Sentences with phrase «assistant curator of collections»

History and Contemporaneity in the Encyclopedic Art Museum Amanda Gilvin, Assistant Curator of Collections at the Davis Museum at Wellesley College African art uniquely exposes paradoxes in the portrayal of time in the encyclopedic art museum, as can be demonstrated by this analysis of the African art collection of the Davis Museum at Wellesley College.

Organized by John Zarobell, SFMOMA assistant curator of collections, exhibitions, and commissions, the exhibition continues the museum's New Work series, dedicated to featuring the most innovative expression of contemporary art.

Not exact matches

George McGavin, assistant curator of entomological collections at the Oxford University Museum and a prominent opponent of Bishop's work, says: «If the experiments continue, I'll continue my opposition.»

«Museum collections hold hidden treasures of biodiversity,» said co-author Dr. Gavin Svenson, curator of invertebrate zoology at the Cleveland Museum of Natural History and adjunct assistant professor at Case Western Reserve University.

He handed the specimen off to world isopod experts Dr. Regina Wetzer, Associate Curator and Director of the Marine Biodiversity Center, and Adam Wall, Assistant Collections Manager for Crustacea at NHM.

We're already thinking about this idea of protest and activism in the collection, and wouldn't it be amazing if we could find a way to really celebrate this exciting new acquisition and get a lot of these posters up on the wall,» says Jennie Goldstein, an assistant curator at the Whitney who curated the show with David Breslin and Rujeko Hockley.

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of Curatorial Assistant and Project Manager Sophia Merkin.

2 pm: Laura Vookles, Chair of the Curatorial Department, and Assistant Curator Ted Barrow will explore works on view in the permanent collection as well as the HRM Object of the Month for May, Samuel Colman's «Moonlight in Venice.»

The panelists who selected the 2018 - 2019 Studio Artists were: Connie H. Choi, Associate Curator, The Studio Harlem's permanent collection; Carmen Hermo, Assistant Curator, Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum; Gabriel de Guzman Curator and Director of Exhibitions, Smack Mellon.

Connie H. Choi, currently the associate curator of The Studio Harlem's permanent collection since February 2017 previously the assistant curator of American art at the Brooklyn Museum.

In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Institute.

Organized by Dena M. Woodall, associate curator of prints and drawings, and curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints from the permanent collection selected by artists known for their work in other disciplines — specifically sculpture, photography, painting, installation, and dance.

Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.

Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

This behind - the - scenes tour led by Jennie Goldstein, assistant curator, and Clara Rojas - Sebesta, assistant conservator, will explore two key collection priorities: the display and preservation of art.

Hirshhorn assistant curator Mika Yoshitake discusses her new installation of permanent collection works on the second floor

Seven pieces from Earl's series Late Night Polaroids were selected by Assistant Curator of Photography at the High Museum of Art Gregory Harris to be included in their permanent collection.

Surface / Depth: The Decorative After Miriam Schapiro is curated by Elissa Auther, MAD's Windgate Research and Collections Curator with the support of Assistant Manager of Curatorial Affairs, Angelik Vizcarrondo - Laboy.

As assistant curator, Padgett will contribute to exhibition planning, publications, research, and growth of the collection, with a particular focus on American art from the 1900s through 1960s.

Cara Manes is Assistant Curator in the Department of Painting and Sculpture at The Museum of Modern Art, where she works extensively on the ongoing displays in the collection galleries and sculpture garden, as well as on temporary exhibitions and special installations.

For «Form in Translation: Sculptors Making Prints and Drawings,» assistant curator Eric Lutz of the St. Louis Art Museum (along with research assistant Ann - Maree Walker) has again brought together works that show the strengths of the museum's permanent collection while giving insight into a vital mode of artmaking that deserves more exposure.

Under the tutelage of director and chief curator, Thelma Golden, Haynes, over the course of just under 10 years, made the climb from curatorial assistant to the associate curator of the permanent collection that houses approximately 2,800 artworks.

Please join Diana Greenwold, Assistant Curator of American Art, for a talk on highlights from the PMA collection.

Co-curated by Dr. Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art and Kristie Couser, Curatorial Assistant for the Mellon Collections.

Presenters are Apsara DiQuinzio, BAMPFA curator of modern and contemporary art and Phyllis C. Wattis MATRIX Curator, who organized the exhibition; Douglas Dreishpoon, chief curator emeritus, Albright - Knox Art Gallery; Lauren Kroiz, UC Berkeley assistant professor of art history and contributor to the exhibition catalog; and Jeff Gunderson, special collections librarian and archivist at the San Francisco Art Inscurator of modern and contemporary art and Phyllis C. Wattis MATRIX Curator, who organized the exhibition; Douglas Dreishpoon, chief curator emeritus, Albright - Knox Art Gallery; Lauren Kroiz, UC Berkeley assistant professor of art history and contributor to the exhibition catalog; and Jeff Gunderson, special collections librarian and archivist at the San Francisco Art InsCurator, who organized the exhibition; Douglas Dreishpoon, chief curator emeritus, Albright - Knox Art Gallery; Lauren Kroiz, UC Berkeley assistant professor of art history and contributor to the exhibition catalog; and Jeff Gunderson, special collections librarian and archivist at the San Francisco Art Inscurator emeritus, Albright - Knox Art Gallery; Lauren Kroiz, UC Berkeley assistant professor of art history and contributor to the exhibition catalog; and Jeff Gunderson, special collections librarian and archivist at the San Francisco Art Institute.

