 2017); and Helen Frankenthaler: After Abstract Expressionism, 1959 — 1962 (Gagosian Gallery, Paris, 2017).

In addition to the lecture, there is a series of musical events honoring Helen Frankenthaler, in celebration of the exhibitions No Rules: Helen Frankenthaler Woodcuts and As in Nature: Helen Frankenthaler Paintings.

As we know about Helen's paintings, which are all developed by stains, these the ukiyo - e style woodcuts are produced by creating stains, and as we look into this light blue and green area the turquoise and the blues that are createAs we know about Helen's paintings, which are all developed by stains, these the ukiyo - e style woodcuts are produced by creating stains, and as we look into this light blue and green area the turquoise and the blues that are createas we look into this light blue and green area the turquoise and the blues that are created.

Paul Gauguin and «Medium as Muse: Woodcuts and the Modern Book» experiment with prints and the modern.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

Albrecht Dürer: Master Drawings, Watercolors, and Prints from the Albertina features nearly all of Dürer's finest watercolors and drawings from the collection of the Albertina, Vienna, as well as 27 of the museum's related engravings and woodcuts.

Paint lines left on transparent plastic film through a process of scratching away (as might be the case when creating the block for a woodcut print) reveal an abstract form and an obsession with materiality and process that eludes a clear concept — which is also a weakness of this body of work.

Through her Tecelares, Pape proposes an alternative function for woodcuts, then considered a craft tradition; medium becomes a protagonist in these spatial investigations, as the texture of the woodblock becomes a compositional element.

Zarina's work displays a broad range of technical mastery and inquisitiveness: the show features woodcuts, etchings, rubbings, incised paper, and even cast multiples executed in paper and bronze, as well as other techniques.

TAG Fine Arts «s work on show will include the highly acclaimed woodcuts by Katsutoshi Yuasa, recently featured in the RA Magazine as part of the Collectors» Choice.

As an artist for over sixty five years, he employed various media from drawing and watercolor, through woodcut and etching, to painting and collage.

From his earliest days as an artist, Rauschenberg avidly explored and invented myriad ways of marking paper and canvas, using traditional tools such as paintbrushes, pencils, and woodcut blocks as well as highly unorthodox methods.

The 44 year old Romanian - born brothers, based in Cologne, Germany, work as a collaborative producing fantastical, enigmatic, otherworldly imagery, employing a diverse range of traditional and contemporary artistic practices in their woodcuts, collages, ceramic sculptures and installations.

By freeing figures from conventional associations, Baselitz concentrates attention on the abstract elements of the painting, such as the hatched network of lines that surrounds, defines and penetrates the figure in the linocuts and woodcuts on view.

He is an accomplished printmaker who, over the years, has experimented with a wide variety of printing methods from woodcut, etching and lithography, to photographic processes such as collotype and color copy transfer.

Mangold's woodcuts premiering for the first time are also presented in conversation with works such as Movement in White, Umber, and Cobalt Green (1950) by early American modernist John Marin (1870 — 1953), known for his abstract landscapes, and with Duet and Murmur (2014), New York — based contemporary artist Cheonae Kim's (1952 ---RRB- paintings from her linear black - and - white series.

The first section traces the woodcut's emergence as a modern medium with works by Paul Gauguin, Edvard Munch, Henri Matisse, Pablo Picasso, Wassily Kandinsky, and the German Expressionists.

Diverse influences such as the Japanese woodcut prints of Katsushika Hokusai and Ando Hiroshige, Chinese scroll paintings, and the decorative illustrations of Arthur Rackham

No Rules celebrates the pioneering spirit that expanded the possibilities of the woodcut and established Frankenthaler as one of the medium's great innovators.

This woodcut depicts a marble fluted column with the title in large letters as...

We hope that showing her paintings and woodcuts in tandem will serve as a reminder and a reaffirmation of Frankenthaler's status as an artist of enduring value ---- and introduce her exceptional works to new audiences as well.»

Over the course of four decades, Judd created hundreds of prints in aquatint, etching, and screenprint techniques though focused on woodcuts as his primary print medium.

In its most basic form, the making of a woodcut requires just a block of wood, a cutting tool known as a gouge, some ink, and a

The Clark renews its association with the artist this summer through two exhibitions: in addition to As in Nature, the Institute presents No Rules: Helen Frankenthaler Woodcuts (July 1 — September 24), which explores the artist's inventive and groundbreaking approach to the woodcut over four decades of her career.

Scully is best known as a painter of monumental works in oil, although he is also a printmaker, producing woodcuts and etchings.

Judd also explored screenprint techniques, sometimes using different techniques to generate the same shape, such as in the case of the parallelogram, which he used in his sculpture as well as in woodcuts, etchings, and aquatints.

[5] She created works in a variety of media including oils and watercolor as well as genres including expressionist painting, graphic art, sketching, and woodcutting.

Carol Summers is an American artist born in 1925, widely known as one of America's foremost printmakers, creating works by woodcut process.

Her woodcuts in this style became some of her most sought - after editions, as exemplified by her series Book of Clouds (2007).