Sentences with phrase «associate music director»

Kurt is the Associate Music Director and Co-Principal Trumpet of the Hanover Wind Symphony.

Meet Laurence Corns, the associate Music Director of FELA!

Not exact matches

There are three other members of the professional staff: a young man called two years prior as associate pastor, administrative assistant and a 30 - hour - per - week director of music.

In 1960, while associate director of the Cleveland Symphony Orchestra, Shaw was installed as minister of music — at no salary — at the First Unitarian (Unitarian Universalist) Church of Cleveland.

Skaller, the former associate director of computer music at Harvard, mentions the possibility of an artist community.

«Your brain takes all this information and extracts from it not just what the sounds are and where the sources are, but a sense of what the environment is around you,» says Agnieszka Roginska, associate director of New York University's music technology program, who is also working on spatially realistic sound.

Guest speakers Jana Fallin, director of the Center for the Advancement of Teaching and Learning and professor of music education; David Poole, professor of exercise physiology; and Zelia Wiley, interim associate provost for diversity, will lead a faculty application package workshop highlighting how to write a teaching philosophy, research statement, and diversity statement.

Camera (color, widescreen, HD), Mac Fisken; editor, Valerie Krulfeifer; music, Giona Ostinelli; music supervisors, Timothy Bickford, Mandi Collier; production designer, Angel Herrera; art director, Priscilla Watson; set decorator, Carl Turner; costume designer, Lauren Howard; sound, Nathan Whitcomb; re-recording mixer, Shawn Duffy; visual effects supervisor, Joel Hebner; stunt coordinator, Hebner; line producer, Moana Sherrill; associate producer, Fadi Saab; assistant director, Adam Werth; casting, Lindsey Weissmueller.

Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume designer, Ane Crabtree; sound (Dolby Digital), Paul Sorohan; supervising sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual effects supervisor, Sean Thigpen; visual effects, Wunderfilm, Stargate Studios; special effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.

Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic; head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.

Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume designer, Justine Seymour; sound (Dolby Digital), Kim Ornitz; sound designer, Ryan Collins; supervising sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual effects supervisor, Jack Cloud; visual effects, Cloudesign; special effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.

Camera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume designer, Chasia; sound, Woody Stubblefield; supervising sound editor, Trip Brock; re-recording mixer, Kelly Vandever; special effects makeup, Geneva Nash Morgan; visual effects supervisor, Jonas Drehn, Matt Bramante; visual effects executive producer, Gresham Lochner; visual effects, BaconX, Locktix; line producer, Gingi Rochelle; associate producers, Doug Patterson, Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim Coleman.

Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume designer, Amy Wescott; sound (Datasat / Dolby Digital), Shawn Holden; sound designer / supervising sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual effects, relevantVFX, Rain VFX, Artea; stunt coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors, David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy Marin.

Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume designer, Ariyela Walk - Cohain; sound, Buck Robinson; sound designer, Martyn Zub; supervising sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual effects supervisor, James Hattin; visual effects producer, Nate Smalley; visual effects, Legion; special makeup effects, Fractured FX; special effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.

Festivals: Cannes Director's Fortnight (Nominated for Camera D' Or), Deauville Film Festival, BFI London Film Festival, Tokyo Film Festival, Taipei Golden Horse Film Festival, Sao Paulo Film Festival, AFI Fest (Official Selection), Copenhagen Film Festival (CPH: PIX) WRITTEN & DIRECTED BY ALISTAIR BANKS GRIFFIN PRODUCERS JOSH MOND & ANDREW F. RENZI EXECUTIVE PRODUCERS SEAN DURKIN & ANTONIO CAMPOS ASSOCIATE PRODUCERS ZACH STUART - PONTIER & DUSTIN BOWLIN STARRING BRADY CORBET, DAVID CALL, & KAREN YOUNG PHOTOGRAPHED BY JODY LEE LIPES PRODUCTION DESIGN BY KRIS MORAN ART DIRECTION BY WILLIAM LOGAN MUSIC BY SAUNDER JURRIAANS & DANIEL BENSI SOUND DESIGN BY DANEIL FLOSDORF

(Color, widescreen); editors, Matthew Landon, Carole Kravetz; music, Hans Zimmer, Richard Harvey; production designers, Lou Romano, Celine Desrumaux; sound designer (Dolby Digital), Tim Nielsen; supervising sound editors, Nielsen, Christopher Barnett; re-recording mixers, Nielsen, Barnett; visual effects supervisor, Pascal Bertrand; character designer, Peter De Seve; co-character designer, Barthelemy Maunoury; CG character supervisor, Hidetaka Yosumi; CG animation supervisor, Jason Boose; CG lighting supervisor, Adel Abada; stop - motion creative director, Jamie Caliri; stop - motion production designer and character designer, Alex Juhasz; stop - motion lead animator, Anthony Scott; associate producers, Brice Garnie, Olivier Rakoto; casting, Sarah Finn.

Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer, Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood; sound (Dolby Digital / SDDS / Datasat), Lee Orloff; sound designers, Tony Lamberti, Victor Ray Ennis; supervising sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special effects coordinator, Bruno Van Zeebroeck; visual effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.

Camera (color, widescreen), Stuart Dryburgh; editor, Chris Plummer; music, Alex Heffes; production designer, Grant Major; art director, Jill Cormack; set decorator, Daniel Birt; costume designer, Ngila Dickson; sound (Dolby Digital / Datasat), Fred Enholmer; sound designer, Tim Prebble; re-recording mixers, Lora Hirschberg, Gilbert Lake; special effects supervisor, Ken Durey; visual effects producer, Ineke Majoor; visual effects, Iloura; stunt coordinator, Allan Poppleton; associate producers, Satoru Suzuki, Yasushi Akutagawa; assistant director, Toby Pease; second unit camera, Donald Duncan; casting, Yoko Narahashi, June Jenkins.

Crew: Camera (Deluxe color), Don Burgess; editor, Arthur Schmidt; music, Alan Silvestri; production designer, Rick Carter; art directors, Jim Teegarden, Stefan Dechant, Elizabeth Lapp; set decorators, Rosemary Brandenburg, Karen O'Hara; costume designer, Joanna Johnston; sound (Dolby / SDDS), William B. Kaplan; sound designer, Randy Thom; visual effects supervisor, Ken Ralston; associate producer, Steven Boyd; assistant directors, Alan B. Curtiss, Josh McLaglen; casting, Victoria Burrows.

Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.

Camera (Fotokem color, widescreen), Michael J. Ozier; editor, Dan O'Brien; music supervisor, Brad Rosenberger; production designer, Craig Stearns; art director, Randy Moore; costume designer, Jillian Kreiner; sound, Richard Lightstone; supervising sound editor, Kelly Oxford; re-recording mixers, Joe Barnett, Marshall Garlington; associate producers, Rick Pagano, David Orr, Kevin T. Foley; assistant director, Hillary Schwartz; casting Richard Pagano.

Camera (color, Super 16 mm), Jay Keitel; editors, Shai, Humphrey Dixon; music, Ali Helnwein; music supervisor, Bryan Bonwell; production designer, Trevor Gates; costume designer, Yasmine Abraham; sound, Mark Sutton; sound designer, Trevor Gates; re-recording mixers, Jonathan Wales, Jason Gaya; stunt coordinator, Jesse Johnson; associate producer, Elric Kane; assistant director, Laura Klein; casting, Lindsay Chag.

Camera (Deluxe color, widescreen, 35 mm), Rachel Morrison; editor, Suzy Elmiger; music, Marcelo Zarvos; production designer, Chris Trujillo; art director, Max Piersol; set decorator, Jess Royal; costume designer, Meghan Kasperlik; sound, Mike Guarino; sound designer / re-recording mixer, Brandon Proctor; visual effects supervisor, Mike Feuer; visual effects, MindSmack TV; stunt coordinator, Rick Kain; associate producers, Braden Friedman, Shani Geva; assistant director, Scott Larkin; casting, Laura Rosenthal Casting, Jessica Kelly.

Crew: Camera (color, HD), Adam Benn; editor, Babak Rassi; music, Terry Dame; production designer, James Gloria; sound, Jonathan L. Matthews; sound designer, David Briggs; supervising sound editor, David Briggs; assistant director, Diane Bonsignore; associate producers, Ashlie Atkinson, Rachel Style, Sara M. Ingram, Act Zero Films.

Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.

