I often think what appears to us at TED as hurry is really only the author's lack of familiarity with the process (they may
ask for copy editing when they first need line editing, for instance, or expect to be able to «hire» an agent), and that's on us.
Not exact matches
Unless the writer
asked us
for line - by - line,
copy -
editing - level feedback, nitpicky suggestions are more likely to mess with their voice than provide useful information.
First, the terminology — line
editing,
copy editing, proofreading — seems to mean something slightly different to every author, editor, publisher, magazine, agent, and online journal, and this makes it tough
for the author seeking an editor to know exactly what it is they're
asking for.
Whereas
editing is usually a paid task, you can
ask for volunteer beta readers in exchange
for a free
copy of your manuscript.
I'd
ask other writers
for recommendations
for a
copy editor and get an editor who only did developmental
editing.
As you can see I did
edit my words a little regarding it as they were too strong, but at the end of the day we've had people
asking about a Witcher review and the reasons
for not doing one, so we said it straight: we haven't gotten a
copy.