This cross-generation show is meant «to celebrate (established) artists who continue to do vital work as well
as younger artists who are contributing new things.»
Cage and Cunningham features paintings, sculptures, and works on paper by artists who were contemporaries of Cage and Cunningham, as well
as younger artists who continue their legacy.
As a young artist who arrived in New York in the late 1970s, Moffett was inspired by more - established colleagues, including Alice Aycock, Lynda Benglis, and Elizabeth Murray, whose post-Minimalist work resonated with what he calls his «fractured formalist impulses.»
Then I saw a lot of him when we were back in L.A., and I saw a lot of his frustration
as a young artist who was ambitious and smart and just so passionate about making art.
Not exact matches
But I was just amazed by how everyone,
young and old wanted to be involved... and was so deeply enriched and touched by the experience and the laughter and the love I experienced from the people I met and how women would in particular open their hearts to me and tell me the stories of where they've come from, particularly because I have the language and was coming there
as a woman and just how touched they were that I was there
as a woman from England
who's learned the language and
who's an
artist and running this project and come all the way to see them so they didn't feel forgotten I think that was pretty much what they felt... that their stories were being heard so they don't feel forgotten knowing the tents would be around the world.
Two
young women are using the power of social media to warn teenagers about sexual abuse they suffered at the hands of a Montreal tattoo
artist who used his boutique
as a hangout for troubled girls when he sexually abused them.
i His writing and his work with Impact Investing draws on broad experience
as an
artist, bio-dynamic farmer, Waldorf teacher and co-founder of three social enterprises: 1) From 28 - 34 a farm based campus for
young people
who wanted a college experience without intellectual academics; 2) from 43 - 46 a biological healthcare company and 3) from 46 - present a workflow technology firm focused on personalizing healthcare.
Given the theological cast of her writing, one might expect to find in her memoir a portrait of the
artist as a
young Jonathan Edwards — someone
who (shortly before he went off to college) observed the curiosities of the flying spider, analyzed the optics of the rainbow, and then celebrated the glory of the creator
as revealed in the natural creation.
I am not a particularly confident person, neither do I have a network before social media whom I could channel my own art to, said Alexandria Coe, a
young artist who has used Instagram
as a tool to share her work with the world.
Irish actor Robert Sheehan delivers a nicely nuanced performance
as Picasso's friend, Carles Casagemas, a
young artist who could never gain a foothold in his career and whose life spiraled downward in a haze of alcoholism, opium addiction and unrequited love for a
young prostitute named Germaine (Emma Appleton).
With the balance of their friendship hinging on
whos getting the most out of it, Life amounts to an elegantly crafted, intensely cynical, double portrait of the
artist as a
young man.
Positioned
as a kind of educational thriller, Loving Vincent follows Armand Roulin (one of van Gogh's many subjects)
as he unravels the circumstances that led to the
young artist's suicide, spotlighting details of his life, and meeting many of the people
who would inspire his paintings, along the away.
A taken - for - granted stay - at - home dad,
who cares for both their
young son and Alex's ailing father (Don Johnson),
who is suffering from increasing memory loss, George desires to pursue his creative passion
as an
artist.
Based on Jeannette Walls» 2005 autobiography, The Glass Castle stars Larson
as Walls, a
young woman
who grows up amid a dysfunctional, poverty - stricken family, including alcoholic father Rex (Harrelson) and
artist mother Rose Mary (Watts).
Kim Tae - ri stars
as Sook - hee, a
young pickpocket
who is hired to work for seemingly sheltered Japanese noblewoman Lady Hideko (Kim Min - hee); the plan is for Sook - hee to help fellow con
artist Count Fujiwara (Ha Jung - woo)--
who is, in reality, neither a count nor Japanese — defraud Lady Hideko of her fortune.
One of the films that didn't blow us away at Sundance, but offered a solid film full of jokes made just for cinephiles, was In a World... The film directed by actress Lake Bell follows a
young female voice coach (Bell)
as she joins the all - male race to land the white - hot new trailer of a blockbuster trilogy, and with it lay claim to the legendary trailer catchphrase «In a world...» She faces stuffy, douchebag competition in Ken Marino and even her own father (Fred Melamed), a legendary voice - over
artist who can't bring himself to recognize his daughter's talent.
