Sentences with phrase «associate curator of collections»

Luke Kelly, UMFA associate curator of collections and antiquities, organized the exhibition for Salt Lake City.

Not exact matches

OSV Collectors» Forum speakers will include Colleen Callahan, Independent Historian: Put the Manly Breeches On: Boys» Clothing as Symbols of Manhood in the 19th Century; Laura E. Johnson, PhD., Associate Curator at Historic New England: From Stays to Skeleton Suits: Dressing Children in Early America; Chris Bates, Old Sturbridge Village Costume Coordinator: Making A Portrait Come Alive: Creating Reproduction Clothing at Old Sturbridge Village, presented with Rebecca Beall, Old Sturbridge Village Collections Manager, and Jean Contino, Old Sturbridge Village Coordinator of Households and Women's Crafts.

The teeth came from a fossil - rich area called Cabin Fork in Wyoming and are part of a substantial collection at the University of Florida built in part by study co-author Jonathan Bloch, an associate curator of vertebrate paleontology there.

He handed the specimen off to world isopod experts Dr. Regina Wetzer, Associate Curator and Director of the Marine Biodiversity Center, and Adam Wall, Assistant Collections Manager for Crustacea at NHM.

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

Prior to this, he was Associate Director for Art and Exhibitions and Curator of Modern Art at the Seattle Art Museum between 1987 and 1996, and was the first curator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 tCurator of Modern Art at the Seattle Art Museum between 1987 and 1996, and was the first curator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 tcurator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 to 1987.

The panelists who selected the 2018 - 2019 Studio Artists were: Connie H. Choi, Associate Curator, The Studio Harlem's permanent collection; Carmen Hermo, Assistant Curator, Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum; Gabriel de Guzman Curator and Director of Exhibitions, Smack Mellon.

Connie H. Choi, currently the associate curator of The Studio Harlem's permanent collection since February 2017 previously the assistant curator of American art at the Brooklyn Museum.

In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Institute.

Organized by Dena M. Woodall, associate curator of prints and drawings, and curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints from the permanent collection selected by artists known for their work in other disciplines — specifically sculpture, photography, painting, installation, and dance.

Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.

Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

Dr. Mitchell Merling, VMFA's Paul Mellon Curator and Head of the Department of European Art, curated the exhibition with Kristie Couser, Curatorial Associate for the Mellon Collections.

Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, says, «I think it was a turning point for him to let it go into a public collection, and opening that door allowed him to start thinking about placing other important pieces that he had held onto.»

Similarly, Andrew Eschelbacher has been promoted to Susan Donnell and Harry W. Konkel Associate Curator of European Art, where he will oversee the European art holdings in the PMA collection, including new acquisitions, and develop original exhibitions.

Under the tutelage of director and chief curator, Thelma Golden, Haynes, over the course of just under 10 years, made the climb from curatorial assistant to the associate curator of the permanent collection that houses approximately 2,800 artworks.

Diana Jocelyn Greenwold has been promoted to Associate Curator of American Art, where she will oversee the American art holdings in the PMA collection, including new acquisitions, and develop original exhibitions.

Katherine Hart, senior curator of collections and Barbara C. and Harvey P. Hood 1918 Curator of Academic Programming, and Amelia Kahl, associate curator of academic programming, act as the principal liaisons between Dartmouth faculty and the Hood Museum curator of collections and Barbara C. and Harvey P. Hood 1918 Curator of Academic Programming, and Amelia Kahl, associate curator of academic programming, act as the principal liaisons between Dartmouth faculty and the Hood Museum Curator of Academic Programming, and Amelia Kahl, associate curator of academic programming, act as the principal liaisons between Dartmouth faculty and the Hood Museum curator of academic programming, act as the principal liaisons between Dartmouth faculty and the Hood Museum of Art.

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

Associate Curator Emily Beeny discusses two exceptional works by Édouard Vuillard (French, 1868 — 1940) in the Norton Simon Museum's collection: Paysages et Intérieurs (Landscapes and Interiors), an exquisite print album of 1899, and First Fruits, the artist's monumental decorative canvas that was recently cleaned and conserved.

