Sentences with phrase «aspects of the film»

The New York Times reported Friday that the already partially - filmed documentary hit a roadblock when the former president insisted on having approval over interview questions and other aspects of the film.

I don't want to discuss the technical aspects of the film at all.

i think all aspects of film is fascinating, RL.

It's important to consider all aspects of a film before allowing a 2 - year - old to watch.

Other aspects of the film also jar slightly.

Every aspect of the film had me engrossed in the characters» stories and I honestly fell in love with the romance story.

In Star Wars, the force, an unknown power that binds all life, influences all aspects of the films in the name of balance.

Perhaps I'm too harsh on that aspect of their films, but it's something that drives me up the wall.

But the quibbles over the technical aspects of the film rightfully take a backseat to the real reason why people will stand in line, in the heat and the rain, to be one of the first to see this end — Harry Potter is a great movie character.

The relationships that are built from his attachment to the doll are really the most important aspect of the film as a whole.

This is by far the most compelling aspect of the film; it's the only time we get something from Rebel in the Rye that doesn't seem extracted from a Cliff Notes biography.

Sure some aspects of the film are silly, but the key words you need to remember is ÈRambo Film» ehen this is a Rambo film, you should expect something over the top.

She was incredibly offended by the toilet humor and had some rather unflattering things to say about pretty much every aspect of the film.

But there are too many other aspects of the film that let viewers down and cause us to count down the days until Oliver Parker decides to do the material his way and make himself a nice little Wilde trilogy.

You also need to be careful that your overly negative tone doesn't bleed over into other technical aspects of the film.

Obviously cliched, the Seals are portrayed as dumb Jarjheads, which is an aspect of the film that doesn't work, because most people in the military are very intelligent and are University graduates.

... nobody could've expected the unbelievable sense of dullness that's permeating every aspect of the film.

One of the most annoying aspects of the film is the way that the characters frequently talk over each other without adding anything constructive to the plot or a particular conversation.

Director Tom McGrath does a lovely job with the storytelling aspects of the film — though I have to wonder how much improvisation he had to deal with.

§ An extensive documentary on the technical aspects of the film's stunts.

Other aspects of the film are oddly familiar and repetitive, adding little more to the trilogy that we haven't already seen.

I found this aspect of the film tremendously exciting, especially how it plays out in the final third.

Philip Seymour Hoffman's performance is certainly the most notable aspect of the film, making it worth watching for its shear depth and power alone.

The most offensive aspect of the film is its depiction of women.

The technical aspect of the film is extraordinary: amazing film editing, breath - taking cinematography, perfect music and just overall an

If there's any bit of you that can buy int this aspect of the film, then I promise that you will be emotionally moved by the final act.

Stephen Colbert was the funniest aspect of this film, and he definitely made the film a bit more watchable.

That aspect of the film is clearly in a fight with all the «why did you come here» Syd Field motivational padding between its troubling setpieces, and it's a very studio - suit move to assume that the only way to give «meaning» to a film is to have people talk about it.

The most interesting aspect of this film is its futuristic setting.

The film's condensation of the years that took Wiseau to get over his heartbreak regarding the unexpected laughter that resulted in screening his «drama», and finally embrace the comedic aspects of the film, takes a bit away from important character development that could have given the third act a bit more substance.

So it is with practically any other aspect of the film you might try to chew on.

Fang Li should be applauded for his courageous efforts to address taboo subjects of sex and politics, even while one may question certain aspects of his films.

Appreciate the effort to have this aspect of the film serve the «playing a game» motif, but there's a point where «ah - ha» becomes «trying too hard.»

The police - procedural aspect of the film is pretty stock stuff, with the cops circling Pascal, closing in on him.

One group are general aspects of the film which haven't dated well or which seem questionable even for the time.

One of the aspects of this film that can be appreciated is the relationship between Silvia and Tobin.

In Silvia, we see these contradictions embodied and it's a shame, really, that the thriller aspects of the film and all the emotional fireworks from blubberpuss Penn obscure her.

Rodriguez is always a welcome figure for any commentary for behind - the - scenes documentary and he helps keeps the discussion going covering numerous aspects of the film.

I'm a big comic book fan, and I did enjoy the comic book aspects of the film, but the movie aspects didn't really meet my standards.

This would have been the shining aspect of this film if it were not for the obvious contradiction toward it at the climax of the film.

Their friendship is one of the most sincere and touching aspects of the film.

You have to admire the technical aspects of the film.

Coogler and Cole's desire to create something more than a standard, comic book movie comes to light in nearly every aspect of the film.

The Bottom Line: Perhaps the best aspect of the film is that it's for the entire family to enjoy during the holidays and offers a fresh perspective of the man and his beloved novel, «A Christmas Carol.»

One of the aspects of the film that has remained mostly unseen is the full form of Toby Kebbell as the Fantastic Four's nemesis Doctor Doom.

While the beginning of the film feels like it's setting the audience up for a somewhat boring lesson on drone warfare (I'm looking at you, Good Kill), Hood — still wiping the sting of X-Men Origins: Wolverine off with Ender's Game and now this — excellently threads the needle of tension and, before you know it, the thriller aspect of the film becomes abundantly clear as the series of events play out in semi-real time over the course of one day.

However, that is the only aspect of the film that I believe deserves merit at all.

The only interesting aspect of the film are the Sommers regulars that pop up every now and again (Arnold Vosloo, Kevin J. O'Connor and Brendan Fraser), and it merely serves to remind us just how much better his earlier films were.

The polemical political comment in earlier films such as Komsomol, Borinage and New Earth is not comfortably integrated into other aspects of the films, and for viewers today limits these films impact.

How can the specific aspects of film language — framing, editing, off - screen space — function to suggest the presence of evil in their fold?