Sentences with phrase «as younger artists such»

Born and raised south of San Francisco, Norling hails from a recent generation of artists raised on the fun and gun ethos of graffiti and the mark - making of urban street culture; from stickers to wheat - pasted posters, it is from this street aesthetic; one that is in dialogue with Norling's teacher Raymond Saunders, as well as younger artists such as Barry McGee and the late Margaret Kilgallen, that Norling's paintings, sculptures and installations derive much of their impact.

Works by Gilbert & George, Anselm Kiefer and Sherrie Levine, as well as younger artists such as Tracey Emin, Gavin Turk and Ann Sofi - Sidén, also entered the collection at this time.

Included are such disparate names as concrete poet Ian Hamilton Finlay, British pop artist Eduardo Paolozzi, eminent collagist John Stezaker, as well as young artists such as conceptual photographer Walead Beshty and cataloguer of protest songs Ruth Ewan.

Spritz included work by Tim Davies, who represented Wales in the 2011 Venice Biennale, Amikam Toren, internationally renown conceptual artist, as well as young artists such as Dolores de Sade, who won the British Institution Award at the 2011 RA Summer Exhibition.

Not exact matches

In Illusions in Art for Young Eyes at the Leigh Yawkey Woodson Art Museum, contemporary master Eric Conklin borrows tools such as conical mirrors from 17th - century Dutch artists and mathematical principles from ancient Egyptian architecture to create a sense of depth when there is none or to imply volume when only area exists.

Alongside paintings, caricatures and cartoons by such well - known artists as Marcin Bondarowicz of Poland and Lee Won - soo of Korea, the exhibition also presented heart - felt artwork by young students and informational videos on desertification and desert - restoration activities.

Bill Pohlad, a producer who has overseen such films as Brokeback Mountain, Into the Wild, Tree of Life, and 12 Years a Slave, as well as the musically inclined biopic The Runaways, makes his directorial debut (technically a sophomore effort as his original debut was canned in the early 1990s) with a biopic of The Beach Boys» Brian Wilson that, while not a perfect film, is an interesting and sometimes illuminating portrait of an artist as a young and older man.

Madeleine Grynsztejn, the Elise S. Haas Senior Curator of Painting and Sculpture at SFMOMA, who is organizing the Tuttle retrospective there, reflects that Tuttle's courage in scale and willful choice of ephemeral material influenced many younger artists, such as Tom Friedman, Jessica Stockholder, Polly Apfelbaum, Jim Hodges, Tony Feher, and Sarah Sze.

In the early 1990s, as a young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artists.

She placed younger artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the older generation, such as Felrath Hines, Alma Thomas, and Romare Bearden, who were producing seminal works in the 1960s.

To top it off, Pati Hertling and Julie Tolentino are curating a performance program that showcases younger female artists, such as FlucT and Kia Labeija.

Gorvy is recognized as an expert and passionate advocate of the work of Francis Bacon, Jean - Michel Basquiat, Lucian Freud, Alberto Giacometti, Willem de Kooning, Pablo Picasso, Mark Rothko, Cy Twombly, and Andy Warhol, as well as a younger generation of artists such as Martin Kippenberger, Jeff Koons and Richard Prince.

This will include those from older generations of artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary artists, such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's generation or younger, and may in turn find inspiration in Thomas's own practice.

Younger than this generation, all of whom were born in the early 1930s, and were undoubtedly affected by the horrors of World War II, Farrell shares something with the reductive impulses that are central to Minimalist artists such as Robert Ryman, Brice Marden and, to a lesser degree the Radical Painting of Marcia Hafif.

Over the past decade the exhibitions programme has featured solo shows by established international figures such as Ellen Gallagher, Thomas Hirschhorn, Gabriel Kuri, Rashid Johnson, Rivane Neuenschwander, Roman Ondak, Amie Siegel and Lawrence Weiner, as well as those by younger and mid-career artists such as Michael Dean, Thea Djordjadze and Oscar Murillo.

Their artwork represents the intellectual bedrock for «younger» art philosophies also present in the Collection, by artists such as Greg Bogin, Jens Wolf, Michael Zahn, Martin Gerwers, Martin Boyce and Natalia Stachon.

For the Met show, Eklund proposes a cause - and - effect narrative that moves from CalArts to Manhattan, where young artists such as Louise Lawler, Barbara Kruger, Richard Prince and Sarah Charlesworth were independently seeking a path beyond Conceptualism and Pop.

Key works by Jean Michel - Basquiat, Mark Bradford, Cecily Brown, Marlene Dumas, Keith Haring, Jeff Koons, Glenn Ligon, Reinhard Mucha, Elizabeth Peyton, Richard Prince, Cindy Sherman, Rosemarie Trockel, and younger artists such as Josh Kline, Serge Alain Nitegeka, Michail Pirgelis and Lior Shvil, are exhibited along with text from the artists.