With: Art Jeffries - Bruce Willis Nicholas Kudrow - Alec Baldwin Simon - Miko Hughes Tommy B. Jordan - Chi McBride Stacey - Kim Dickens Dean Crandell - Robert Stanton Leo Pedranski - Bodhi Pine Elfman Emily Lang - Carrie Preston Peter Burrell - L.L. Ginter Martin Lynch - John Carroll Lynch Shayes - Peter Stormare Lomax - Kevin Conway Jenny Lynch - Kelley Hazen Supervisor Hartley - John Doman Edgar Halstrom - Richard RiehleCamera (Deluxe color, Panavision widescreen), Michael Seresin; editor, Peter Honess; music, John Barry; production designer, Patrizia von Brandenstein; art directors, Jim Truesdale, Steve Saklad; set designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume designer, Betsy Heimann; sound (DTS / SDDS / Dolby digital), Kim Ornitz; visual effects supervisor, Michael Owens; special visual effects and animation, Industrial Light & Magic; associate producer - assistant director, Tom Mack; casting, Nancy Klopper.

Crew: Camera (color), Sean McElwee; editor, Julio C. Perez IV; music, Keegan DeWitt; production designer, Margaret Kaiser; sound, Jarrett DePasquale; sound designer, Andrew Scott Duncan; assistant director, Lauren Smitelli; associate producers, Pandora Edmiston, Jay Hill, Jeffrey Ruggles, J. Ryan Stradal; casting, Andi Glover, Juli Green.

Camera (Deluxe color, widescreen), Oliver Wood; editors, Brent White, Melissa Bretherton; music, Andrew Feltenstein, John Nau; music supervisor, Erica Weis; production designer, Clayton Hartley; art director, Elliott Glick; set decorator, Jan Pascale; set designers, Barbara Mesney, James Tocci, Alexander, McCarroll, Danny Brown; costume designer, Susan Matheson; sound (Datasat / Dolby Digital), Whit Norris; sound supervisor, George Anderson; re-recording mixers, Marc Fishman, Anna Behlmer; visual effects, Mr. X Gotham, Lola VFX; stunt coordinator, Chris O'Hara; associate producers, Matt Rebenkoff, Robyn Wholey; assistant director, Matt Rebenkoff; second unit director, David Letich; casting, Allison Jones.

Camera (Deluxe color, HD), Chayse Irvin; editor, Cindy Thoennessen, Franklin Peterson; music, Matthew Puckett; music supervisor, Mark Wike; production designer, Matt Hyland; art director, Lee Clayton; set decorator, Ryan Brennan; costume designer, Anney Perrine; sound, Dan Bricker; supervising sound editor, Michael Feuser; re-recording mixer, Leslie Shatz; sound designer, Andrea Bella; visual effects supervisor, Paul Silverstein, Gabriel Napora, Hassini Krshna; visual effects, 5eDigital, Tiyabella VFX; associate producers, Mandy Sherman, Sari Knight; assistant director, Randall Ehrmann; casting, Mandy Sherman, Sari Knight.

Camera (3D, Deluxe color, widescreen), Lula Carvalho; editor, Bob Ducsay, Jim May, Debra Neil - Fisher; music, Steve Jablonsky; production designer, Martin Laing; art director, Miguel Lopez - Castillo; set decorator, Debra Schutt; costume designer, Sarah Edwards; sound (Datasat / Dolby Atmos), Tom Nelson, Peter Fonda; supervising sound editors, Jason W. Jennings, Nancy Nugent Title; re-recording mixers, Terry Porter, Anna Behlmer; special effects supervisor, J.D. Schwalm; visual effects supervisor, Pablo Helman; visual effects producers, Crystal Dowd, Susan Greenhow; visual effects, Industrial Light & Magic, Ghost VFX, Atomic Fiction, Base FX, Whiskytree Inc., Animatrik, FX3X, Virtuos, Bot VFX, Shade VFX, Lola VFX; stunt coordinators, Spiro Razatos, Jonathan Eusebio; fight coordinator, Jon Valera; associate producer, Lori Scowley, Basil Bryant Grillo, Bret Rowe, Marc Pappalardo; assistant director, Alexander H. Gayner; second unit director, Razatos; second unit camera, Jacques Haitkin; casting, Lisa Fields.

Crew: Camera (B&W / color), Christina Voros; music, Neil Benezra; production designer, Kristen Adams; costume designer, Malgosia Turzanska; sound, Benezra; stunt coordinator, Drew Leary; line producers, Monica Hoenig, Nicolas Celis; associate producer, John Morrow; assistant director, Caroline Aragon.