Presenters — most of whom knew Wong personally — are Sean Corcoran (who also moderates), curator of prints and photographs at the Museum of the City of New York, where he organized a major exhibition of Wong's collection of graffiti and street art; Yasmin Ramirez, curator at the Bronx Museum of Art, who contributed to the exhibition catalogue; Barry Blinderman, director of the University Galleries of Illinois State University, who exhibited the artist's work at his influential Semaphore Gallery on the Lower East Side; and artist Jane Dickson, a close associate of Wong's whose urban themes resonate with his.

Organized for MOCA by Associate Curator Rebecca Morse, in collaboration with a curatorial team that includes Director Jeffrey Deitch, Director of Publications Lisa Gabrielle Mark, Curator Alma Ruiz, and Curator Bennett Simpson, the exhibition expands on a collection show originally conceived by Chief Curator Paul Schimmel, that considered the work of Los Angeles artists in a local context, following Collection: MOCA's First Thirty Years, which presented Los Angeles artists in an international context.

Confirmed speakers include: Dr David Anfam (author, Mark Rothko: The Works on Canvas, Yale University Press, 1998); Lindsay Aveilhé (editor, Sol LeWitt: Wall Drawings Catalogue Raisonné); Dr Lee Beard (editor, Ben Nicholson: Catalogue Raisonné of Paintings & Carved Reliefs); Susan Cooke (Director of Programming, the US Catalogue Raisonné Scholars Association, and Associate Director of David Smith Sculptures: A Catalogue Raisonné); Dr Dietmar Elger (Director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, and editor of the Gerhard Richter Catalogue Raisonné); Dr Jo Melvin (Director Barry Flanagan Estate and Reader in Fine Art Theory, Archives and Special Collections at Chelsea College of Arts); James Rawlin (independent advisor and curator, formerly Head of Modern and Post-war British Art at Sotheby's); Karen Sanig (Head of Art Law, Mishcon de Reya); Mark Waugh (Head of Research and Innovation, DACS); Sarah Whitfield (editor, William Scott: Catalogue Raisonné of Oil Paintings, Thames & Hudson, 2013).

Sarah Roberts serves as Andrew W. Mellon Foundation Associate Curator of Painting and Sculpture at SFMOMA, where she has directed research initiatives on the museum's collection since 2004.

When Olivier Meslay — the DMA's associate director of curatorial affairs, senior curator of European and American Art, and the Barbara Thomas Lemmon Curator of European Art — began exploring its drawings, he initially had thoughts of mounting a comprehensive exhibition of collection highcurator of European and American Art, and the Barbara Thomas Lemmon Curator of European Art — began exploring its drawings, he initially had thoughts of mounting a comprehensive exhibition of collection highCurator of European Art — began exploring its drawings, he initially had thoughts of mounting a comprehensive exhibition of collection highlights.

[33] Maria Troy, «I Say I Am: Women's Performance Video from the 1970s,» also the title to a collection of «early feminist tapes» curated by Troy as Associate Curator of Media at the Wexner Center in Columbus, Ohio.

Roberts serves as Andrew W. Mellon Associate Curator of Painting and Sculpture at SFMOMA, where she has directed research initiatives on the museum's permanent collection since 2004.

Past judges include Benjamin Genocchio, an art critic for the New York Times, Jodi Hauptman, curator in the Department of Drawings for The Museum of Modern Art and Tracy Bashkoff, associate curator for Collections for the Guggenheim Museum.

In her role as Associate Curator, Dr. Whitner curated the current exhibition New View: 2014 Faculty Exhibition; and is collaborating with Dr. Eve Straussman - Pflanzer, Assistant Director of Curatorial Affairs / Senior Curator of Collections, on the reinstallation of the permanent galleries at the Davis, scheduled to open in fall 2016.

The 500 works will significantly bolster the museum's collection of works on paper, and in addition to the gift, the Wiechmanns have underwritten a new curatorial post: Britany Salsbury joints the museum as associated curator of prints and drawings this month.