Panellists in 2018 included invited curator Hugh Mulholland (Senior Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,curator Hugh Mulholland (Senior Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,Curator, Collections, IMMA).

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

Geurt Imanse (the head of collections) and Frank van Lamoen (assistant curator) had been working on the Khardzhiev catalogue, which provided a very good reason to offer a Malevich exhibition.

This latest installment of SFMoMA's ongoing New Work series is organized by Alison Gass, assistant curator of painting and sculpture, and gathers approximately 20 sculptures from public and private collections worldwide, marking both artists» first exhibition at a major U.S. museum.

Previously, she was Assistant Curator for Collections at the Solomon R. Guggenheim Museum (2010 — 16), where she served on the museum's Young Collectors Council acquisition committee devoted to acquiring and supporting the work of emerging artists.

Michael Tymkiw, PhD candidate in art history at the University of Chicago, in consultation with Jessica Moss, Smart Museum Assistant Curator of Contemporary Art, and Stephanie Smith, Smart Museum Director of Collections and Exhibitions and Curator of Contemporary Art.

When Apsara DiQuinzio, assistant curator of painting and sculpture at SF MoMA, asked me to participate in their «New Work» exhibition series, I proposed drawing a show from the museum's permanent collection rather than showing my own work.

It was also one of the examples that an assistant curator at the Morgan, Clara Drummond, said inspired her to comb through the Morgan's collection for other moments of recognition and interaction between animals and humans.

For many years she worked as curator, director of collections, and studio assistant to Isamu Noguchi and for his museum in Long Island City, New York.

For managing the loan and preparing the paintings, photographs, and printed material for display and photographic materials for this publication, we are grateful to the New York State Office of Parks, Recreation and Historic Preservation Peebles Island Resource Center staff: Acting Director for the Bureau of Historic Sites John Lovell; Director of the Division for Historic Preservation Ruth Pierpont; Collections Manager Anne Ricard Cassidy and her staff Erin Czernecki, Ronna Dixson, and Mary Zaremski; Former Curator Robin Campbell, Curator Susan Walker, and Assistant Curator Amanda Massie; Paper Conservator Michele Phillips; Frames Conservator Eric Price; and Paintings Conservator Joyce Zucker.

The success of this program is made possible through the support and guidance of Loretta Yarlow (Museum Director), Eva Fierst (Curator of Education), Justin Griswold (Collections Manager), Karen Kurczynski (Assistant Professor of Art History), and Shona Macdonald (Professor of Studio Art).

Claire Whitner Assistant Director of Curatorial Affairs / Senior Curator of Collections 781.283.2175 [email protected]

Following the establishment of its Russia and Eastern Europe Acquisitions Committee (REEAC) in October 2012, Tate has appointed Natalia Sidlina as adjunct research curator for Russian art and Julia Tatiana Bailey as assistant curator, collections, international art, with the aim to develop Tate's knowledge and expertise of Russian contemporary art.

Collection gives the Museum a new strength in art from the Plains for its Native American art collection,» said Matthew H. Robb, assistant curator of ancient American and Native American art.

Ramírez - Montagut previously served as senior curator at the San Jose Museum of Art; a curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; assistant curator at the Guggenheim Museum in New York; and curator of collections and public programs at the Price Tower Arts Center in Bartlesville, Oklahoma;

In her role as Associate Curator, Dr. Whitner curated the current exhibition New View: 2014 Faculty Exhibition; and is collaborating with Dr. Eve Straussman - Pflanzer, Assistant Director of Curatorial Affairs / Senior Curator of Collections, on the reinstallation of the permanent galleries at the Davis, scheduled to open in fall 2016.

Camille Ann Brewer previously worked at the University of Chicago, was an assistant curator at the Detroit Institute of Arts, and also served as an art consultant and curator building collections and organizing exhibitions for public museums and private clients.

The exhibition is accompanied by a 160 - page, fully - illustrated catalogue edited by Cynthia Burlingham and Robert Gober with essays by Robert Gober, critic Dave Hickey, Hammer Deputy Director Cynthia Burlingham, Burchfield Penney Art Center Head of Collections and the Charles Cary Rumsey Curator Nancy Weekly, and Burchfield Penney Art Center Research Assistant Tullis Johnson.

A Puppet Sun is the largest individual presentation of Velonis's work to date and is curated by Vassilis Oikonomopoulos, Assistant Curator, Collections International Art, Tate Modern, London.

Wu Hung, Smart Museum Consulting Curator, Harrie A. Vanderstappen Distinguished Service Professor of Art History, and Director of the Center for the Art of East Asia, University of Chicago, in consultation with Jessica Moss, Smart Museum Assistant Curator of Contemporary Art, and Stephanie Smith, Smart Museum Director of Collections and Exhibitions and Curator of Contemporary Art.

Susan Power, research assistant in LACMA's department of American art and curator of the present show, selected some Chinese, Japanese, and Tibetan works from the museum's collection to pair with some of the Graves works.

She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and culture.

Lismore Castle Arts would like to thank Catherine Giltrap, Curator of the University Art Collections, and Carolyn Kelly, Collections Management and Curatorial Assistant, Trinity College Dublin, for their assistance and enthusiasm for the exhibition.