Camera (color), Samuel Brownfield; editor, Todd Zelin; music, David Bateman; production designer, Ronit Pinto; costume designer, Aline Hong; sound, Matthew A. Downey; re-recording mixer, Humberto Zamores; line producer, Tiziano Tucci; associate producer, Rachel Cole; assistant director, Glenn Miller; second unit director, Rachel Cole; second unit camera, Alex Grossfeld.

Camera (Tehcnicolor, Panavision widescreen), Carlos Catalan; editors, Chris Gill, Celia Haining; music, Benjamin Wallfisch; music supervisors, Iain Cooke, Ian Neil; choreography, Akram Khan; production designer, Shahram Karimi; art directors, Alistair Kay (Morocco), Lee Gordon (U.K.); costume designer, Louise Stjernsward; sound, Will Whale; supervising sound editors, Andy Shelley, Stephen Griffiths; re-recording mixer, Robert Farr; visual effects supervisor, Ben Shepherd; visual effects producer, Paul Driver; visual effects, LipSync Post; associate producer, Bia Oliveira; assistant director, Olly Robinson; casting, Manuel Puro.

Camera (color, widescreen), Shane Hurlbut; editor, Alex Rodriguez; music, Paolo Buonvino; music supervisor, Thomas Golubic; production designer, Daniel Clancy; art director, Gregory Weimerskirch; set decorator, Julie Smith; costume designer, Isis Mussenden; sound (Dolby Surround 5.1), Chris Strollo; supervising sound editor, Lew Goldstein; re-recording mixer, Goldstein; visual effects supervisors, Francesco Grisi, Stefano Leoni; visual effects, Edi Effetti Digitali Italiani; stunt coordinators, Jason Silvis, Lance Gilbert; associate producer, Bill Karesh; assistant director, Gregory C. Hale; casting, Mary Vernieu.

Camera (color, Arri Alexa HD, widescreen), Roger Deakins; editor, Joe Walker; music, Johan Johannsson; executive music producers, Tara Moross, Darren Blumenthal; production designer, Patrice Vermetter; supervising art director, Paul Kelly; art director, Bjarne Sletteland; set decorator, Jan Pascale; set designer, Ricardo Guillermo; costume designer, Renee April; sound (Dolby Digital), William Sarokin; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Tom Ozanich; visual effects supervisor, Louis Morin; visual effects, Oblique FX, Fly Studio, Cinesite; special effects supervisor, Stan Blackwell; stunt coordinator, Keith Woulard; associate producer, Emma McGill; assistant director, Donald L. Sparks; casting, Francine Maisler.

Camera (color), Robert Brinkmann; editor, Sharon Rutter; music, Steffan Fantini, Marc Fantini; production designer, Seth Reed; art director, Jennifer Moller; set decorator, Kat Wilson; costume designer, Sandra Burns; sound, John C. Taylor; visual effects supervisor, Billy Brooks; associate producers, Billy Brooks, Melodi Hallenbeck, Alexander Koehne, Ilana Marks; assistant director, Jeremy Phoenix; casting, Eric Souliere.

Camera (Fotokem color, widescreen), Shelly Johnson; editor, Padriac McKinley, Thomas J. Nordberg; music, Dario Marianelli; music supervisor, Maggie Rodford; production designer, Greg Berry; costume designer, Lizz Wolf; sound (Dolby Digital), Jay Meagher; supervising sound editor, Daniel Pagan; re-recording mixers, Jeffrey J. Haboush, Chris Carpenter; visual effects supervisor, Dottie Starling; visual effects, Wildfire Studios; action choreographer, Cory Yuen; associate producers, Samantha Brooks, David Shojai, John McLaughlin, RJ Cipriani; assistant director, Ann C. Salzer; casting, Barbara Fiorentino.

Camera (color, HD, widescreen), Bridger Nielson; music, Jonathan Snipes; production designers, Ben Spiegelman, Evan Ross Murphy; art director, Alexandra Branger; set decorator, Ben Plunkett; costume designer, Courtney Arthur; sound, Snipes; visual effects, Lit Post; stunt coordinator, T.J. White; line producer, Joel Henry; associate producer, Andrew Schwarz; assistant director, Ryan Miningham; casting, Jeff Olan.

Camera (color, HD), Ian Kerr; editor, Charlie Renfrew; music, Schaun Tozer; art director, Miller; production design, Chad Krowchuck; set decorator, Candise Paul; sound, Simon Doucet; associate producers, Paulie DiPinto, Chang Lae Kim.