The exhibition is organized by the Hammer Museum and the Los Angeles County Museum of Art, and is curated by Cynthia Burlingham, director of the Grunwald Center for the Graphic Arts and deputy director of collections at the Hammer Museum, with Britt Salvesen, department head and curator of the Wallis Annenberg department of photography and department head and curator of prints and drawings, and Leslie Jones, associate curator of prints and drawings, at the Los Angeles County Museum of Art.

Bradford was chosen from these nominations by review committee members assembled by the High, which included Andrea Barnwell Brownlee, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.

Elizabeth Lillehoj, Associate Professor of Art History at DePaul University, in conjunction with Carolyn Moore, Associate for Japanese Collections at The Field Museum, and Richard Born, Smart Museum Curator

He is researcher at the Instituto de Investigaciones Estéticas at the National University of Mexico, Mexico City, and is Associate Curator, Latin American Art Collections, at Tate Modern, London.

Previously Chong was Associate Curator of Painting and Sculpture at MoMA, where he organized contemporary exhibitions and acquired works for the museum's collection.

In 1978, he was elected an associate of the Royal Academy of Arts, and was made honorary curator of its collections in 1985.

This two - part tour includes a collections review with the Library Company co-Director of the Visual Culture Program and Associate Curator of Prints & Photographs, Erika Piola and exclusive The Living Book tour with exhibition curators.

Her previous posts include Associate Director for Artis; Programs Director at Creative Link for the Arts, New York; curator for the collections of Eileen and Peter Norton, and the Collection of Eileen Harris Norton; and the Arts Programs Director for the Peter Norton Family Foundation.

Contemporary Art from the Collection is organized by Nina Bozicnik, Associate Curator, with assistance from Judy Sourakli, Curator of Collections, and Krista Schoening, Graduate Curatorial Assistant.

«The singular nature of this jug,» said Dr. Susan J. Rawles, VMFA's associate curator of American painting and decorative art, «both as a work of art and as a lens on a world largely muted by bondage — makes it one of the most compelling objects in VMFA's collection.»

From 2001 to 2004, as Associate Curator of Contemporary Art at The Cleveland Museum of Art, Grove directed the Museum's post-1945 collection of painting and sculpture and oversaw the development of exhibitions, programs, and scholarly publications.

Curated by Michelle Jacques, AGO associate curator, the exhibition features The Islands, a monumental series of 12 paintings on loan from the Whitney Museum of American Art, and is accompanied by pieces from the AGO's permanent collection.

While «Expanding Abstraction» organizers Jennifer Gross, the deCordova's former chief curator and deputy director of curatorial affairs, and associate curator Sarah Montross have borrowed some of the more notable early paintings on view, including a Helen Frankenthaler, most of the works are from the collection.

Bradford was chosen by review committee members assembled by the High, which included Andrea Barnwell Brownlee, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.

, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.

Spanning the formative century from 1830 to 1930, from the Hudson River School to Modernism, it is one of the most important collections of historic American art in private hands and will contribute significant depth to VMFA's collection from this period, said Susan J. Rawles, PhD, VMFA's associate curator of American painting and decorative art.

Paul Davis, the curator of collections, and Clare Elliott, associate curator for modern art, are essentially starting from scratch, too.

Eyes of the Ancestors: The Arts of Island Southeast Asia at the Dallas Museum of Art is edited by Reimar Schefold, professor emeritus of the anthropology and sociology of Indonesia at Leiden University, in collaboration with Steven G. Alpert, an author, consultant, and connoisseur of the arts of Island Southeast Asia and the Pacific Rim, with contributions by Steven G. Alpert; George Ellis, former President and Director of the Honolulu Academy of Arts; Nico de Jonge, Vice-Director of the University Museum of the University of Groningen, The Netherlands; Vernon Kedit, an authority on the weaving traditions of the Saribas region (Sarawak, Borneo); Reimar Schefold; Achim Sibeth, former curator of the Southeast Asian collection at the Museum of World Cultures in Frankfurt / Main; and Roxana Waterson, a social anthropologist and Associate Professor in the Department of Sociology, National University of Singapore.

Haynes comes to Crystal Bridges from The Studio Museum in Harlem where, since 2006, she has served in progressively responsible roles and currently holds the position of Associate Curator, Permanent Collection, overseeing the care and collection of the permanent collection as well as acquisitions and exhibitions.