A hybrid author self - publishes as well
as working with a traditional publisher.
Not exact matches
As we wrote at the time, this example makes the point that authors already have a lot of the tools for marketing their work, and in some cases — as with Hocking, Locke and other self - publishers such as J.A. Konrath — this can make them so self - sufficient that they no longer need the support of a traditional publishing dea
As we wrote at the time, this example makes the point that authors already have a lot of the tools for marketing their
work, and in some cases —
as with Hocking, Locke and other self - publishers such as J.A. Konrath — this can make them so self - sufficient that they no longer need the support of a traditional publishing dea
as with Hocking, Locke and other self -
publishers such
as J.A. Konrath — this can make them so self - sufficient that they no longer need the support of a traditional publishing dea
as J.A. Konrath — this can make them so self - sufficient that they no longer need the support of a
traditional publishing deal.
I'm still
working full - time
as a sports journalist, thought I had nothing to lose
with a
traditional publisher [Pan Macmillan].
As traditional publishers grab for more rights and become even more difficult to
work with, more and more writers are moving to indie publishing.
As traditional publishers grab for more rights and become even more difficult to work with as they fight to stay alive, more and more writers are moving to indie publishin
As traditional publishers grab for more rights and become even more difficult to
work with as they fight to stay alive, more and more writers are moving to indie publishin
as they fight to stay alive, more and more writers are moving to indie publishing.
Many of them are hybrid — they
work with traditional publishers on their current books, and they republish any books that have gone out of print
as indie books.
NOTE: It's important to note that unlike exclusivity
with a
traditional publisher, the contract applies only to a specific book, and not to the author's
work as a whole.
While the flooding has an effect on the bottom line of large
traditional publishers, smaller
publishers are more affected,
as their material often are in direct competition
with self - published
work.
They said that Self Published authors were putting in just
as much
work and doing all the same things
as Authors who are combined
with a
Traditional Publisher.
In this new world, my gut sense (meaning a wild guess) is that writers will be taking control over more and more aspects of sales, rights, and publishing of their
work as they learn how to do it themselves, even when
working with traditional publishers.
Andre, who wrote the Four Weddings and a Fiasco series under the name Lucy Kevin, has become widely recognized for maintaining strict creative and rights control over her
work, despite
traditional print publishing deals
with a major
publisher, a move that has allowed her to make decisions such
as the Kobo deal.
Unlike the self - publishing field,
traditional publishers — big or small — are less likely to be tinkering / experimenting
with the price, and they are unlikely to
work with the author post-publication to change the price unless for a specific campaign (
as described by Mike).
The percentage of indie authors who never
worked with a
traditional publisher is rising from year to year (now 60 %)
as is the percentage of authors who never even tried to find a
publisher (35 %).
I did sign
with an agent and I am anxious to sign that first deal
with a
traditional publisher that he is
working to line up for me because I see value in getting hard copies into bookstores and gaining access to the international markets that would be difficult to penetrate
as an indie - only writer.
As part of the publishing programme, the BWA's substantial network of experts, agents and
publishers (we do not
work with vanity
publishers and this programme will not involve self - publishing) will
work with the author in an intensive way according to the their needs, to ensure the authors
work is published by a
traditional publisher, but not necessarily via the
traditional route and that's where the difference lies.
Having published more than a dozen books — nonfiction and fiction —
with both
traditional and often prestigious
publishers as well
as on my own, I have a very good sense of the demands of book promotion and was delighted to have the chance to
work with Smith Publicity who did a fine job
with my Sino - American Tales series of historical novels
With a number of genre - driven imprints in its
traditional Amazon Publishing wing,
as well
as the KDP platform for digital and self - published
works, the retailer - turned -
publisher is making book distribution available to all.
Reber explained in an interview what helped her make the decision to
work with a
traditional publisher,
as well
as her level of satisfaction
with the process and any potential future plans for her publishing.
As an editor, I obviously think that editing is important, whether you plan to self - publish or
work with a
traditional publisher.
That's how you know you're
working with a firm that is more likely to treat your book
as a unique product in the marketplace —
as a
traditional publisher would — rather than
as another widget on the assembly line.
«We have over 200,000
publishers as clients, and we
work with traditional publishers, small
publishers, and self - published authors.
With a number of genre - driven imprints in its
traditional Amazon Publishing wing,
as well
as the KDP platform for digital and self - published
works, the retailer - turned -
publisher is making book... [Read more...]
Because of a somewhat discouraging encounter
with a so - called «
traditional»
publisher (who ended up on the Writer Beware list, thus the quotes), I made the decision to learn how to self - publish by using my own
works as my learning experience.
Although some indie authors price their books at the lower end of the spectrum (
as low
as.99 cents) in order to compete
with better - known writers whose
work is being released through
traditional publishers, some readers may be put off by prices which seem artificially low, because they won't trust the quality of the book.
Interestingly enough, quality of fiction out of
traditional publishers can now vary just
as much
as it can
with self - published
work.
If you're
working with a
traditional publisher, meet
with your publicist
as soon
as possible — in person.
As I was reading your book, I was thinking, «Why isn't this woman
working with a
traditional publisher?»
In this new role
as a partner rather than a
traditional publisher, however, I became more engaged
with the lives of the businesses and organisations I've
worked with, and over the course of the last year came a quiet revelation: to stretch the astronomical metaphor to its limits, the book is not a lone star but the centre of a solar system.
As someone who had already published a dozen books
with traditional publishers by that time, I knew that royalty statements could be challenging to figure out — previous experiences
with publishers had occurred where not all sales were reported and I had to
work hard to get what was due me.
Scott Berkun has enjoyed fame and fortune
as an author
working with a
traditional publisher (O'Reilly), so why did he venture into the world of self - publishing for his latest book, Mindfire?
Traditional publishers will trying other means of rights grabs — possibly
with more «House Names» both
as work - for - hire and fitting superficially similar books into them, if they are sold entirely to the
publisher and the
publisher registers the copyright in the company name.
Detractors claim
with some truth that self - published e-books are not
as well - written, well - edited, or well - formatted
as works from
traditional publishers.
Having just dipped my pen (metaphorically) into self - publishing while still
working with a
traditional publisher, I'm holding my breath
as I await further changes.
As good as any of the traditional publishers I've worked wit
As good
as any of the traditional publishers I've worked wit
as any of the
traditional publishers I've
worked with.
What's different today, however, is that we're hearing those and more observations from a rapidly rising author, one who has
worked both
with traditional houses and,
with undeniable success,
as a self -
publisher.
Once an author takes on a team of professionals and
works with them in a collegial way — acting now
as the
publisher and not
as the whiny, self - centered author — there is no real advantage to the
traditional model other than access to the distribution chain.
I'm biased now because I've communicated quite a bit
with you and
worked with you, but it seems to me that your goal is to come across
as the guy who can help independent authors have the same advantages they would get by going through a
traditional publisher - putting power back into the hands of the little guy determined to make it on his own.
It
works really well because many of the people that I
work with that I coach go on to publish
as traditional publishers.