Nor is there an artist likely to prove exceptionally annoying to the general public, such as slapdash performance artist Spartacus Chetwynd in 2012 or Tino Sehgal in 2013, who
asked gallery goers to discuss market economics with invigilators who appeared chosen for their total ignorance of market economics.
Not exact matches
Mine still
ask me to
go to a special exhibit or
gallery with them if something new is in town.
Haden Church adds another fine turn to his
gallery of dimwits (his son
asks him «How you gonna kill somebody?
He tells you about Loretta's portrait that's
gone missing in Clay's art
gallery, and he
asks if you would be so good as to find it.
If you start out by
asking about your
gallery publicity, wall space, shows, framing, marketing materials and so on, it's not
going to sit well.
The
Gallery of the University of Quebec at Montreal
asked us to do a poster commemorating the 20th anniversary of the l'École Polytechnique massacre, where a disgruntled gunman
went into an engineering school in Montreal, separated the women from the men, then proceeded to shoot the women.
The paintings by this great Color Field innovator, now 80, looked as every bit as fresh as they did when they were first made in the»60s and»70s — prompting some fair
goers to
ask the
gallery, «who is this young artist you are showing?»
There are enough other cinematic influences in the video — including the theories of Francis Ford Coppola's famed editor, Walter Murch, whom Rose interviewed at London's Serpentine
Gallery during her solo show there earlier this year — that later on, in the fray of the Stella opening, I turned to her and
asked, «So when are you
going to make your feature film?»
I
go in and I know who owns it, how much someone paid for it... If you
ask me what's my personal favorite place to
go see art, I'd say the Cy Twombly
galleries at the Menil Collection.
To celebrate 10 years of free museum entry, we
asked big name curators and
gallery -
goers to pick their favourite work.
The
gallery's sales also included a Faliscan olla, which had an
asking price of $ 150,000, a Tarentine sculpture of a muse, priced at $ 100,000 (and which
went to a new client), and a large Roman glass cinerarium for $ 29,000 — the sale of which was concluded «just as another person rather sadly said he had come back to buy the same piece».
On some levels it is a very well told joke, but on others it is an incredible question to
ask of an eternity of
gallery goers — a question rarely put to the
gallery going public:
So in the midst of all this I was
going to
ask you about Arnold Glimcher of Pace
Gallery — your second dealer.
Photography from the Deutsche Bank Collection, Singapore Art Museum, Singapore The New International, Garage Museum of Contemporary Art, Moscow Songs of Loss and Songs of Love, Gwangju Museum of Art, South Korea Look at Me: Portraiture from Manet to the Present, Lelia Heller
Gallery, New York I Look at Things... Work From the Collection, Faurschou Foundation, Copenhagen Shirin Neshat: Don't
Ask Where the Love is
Gone, Moscow Photobiennale 2014, Multimedia Art Museum, Moscow Pionniéres: Lynda Benglis, Louise Bourgeois, Marlene Dumas, Tracey Emin, Roni Horn, Shirin Neshat, Cindy Sherman, Nancy Spero, Niki De Saint Phalle, CAB Art Center, Brussels 2013 My Third Land, Frankendael Foundation, Amsterdam Collection Exhibition II, 21st Century Museum of Contemporary Art, Kanazawa Come Together: Surviving Sandy, Year 1, Industry City, New York The Ghost of Architecture: Recent and Promised Gifts, Henry Art
Gallery, University of Washington, Seattle SKIN, an artistic atlas, Royal Hibernian Academy, Dublin She Who Tells a Story: Women Photographers from Iran and the Arab World, Museum of Fine Arts, Boston Legacy: Photographs from the Emily Fisher Landau Collection, the Aldrich Contemporary Art Museum, Ridgefield, Connecticut Displaced Visions Emigré Photographers of the 20th Century, The Israel Museum, Jerusalem All You Need is Love, Mori Art Museum, Tokyo 2012 OC Collects, Orange County Museum of Art, Newport Beach Voice of Images, Palazzo Grassi - Françoise Pinault Foundation Pulso Iranioano.
For example, when
asked to explain his Turner Prize winning installation Work No 227: The lights
Going On... curator as an example, but anyone who has set foot inside a contemporary
gallery in the last ten years or more will know exactly what I...
He realizes them wherever he
goes,
asking all the art people he works with to pose in their working environment and working clothes: studio assistants,
gallery staff, curators, lab technicians, critics, fellow artists, collectors, art handlers and even the «machines,» which contribute to an artwork's progress from studio to
gallery and beyond.
We visited Cornelia Parker RA as she put the finishing touches to her black - and - white themed
gallery in the Summer Exhibition, and
asked how she
went about putting it all together.
As a result of that show I was
asked by Marc Ratliff and Tom Wesselmann, who were
going to Cooper at the time, to join a
gallery called the Judson Gallery, which was down
gallery called the Judson
Gallery, which was down
Gallery, which was downstairs.
A brilliant solo show at the end of 1950 at Betty Parsons
Gallery failed to sell — with the exception of the stupendously beautiful «Lavender Mist,» which
went to an artist friend for half the
asking price.
Both sets of six floral compositions
went to European collectors, according to
gallery director Steven Henry; abstract works by Kelley Walker, including «Untitled,» a 15 panel, pantone four - color process with acrylic ink on MDF from 2012, at $ 225,000; Bruce Connor, «Religious Instruction» from 1990, comprised of three engraving collages, for $ 40,000; Tauba Auerbach, «Panes Trans / Step Ray,» for around $ 200,000; Rudolf Stingel, «Untitled» from 1996 - 97 sold at an
asking price over $ 1 million.
2012 «Echo of Echo,» Shoshana Wayne
Gallery, Los Angeles, CA «
Go Ask A.L.I.C.: Testing Artificial Intelligence Since Turing,» Harvard University, Cambridge, MA «A War of Words,» Proteus Gowanus, Brooklyn, NY «LAMENT for altered, erased, and lost histories,» Platform, Winnipeg «Made in L.A.,» Hammer Museum, Los Angeles, CA «Dualities, Omissions, Loops, and Ruptures,» Luis de Jesus
Gallery, Los Angeles, CA «Knowledges,» Mount Wilson Observatory, Pasadena, CA «Its Endless Undoing,» Thierry Goldberg, New York, NY
A notice which
went up in the staff rooms of both Tate Modern and Tate Britain on Wednesday
asked employees — including security, cleaners, and those maintain the
galleries and work in the cafe and gift shop — to «put money towards a sailing boat» as a «surprise gift» for Serota.
I
asked the
gallery attendant what was
going on outside.
I
asked Team
Gallery owner Jose Freire what was
going on.
A well - worn story about indigenous Australian artist Rover Thomas
goes that while visiting the National
Gallery of Australia, he came across a Rothko painting and
asked: «Who's that bugger that paints like me?»
The
Gallery app then cropped the photo as I
asked it to, though it waited for me to choose where the crop placement should
go before it continued.