Five exhibitions each year profile the work of established international figures such as Tom Friedman, Mark Dion, Rivane Neuenschwander, Alfredo Jaar and Superflex; as well as that by younger and mid-career British artists such as Oscar Murillo, Eva Rothschild and Ryan Gander.

For Puder, his work is central to many of the leading Leipzig painters such as Matthias Weischer and today he is especially important to younger artists in Eastern and Central Europe.

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

The gallery's roster includes established and highly influential artists, such as Paul Chan, Günther Förg, Guyton \ Walker, Rachel Harrison, Richard Hawkins, Jacqueline Humphries, Michael Krebber, Allen Ruppersberg, and Gedi Sibony, as well as a younger generation, including Trisha Baga, Bernadette Corporation, Helen Marten, and Haegue Yang.

The excellent results demonstrate the strength of the market for a breadth of young artists such as Alex Israel, whose Sky Backdrop achieved 5 times its estimate when it sold for $ 1,025,000 in the artist's first appearance at auction.

It also brings together artists working in New York in the 1980's, such as Jean - Michel Basquiat, Felix Gonzaelz - Torres, Jeff Koons, and Cady Noland; «Young British Artists» like Tracey Emin and Damien Hirst; and Chinese and Japanese artists including Gu Wenda and Takashi Murakami, for a gathering of late - 20th - century art that is stellar in quality and distinctively international in perspartists working in New York in the 1980's, such as Jean - Michel Basquiat, Felix Gonzaelz - Torres, Jeff Koons, and Cady Noland; «Young British Artists» like Tracey Emin and Damien Hirst; and Chinese and Japanese artists including Gu Wenda and Takashi Murakami, for a gathering of late - 20th - century art that is stellar in quality and distinctively international in perspArtists» like Tracey Emin and Damien Hirst; and Chinese and Japanese artists including Gu Wenda and Takashi Murakami, for a gathering of late - 20th - century art that is stellar in quality and distinctively international in perspartists including Gu Wenda and Takashi Murakami, for a gathering of late - 20th - century art that is stellar in quality and distinctively international in perspective.

Said the board, «Ghez has played a pioneering role in the field by introducing and giving young artists such as Jeff Wall, Mike Kelley, Isa Genzken, Thomas Struth, and Kara Walker their first museum exhibitions.»

Her friends included artists such as César, Annette Messager, the young Christian Boltanski and Louise Bourgeois.

Younger artists on my radar, includes James Bridle to Zach Blas in London as well as Celia Hempton, whose performatively produced paintings bear resonance to greats such as Maria Lassnig.

Young artists such as Donald Judd, Robert Morris and Dan Flavin were drawn to these Modernist movements, eventually abandoning painting in favor of unconventional installation - based works that utilized clean lines and modular forms.

Group Activities - New York Artist Union, the WPA, and the Art Workers Coalition Teach - in - Working Conditions Seminar with Precarious Workers Brigade (London), UKK (Young Art Workers, Copenhagen) and a representative of the Chilean Ministry of Culture - Ongoing discussions with representatives from local unions and working centers such as UWA, IWW, Teamster, Writer's Guild of America East, New York Taxi Workers Alliance, and others - Monthly book club on labor law, organizing, workplace occupations, and radical history - End Sotheby's Lockout Solidarity Action at the Whitney Biennial with Occupy Museums, Occupy Sotheby's and Arts & Culture - Joining other OWS labor affiliated working groups such as Labor Outreach Committee, Occupy Your Workplace, and 99 Pickets, as part of the Labor Alliance cluster

The exhibition considers works by famed Nouveau Réalisme artists such as Arman and Raymond Hains alongside the likes of American counterparts Robert Rauschenberg and Richard Artschwager, as well as a younger generation of contemporary artists who came of age in the wake of Pop Art.

More contemporary practices are far from being left out with contributions from younger artists such as Caroline Tschumi, Seyoung Yoon, Walter Price, Sarah Tritz, Hayan Kam Nakache or Konstantin Sgouridis.

Visual artists such as Robert Longo and Richard Prince played music alongside young composers such as Rhys Chatham and Glenn Branca.

Obscure, apocalyptic wallpaper fits with any number of younger artists, too, such as Matthew Ritchie.

Her equation of coding with abstraction also leads naturally to younger artists, such as Cory Arcangel and Casey Reas.

One can share his felt tributes to older artists, such as Stuart Davis or Gorky, and his graciousness toward younger ones.