Life Lessons features a
young Steve Buscemi in one of his first big movie roles
as performance
artist Gregory Stark,
who performs comic monologues (written by Buscemi himself) on abandoned subway tracks, falling far short of Dobie's definition of art, which is «you make art because you have to,»cause you got no choice.»
A
young girl comes of age in a dysfunctional family of noncorfomist nomads with a mother
who's an eccentric
artist and an alcoholic father
who would stil the children's imagination with hope
as a distraction to their poverty.
She really couldn't be any more convincing
as the spirited, headstrong, thoroughly modern
young woman — an
artist in her own right —
who,
as the film begins has already become Einar's wife.
These
young adult movies have seen some impressive names step behind the director chair but Maze Runner finds itself
as the feature debut of visual effects
artist Wes Ball and there's no doubting the fact that this feels like a first - time effort of someone
who can't bring the energy required to keep a film's pulse moving.
Toni Collette stars
as Annie, an
artist who lives in a beautiful, secluded home with her husband, Steve (Gabriel Byrne), her stoner son, Peter (Alex Wolff), and her
young daughter, Charlie (Broadway actress Milly Shapiro).
Nicole Kidman stars
as the resolute
young American, Isabel Archer,
who rejects a proposal from her English cousin (Richard E. Grant) and falls prey to the schemes of two American expatriates, the independent and worldly Madame Merle (Barbara Hershey) and Gilbert Osmond (John Malkovich), a dilettante
artist with little means but enough cunning to woo Isabel.
«
As a
young artist struggling I walked away from that like «If it took Molly Shannon 10 years,
who am I to be frustrated that one year later I'm still working on it?»
«The Glass Castle» Release Date: TBD Director: Destin Daniel Cretton Starring: Brie Larson, Naomi Watts, Woody Harrelson and Max Greenfield Synopsis: A
young girl comes of age in a dysfunctional family of nonconformist nomads with a mother
who's an eccentric
artist and an alcoholic father
who would stir the children's imagination with hope
as a distraction to their poverty.
However, for those familiar with the great painter's works,
as well
as the prevailing spirit of the Era of Enlightenment and the style of the other great
artists of various mediums
who used their craft to comment on the blights of the world around them, Goya's Ghosts speaks on a level that transcends just the story of two men looking after the welfare of a
young, unfortunate woman caught up in the hysteria of power that marked the end of the Spanish Inquisition's stranglehold of power,
as well
as the outrageous hypocrisy in their manner of governance.
Bill Pohlad, a producer
who has overseen such films
as Brokeback Mountain, Into the Wild, Tree of Life, and 12 Years a Slave,
as well
as the musically inclined biopic The Runaways, makes his directorial debut (technically a sophomore effort
as his original debut was canned in the early 1990s) with a biopic of The Beach Boys» Brian Wilson that, while not a perfect film, is an interesting and sometimes illuminating portrait of an
artist as a
young and older man.
The film, like «Fink,» is a sort of portrait of the
artists as young men, and anyone
who has, or had, creative ambitions will identify with Davis,
who is talented enough to acquit himself (Isaac's performances are excellent: he's arguably better than the character is meant to be), but probably not enough to move up to the next level (like Garrett Hedlund, now that we think about it...).
Jena Malone (The Rusted),
as the makeup
artist who takes
young Jesse under her wing, manages to make the combination of passion and lethargy feel compelling.
SYNOPSIS (via iMDB): A
young girl comes of age in a dysfunctional family of nonconformist nomads with a mother
who's an eccentric
artist and an alcoholic father
who would stir the children's imagination with hope
as a distraction to their poverty.
Hugh Jackman plays Barnum with all the energy we've come to expect from the actor, and the supporting cast — from Zac Efron
as Barnum's
young partner, to Zendaya
as a high - wire
artist, to Michelle Williams
as Barnum's loving wife
who sort of vanishes from the back end of the film — all bring their A-game.
I love the idea that these remarkable and lasting works of art were done by unschooled
young artists who were basically inventing the art of painting — just
as the caves were the first art galleries!