Camera (color), David Cailley; editor, Lilian Corbeille; music, Lionel Flairs, Benoit Rault, Philippe Deshaies; production designer, Paul Chapelle; costume designer, Arianne Daurat; sound, Jean - Luc Audy, Guillaume Bouchateau, Antoine Baudoin, Niels Barletta; visual effects, Alain Carsoux; associate producers, Christophe Rossignon, Philip Boeffard; assistant director, Pierrick Vautier; casting, Stephane Batut.

Camera (color, HD), Baker, Radium Cheung; music supervisor, Matthew Smith; production designer / costume designer, Shih - ching Tsou; re-recording mixer, Jeremy Grody; associate producers, Julie Cummings, Karren Karagulian; assistant director, Julie Cummings; casting, Baker, Chris Bergoch.

«The Shape of Water» ACE — Drama (Sidney Wolinsky) ADG — Period (Paul Denham Austerberry) ASC — Dan Laustsen CAS — Best Sound Mixing CDG — Period (Luis Sequeira) CSA — Studio or Independent Drama: Robin D. Cook, Jonathan Oliveira (Associate) DGA — Director (Guillermo del Toro) MPSE — Sound Effects & Foley, Dialogue & ADR, Music MUAHS — Special Make - up Effects: Mike Hill, Shane Mahan PGA — Best Picture SAG — Actress (Sally Hawkins), Supporting Actor (Richard Jenkins) WGA — Original (Guillermo del Toro & Vanessa Taylor)

Jane Ginsborg, professor of music psychology and associate director of research at the Royal Northern College of Music, acknowledges that rhythm, rhyme and rap are increasingly common methods of memorising and recalling difficult subjmusic psychology and associate director of research at the Royal Northern College of Music, acknowledges that rhythm, rhyme and rap are increasingly common methods of memorising and recalling difficult subjMusic, acknowledges that rhythm, rhyme and rap are increasingly common methods of memorising and recalling difficult subjects.

«The idea of using music to teach math is a thousand years old,» says Marcella Runell Hall, associate director for New York University's Center for Multicultural Education and Programs, who studies hip hop.

He is an Associate Governor at Tavistock College, Director of Music at Tavistock Parish Church and a Director of the Tavistock Music and Arts Festival.

A graduate of Yale, Gerald Elias has been a Boston Symphony violinist, Associate Concertmaster of the Utah Symphony, adjunct professor of music at the University of Utah, first violinist of the Abramyan String Quartet, and Music Director of the Vivaldi Candlelight concert semusic at the University of Utah, first violinist of the Abramyan String Quartet, and Music Director of the Vivaldi Candlelight concert seMusic Director of the Vivaldi Candlelight concert series.

He works part time for music label Brave Wave Productions as Associate Director and Sound Engineer.

Five Lewis Center faculty members have received 2017 Fellowships from the John Simon Guggenheim Memorial Foundation: Lecturer in Creative Writing Phil Klay for Fiction; Visiting Associate Professor and Belknap Visiting Fellow Aaron Landsman for Drama and Performance Art; Lecturer in Creative Writing Fiona Maazel for Fiction; Visiting Professor of Creative Writing Claudia Rankine for Poetry; and Director of the Program in Music Theater and Professor of Theater Stacy Wolf in the category of Theatre Arts for her forthcoming book, «Beyond Broadway: Four Seasons of Amateur Musical Theatre in the U.S.»

2016 - Board Member, Monhegan Artists» Residency, Maine 2010 - Nonprofit Management Consultant, EKN Consulting, Rockland, Maine 2008 - 10 General Manager, Center for Furniture Craftsmanship, Rockport, Maine 2007 - 08 Director of Development, Center for Maine Contemporary Art, Rockport, Maine 2004 - 06 Managing Director, Gotham Chamber Opera, New York, New York 2001 - 04 Associate Director, San Francisco Contemporary Music Players, San Francisco, California

Artistic Directors Mafalda Millies and Roya Sachs Choreographer Karole Armitage Costume Designers Campana Brothers Associate Designers Jon Can Coskunes and Simone Duff Set Designers Kate Gilmore and Heather Rowe Music Charles Derenne (1982) Creative Production MATTE Projects Lighting Design Herrick Goldman Stage Manager Rachel Calter Production Manager Alberto Hamonet