Although she is often associated with the Young British Artists, Whiteread's work is more closely aligned with artists such as Bruce Nauman, whose work A Cast of the Space Under My Chair (1965 — 68) was a profound influence on the younger Artists, Whiteread's work is more closely aligned with artists such as Bruce Nauman, whose work A Cast of the Space Under My Chair (1965 — 68) was a profound influence on the younger artists such as Bruce Nauman, whose work A Cast of the Space Under My Chair (1965 — 68) was a profound influence on the younger artist.

In solo shows, Aicon has exhibited the work of established artists such as M. F. Husain, F. N. Souza, Rasheed Araeen, Rachid Koraichi, Rekha Rodwittiya and S. H. Raza, as well as younger artists, such as Abdullah Syed, Abir Karmakar, Salman Toor, Adeela Suleman, and G. R. Iranna.

In 1999, when Rudy Giuliani was Mayor of New York, (Giuliani started his political career as Associate Attorney General under President Reagan, infamous for his ignorance and inaction during the AIDS epidemic, and his en masse firing of union air traffic controllers on strike in 1981) Giuliani sued the Brooklyn Museum for opening the much - hyped exhibit Sensation: Young British Artists from the Saatchi Collection, which included the work of then - emerging British artists such as Chris Ofili and DamienArtists from the Saatchi Collection, which included the work of then - emerging British artists such as Chris Ofili and Damienartists such as Chris Ofili and Damien Hirst.

The exhibition will showcase the mixed - media art of Thornton Dial (1928 - 2016); quilts made by artists such as Lucy Mingo, Annie Mae Young (1928 - 2004) and Loretta Pettway; and other work from artists such as Lonnie Holley, Ronald Lockett (1965 - 1988) and Nellie Mae Rowe (1900 - 1982).

Tracey Emin is a notable and prolific British artist recognized for her place in the Young British Artists movement of the 1990s, and in particular for her provocative and controversial works such as Everyone I have ever slept with 1963 - 1995 and My Bed, which was on display at London's Tate Modern gallery as part of her nomination for the Turner Prize in 1999.

The change began around 1980, when younger artists such as David Salle and Julian Schnabel started to imitate the overlapping, «non-compositional» imagery of Picabia's»20s and»30s «Transparencies.»

Dealers like Leo Castelli, Ileana Sonnabend and Mary Boone championed artists such as David Salle and Julian Schnabel, whom critics labeled Neo-Expressionists, and whose style appealed to a growing art market willing to pay large sums of money for young painters.

Their extravagantly installed exhibitions, the artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several generations of their students and on many younger artists since then, including such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.

Young's decision to remove himself from the New York art world at a time when his paintings were included in such exhibitions as the Corcoran Biennial, Nine Young Artists / Theodoron Award at the Guggenheim, and a two - person show with David Diao at Leo Castelli, was the opposite of anyone who wished to embrace the limelight.

The Painted World includes paintings by important historical figures such as Paul Feeley (1910 - 1966), Yayoi Kusama, and Myron Stout (1908 - 1987); Moira Dryer (1957 - 1992) and Steven Parrino (1958 - 2005), two influential artists whose lives were cut short; and younger artists who are seriously pursuing abstraction, such as Mark Grotjahn and Ann Pibal.

Cameron Rowland, a young New York artist, has recently mounted several exhibitions whose everyday objects conceal vicious economic realities, such as compulsory inmate labor, at well below minimum wage, in New York prisons.

Though Jack would have been very surprised that the little girl to whom he had taught the dog paddle, or the teenager he had found so rough and recalcitrant, and the young artist about whose work he had continued doubts, ended up being the one to finally shepherd his writings into print and to create in effect the autobiography he had never written as such.

This installation, one of Brisley's most potent political works, has resonated over the years in the work of younger artists such as his former student at the Slade, Mona Hatoum, who has also used cage structures to create political and psychic boundaries, and questioned the sense of safety and comfort assumed implicit in the concept of «home».

There were a few arresting installations, nonetheless, such as Danh Vo's floating gilded cardboard segments that comment on moral transgressions, for which the Marian Goodman gallery eliminated its walls; Liu Wei's architectural Library at Lehmann Maupin that collapses a metropolis to outrageous effect and, among the young artists who showed gripping promise, Aki Sasamoto's Luncheon Field, which livened the Focus section with a table perforated to suspend forks that bobbed in the breeze of a fan, and Eddie Peake's rumination on past and future that filled the Lorcan O'Neill booth with a tinted Plexiglas and steel installation involving a bear, a robot and lost Atlantis viewed through a meandering cut - out.

Being in a classroom environment allowed me to be around all kinds of diverse young artists with many different interests, and also to discover artists I had not studied before who were using writing — linguistic abstract gestural expressionism, such as calligraphy — in their contemporary works of art.