They also helped the next generation of
artists — college students
who served
as instructors and mentors to
young people — develop skills in teaching and in engaging audiences.
«
As someone who read stacks of Carolyn Keene's mystery stories as a young girl, Nancy Drew has been high on my list of «characters I'd like to draw comics of» for a while now,» says artist Jenn St - Ong
As someone
who read stacks of Carolyn Keene's mystery stories
as a young girl, Nancy Drew has been high on my list of «characters I'd like to draw comics of» for a while now,» says artist Jenn St - Ong
as a
young girl, Nancy Drew has been high on my list of «characters I'd like to draw comics of» for a while now,» says
artist Jenn St - Onge.
Desdemona Hart used to be a promising
young artist who even made it so far
as to study in Paris.
The special programme for invited guests in the Westerkerk was hosted by the Dutch
artist Jip Wijngaarden,
who portrayed Anne Frank on stage
as a
young actress.
The first two to join us were Angel Arenas
as the 3D environment
artist and Eduardo Lozano
as the game programmer —
young talents
who had a Master Degree in Games Development.
In Vampire The Masquerade: We Eat Blood you're a
young artist who wakes up at night to find you're no longer human... but exactly what are you and why are you so ravenously hungry for blood?!? Told entirely through an innovate mobile messaging perspective, We Eat Blood is a sharp, mature, and terrifying story about your first nights
as unwilling predator and prey.
As the legend goes, the publisher repurposed some unpopular arcade cabinets to house a game created by a
young artist named Shigeru Miyamoto
who was overseen by the man that would eventually build the Game Boy, Gumpei Yokoi.
Madeleine Grynsztejn, the Elise S. Haas Senior Curator of Painting and Sculpture at SFMOMA,
who is organizing the Tuttle retrospective there, reflects that Tuttle's courage in scale and willful choice of ephemeral material influenced many
younger artists, such
as Tom Friedman, Jessica Stockholder, Polly Apfelbaum, Jim Hodges, Tony Feher, and Sarah Sze.
In the early 1990s,
as a
young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such
as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet,
who collected and showed work by African American
artists.
She placed
younger artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the older generation, such
as Felrath Hines, Alma Thomas, and Romare Bearden,
who were producing seminal works in the 1960s.
Many of the
artists that we bring to the museum school to give lectures and perform studio visits with students are
artists who are really engaged in interdisciplinary practices or
artists who have experience
as educators and working directly with
young artists.
This will include those from older generations of
artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary
artists, such
as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier,
who are part of Thomas's generation or
younger, and may in turn find inspiration in Thomas's own practice.
In this issue we feature Encounters with our cover
artists,
as well
as Lubaina Himid, Ian Davenport, Anne Collier and Kehinde Wiley, and have two Paper Galleries — one dedicated to the work of celebrated Leviathan creator Shazeed Dawood, the other to
young painters
who are turning the world on its head.
In the galleries, the works move in roughly chronological fashion, in distinct, often startling series, presenting an
artist who seems to become
younger and more vital with each decade,
as her work becomes more spontaneous and grounded in reality.»
Rose and Christopher Y. Lew, the Whitney's associate curator
who gave the
young artist her first New York solo show, walked in at the end of her 10 - minute video and chattered over until the film looped back to the beginning: «When I first came back to Earth after 128 days in space,» the astronaut David Wolf intoned while pools of opalescent fluid shifted onscreen
as if agitating a new cosmos.
Beginning in Austin, Texas
as Trans - Avant Garde Gallery, the gallery, owned by Jack Hanley,
who is also a painter and musician, had a focus on
young and emerging
artists.
She introduced Erin
as a
young but mature upcoming
artist who relocated to Atlanta from Oakland about a year ago.
The paintings by this great Color Field innovator, now 80, looked
as every bit
as fresh
as they did when they were first made in the»60s and»70s — prompting some fair goers to ask the gallery, «
who is this
young artist you are showing?»
The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art
as commodity and the successful
artist as a brand; the ascendancy of a post-Thatcher generation of
Young British
Artists (YBAs)
who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such
as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.